The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other. A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era. Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom’s career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

The Wayne Thom Photographer negatives, photographs, and other material contains the record of Wayne Thom's prolific career as an architectural photographer and graphic designer. The bulk of the collection consists of Thom's professional photographic work, beginning with his earliest work from 1968 and extending until his retirement in 2012. Also included in the project work are non-architectural projects, such as portraits and landscape, and included are records of his graphic design work, which primarily consisted of office stationery and publicity brochures for architectural firms, for many of which he also did photographic work. The collection also contains, in Thom's office files, certificates and awards of achievement, publications in which Thom's work appeared, his planners and diaries, and his original client list and project index.

Creating Digital Exhibits for Cultural Institutions will show you how to create digital exhibits and experiences for your users that will be informative, accessible and engaging. Illustrated with real-world examples of digital exhibits from a range of GLAMs, the book addresses the many analytical aspects and practical considerations involved in the creation of such exhibits. It will support you as you go about: analyzing content to find hidden themes, applying principles from the museum exhibit literature, placing your content within internal and external information ecosystems, selecting exhibit software, and finding ways to recognize and use your own creativity. Demonstrating that an exhibit provides a useful and creative connecting point where your content, your organization, and your audience can meet, the book also demonstrates that such exhibits can provide a way to revisit difficult and painful material in a way that includes frank and enlightened analyses of issues such as racism, colonialism, sexism, class, and LGBTQI+ issues. Creating Digital Exhibits for Cultural Institutions is an essential resource for librarians, archivists, and other cultural heritage professionals who want to promote their institution’s digital content to the widest possible audience. Academics and students working in the fields of library and information science, museum studies and digital humanities will also find much to interest them within the pages of this book.

Just as Minneapolis songwriter Jon Wayne’s music career is taking off in the summer of 2008, his life is falling apart. He’s homeless and begging on the streets, addicted to heroin, cocaine, alcohol and whatever other poison he’s putting into his body. He’ll overdose three times that summer before embarking on his seventh trip to rehab. As he begins his newfound sobriety on Sept. 14, 2008, he knows getting clean has to stick this time because it’s no longer a choice of whether or not to get high; it’s a choice of life or death. Growing up in bucolic Jamestown, North Dakota, Wayne enters rehab for the first time at 18 after a brief yet voracious dance with cocaine addiction. His struggles with addiction and sobriety will take him to Fargo, where he parties, delivers pizzas and attends chef school, and ultimately to Minneapolis, where he makes music – forming reggae band Jon Wayne and the Pain in 2006 – and discovers heroin, the answer to the ever-present voice in his head. One More Trip is one man’s story of survival and redemption set against the backdrop of a non-stop music career in a drug-prone work zone. Author Thom Wilder weaves the inspirational tale of Jon Wayne’s moment of truth in overcoming addiction, changing his life, correcting his mistakes and making amends.