The first monograph of photographer Wayne Thom, whose documentation of Late Modern architecture constitutes an architectural/visual archive unlike any other. A key primer to late-twentieth century Modernism, this monograph devoted to Wayne Thom chronicles his photographic practice and the architectural and urban environment in which he worked. An innovative chronicler of the booming West Coast urbanism of the 1960s and 70s, Thom’s photographs of key projects by path-breaking architecture firms such as William Pereira & Associates, Edward Durell Stone, SOM, Gio Ponti, John Portman, I. M. Pei, and A. Quincy Jones helped establish the idea of cool architectural glamour of the era. Raised in Hong Kong, Thom moved to California in the mid-1960s and trained in the technical craftsmanship of photography, adept at harnessing natural light for both interior and exterior compositions. He soon began working with the figures who would become his clients and benefactors, most importantly William Pereira and A. Quincy Jones, a prolific architect and Dean of the School of Architecture at USC. As Emily Bills critically assess Thom’s career, she demonstrates that his photography became inseparable from Late Modernism in the popular imagination, a period of architectural production that ran from the late 1960s through the 1980s. Wayne Thom: Photographing the Late Modern is a celebration of this key architectural photographer and a unique chronicle of the works of this transformative period of architectural expression.

Just as Minneapolis songwriter Jon Wayne’s music career is taking off in the summer of 2008, his life is falling apart. He’s homeless and begging on the streets, addicted to heroin, cocaine, alcohol and whatever other poison he’s putting into his body. He’ll overdose three times that summer before embarking on his seventh trip to rehab. As he begins his newfound sobriety on Sept. 14, 2008, he knows getting clean has to stick this time because it’s no longer a choice of whether or not to get high; it’s a choice of life or death. Growing up in bucolic Jamestown, North Dakota, Wayne enters rehab for the first time at 18 after a brief yet voracious dance with cocaine addiction. His struggles with addiction and sobriety will take him to Fargo, where he parties, delivers pizzas and attends chef school, and ultimately to Minneapolis, where he makes music – forming reggae band Jon Wayne and the Pain in 2006 – and discovers heroin, the answer to the ever-present voice in his head. One More Trip is one man’s story of survival and redemption set against the backdrop of a non-stop music career in a drug-prone work zone. Author Thom Wilder weaves the inspirational tale of Jon Wayne’s moment of truth in overcoming addiction, changing his life, correcting his mistakes and making amends.

Legacy of Secrecy tells the full story of JFKs murder and the tragic results of the cover-ups that followed, as revealed by two dozen associates of John and Robert Kennedy, backed by thousands of files at the National Archives. The result of twenty years of research, it finally tells the full story long withheld from Congress and the American people.

THE CHALLENGE: Invent a town to solve all suburban problems, meet challenges like Jane Jacobs described; plus comprehensively solve all livability, environmental, & affordability issues. Impossible? In this book, key historical influences are reviewed w/ fresh perspectives on current ideas. Entirely new town & home designs are presented. Permanent infrastructure systems can save 50% of home cost & add livability. Three-dimensional home site arrangements save costs & offer more privacy, freedom, & flexibility than in suburbia; neighborly potentials are enhanced. While at same as suburban densities, 70% of the same amount of land becomes an integral open space & farming system. The Home Site, Near & Extended Neighborhood w/ Main Street acts as a visual & functional unit for all life's moments, & is designed primarily for each individual's satisfaction. WHY INVENT A NEW TOWN CONCEPT? Few towns have been primarily for people. Town plans based on cars make cars necessary. There's no incentive for high quality long-term investment in towns with short-term 25 to 50 year plans, w/ no truly long-term comprehensive strategy. Current concepts can't solve all the problems. They will never solve the basic conflicts between housing eventually needing more land, the environmentalist, landowners, & developers. Everyone's trapped; the concept is the problem. Affordability, livability, & sustainability will be more difficult. General Plans that dictate existing design solutions/are based on cars stifle any truly new ideas. To solve current & future challenges requires entirely new concepts. With insight from the past & today's technology, we can design human habitats to function as an integral part of the surrounding natural environment. This new-concept town approaches the efficiency & natural balance common in homes built by many other less intelligent life forms. This new concept is functionally, structurally & financially feasible today. www.sprawlsolutions.com

This collection of engaging and beautiful portraits by Wayne Lawrence celebrates the diversity and community of one of New York City's most popular beaches. Orchard Beach might not be the most elegant place to sunbathe, but if you live in the Bronx, it's the closest place to swim, relax on the sand, and escape the city's oppressive summer heat. Drawn to the public beach for its less-than-glamorous reputation, photographer Wayne Lawrence felt a connection to the community as soon as he began snapping pictures. His glamorous portraits of proud men and women, loving couples, and families at play challenge stereotypes associated with working-class people by focusing on universal themes such as the ties that bind and cultural pride. Whether Anglo, African American, or Latino; statuesque or stout; young or old, each individual is treated with dignity and sensitivity. Lawrence's subjects are a community standing in defiance of popular opinion, proud to call Orchard Beach their own.

Part autobiography, part natural history, Bird Cloud is the glorious story of Annie Proulx’s piece of the Wyoming landscape and her home there. “Bird Cloud” is the name Annie Proulx gave to 640 acres of Wyoming wetlands and prairie and four-hundred-foot cliffs plunging down to the North Platte River. On the day she first visited, a cloud in the shape of a bird hung in the evening sky. Proulx also saw pelicans, bald eagles, golden eagles, great blue herons, ravens, scores of bluebirds, harriers, kestrels, elk, deer and a dozen antelope. She fell in love with the land, then owned by the Nature Conservancy, and she knew what she wanted to build on it—a house in harmony with her work, her appetites and her character, a library surrounded by bedrooms and a kitchen. Bird Cloud is the story of designing and constructing that house—with its solar panels, Japanese soak tub, concrete floor, and elk horn handles on kitchen cabinets. It is also an enthralling natural history and archaeology of the region—inhabited for millennia by Ute, Arapaho, and Shoshone Indians—and a family history, going back to nineteenth-century Mississippi riverboat captains and Canadian settlers. Proulx, a writer with extraordinary powers of observation and compassion, here turns her lens on herself. We understand how she came to be living in a house surrounded by wilderness, with shelves for thousands of books and long worktables on which to heap manuscripts, research materials and maps, and how she came to be one of the great American writers of her time.

Creating Digital Exhibits for Cultural Institutions will show you how to create digital exhibits and experiences for your users that will be informative, accessible and engaging. Illustrated with real-world examples of digital exhibits from a range of GLAMs, the book addresses the many analytical aspects and practical considerations involved in the creation of such exhibits. It will support you as you go about: analyzing content to find hidden themes, applying principles from the museum exhibit literature, placing your content within internal and external information ecosystems, selecting exhibit software, and finding ways to recognize and use your own creativity. Demonstrating that an exhibit provides a useful and creative connecting point where your content, your organization, and your audience can meet, the book also demonstrates that such exhibits can provide a way to revisit difficult and painful material in a way that includes frank and enlightened analyses of issues such as racism, colonialism, sexism, class, and LGBTQI+ issues. Creating Digital Exhibits for Cultural Institutions is an essential resource for librarians, archivists, and other cultural heritage professionals who want to promote their institution’s digital content to the widest possible audience. Academics and students working in the fields of library and information science, museum studies and digital humanities will also find much to interest them within the pages of this book.