This is an enumeration of the seed plants (excluding monocots) found in tropical Singapore. It includes nearly 1,300 species of naked-seeded plants and dicots which are native or naturalised, and over 520 species which are commonly cultivated in Singapore and adjacent islands. They are systematically arranged in 142 families in this book. An alphabetical list of the families can be found in the beginning of the book. There are brief descriptions on the families and short diagnoses and notes to the species of the genera. Keys to the families and genera of most families are also provided. Nearly all the families are illustrated with at least one line drawing. Some of the larger families, such as composites and legumes, are accompanied with 10 to 20 drawings. They generally depict the common or renowned examples.

Artists and writers go beyond disciplinary boundaries and linear histories to address the fight for environmental justice, uniting the Asia-Pacific vantage point with international discourse. Modeling the curatorial as a method for uniting cultural production and science, Climates. Habitats. Environments. weaves together image and text to address the global climate crisis. Through exhibitions, artworks, and essays, artists and writers transcend disciplinary boundaries and linear histories to bring their knowledge and experience to bear on the fight for environmental justice. In doing so, they draw on the rich cultural heritage of the Asia-Pacific, in conversation with international discourse, to demonstrate transdisciplinary solution-seeking. Experimental in form as well as in method, Climates. Habitats. Environments. features an inventive book design by mono.studio that puts word and image on equal footing, offering a multiplicity of media, interpretations, and manifestations of interdisciplinary research. For example, botanist Matthew Hall draws on Ovid’s Metamorphoses to discuss human-plant interpenetration; curator and writer Venus Lau considers how spectrality consumes—and is consumed—in animation and film, literature, music, and cuisine; and critical theorist and filmmaker Elizabeth Povinelli proposes “Water Sense” as a geontological approach to “the question of our connected and differentiated existence,” informed by the “ancestral catastrophe of colonialism.” Artists excavate the natural and cultural DNA of indigo, lacquer, rattan, and mulberry; works at the intersection of art, design, and architecture explore “The Posthuman City”; an ongoing research project investigates the ecological urgencies of Pacific archipelagos. The works of art, the projects, and the majority of the texts featured in the book were commissioned by NTU Centre for Contemporary Art Singapore. Copublished with NTU Centre for Contemporary Art Singapore

A magnificently illustrated and superbly written guide to the unique and simply astounding biodiversity of Singapore.

From chewing gum bans to bizarre courtesy campaigns to the distinctive Singaporean linguistic landscape and some of the region¿s most notable personalities, Singapore at Random brings together a whole host of anecdotes, statistics, quotes, facts, recipes, folklore, and other unusual tidbits. Peppered with attractive illustrations throughout, this an irresistible celebration of the boundless diversity that makes Singapore so unique.