Anne is a headstrong young girl growing up in the frontier colony of Carolina in the early eighteenth century. With the death of her mother, and others she holds dear, Anne discovers that life is uncertain, so best live it to the full.

The CSS Shenandoah fired the last shot of the Civil War and was the only Confederate warship to circumnavigate the globe. But what was Captain James Waddell's true relationship with his Yankee prisoner Lillias Nichols and how did it determine the ship's final destination? Without orders, Waddell undertook a dangerous three month voyage through waters infested with enemy cruisers. He risked mutiny by a horrified crew who, having been declared pirates, could be hanged. This is the true story behind the cruise of the Shenandoah--one of secret love and blackmail--brought to light for the first time in 150 years.

Reproduction of the original: Letters from a Landscape Painter by Charles Lanman

As a writer, businessman and magistrate, Henry Fielding was in a singular position to textualize eighteenth-century English cultural conditions and materially to author the text of his society. Not only did he extol employment, he co-owned an employment agency. Not only did he commit fictional criminals to paper, he committed actual criminals to prison. And he could and did commit actual criminals to prison and paper simultaneously. Henry Fielding at Work examines the intersections of Fielding's practice as magistrate, businessman, and writer, and explores the ways Fielding's experience in those capacities affected the conception, form and articulation of his final literary works.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the "literary" novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies. In thirty-four essays, this volume reconstructs the emergence and early cultivation of the novel in the United States. Contributors discuss precursors to the U.S. novel that appeared as colonial histories, autobiographies, diaries, and narratives of Indian captivity, religious conversion, and slavery, while paying attention to the entangled literary relations that gave way to a distinctly American cultural identity. The Puritan past, more than two centuries of Indian wars, the American Revolution, and the exploration of the West all inspired fictions of American struggle and self-discovery. A fragmented national publishing landscape comprised of small, local presses often disseminating odd, experimental forms eventually gave rise to major houses in Boston, New York, and Philadelphia and a consequently robust culture of letters. "Dime novels", literary magazines, innovative print technology, and even favorable postal rates contributed to the burgeoning domestic book trade in place by the time of the Missouri Compromise. Contributors weigh novelists of this period alongside their most enduring fictional works to reveal how even the most "American" of novels sometimes confronted the inhuman practices upon which the promise of the new republic had been made to depend. Similarly, the volume also looks at efforts made to extend American interests into the wider world beyond the nation's borders, and it thoroughly documents the emergence of novels projecting those imperial aspirations.