(Book Jacket Status: Jacketed) Thirty years’ worth of Evelyn Waugh’s inimitable travel writings have been gathered together for the first time in one volume. Waugh’s accounts of his travels–spanning the years from 1929 to 1958–describe journeys through the West Indies, Mexico, South America, the Holy Land, and Africa. And just as his travels informed his fiction, his novelist’s sensibility is apparent in each of these pieces. Waugh pioneered the genre of modern travel writing in which the comic predicament of the traveler is as central as the world he encounters. He wrote with as sharp an eye for folly as for foliage, and a delight in the absurd, not least where his own comfort and dignity are concerned. From his fresh take on the well-traveled and hence already “fully labeled” Mediterranean region in Labels, to a close-up view of Haile Selassie’s coronation in Remote People, from a comically miserable stint in British Guiana.

A book about the meaning of travel, about how important the topic has been for writers for two and a half centuries, and about how excellent the literature of travel happened to be in England and America in the 1920s and 30s.

Between 1929 and 1935 Evelyn Waugh travelled widely and wrote four books about his experiences. In this collection he writes, with his customary wit and perception, about a cruise around the Mediterranean; a train trip from Djibouti to Abyssinia to attend Emperor Haile Selassie's coronation in 1930; his travels in Aden, Zanzibar, Kenya and the Congo, coping with unbearable heat and plagued by mosquitoes; a journey to Guyana and Brazil; and his return to Addis Ababa in 1935 to report on the war between Abyssinia and Italy. Waugh's adventures on his travels gave him the ideas for such classic novels as Scoop and Black Mischief.

Scoop, Evelyn Waugh's bestselling comedy of England's newspaper business of the 1930s is the closest thing foreign correspondents have to a bible -- they swear by it. But few readers are acquainted with Waugh's memoir of his stint as a London Daily Mail correspondent in Abyssinia (now Ethiopia) during the Italian invasion in the 1930s. Waugh in Abyssinia is an entertaining account by a cantankerous and unenthusiastic war reporter that "provides a fascinating short history of Mussolini's imperial adventure as well as a wickedly witty preview of the characters and follies that figure into Waugh's famous satire." In the forward, veteran foreign correspondent John Maxwell Hamilton explores in how Waugh ended up in Abyssinia, which real-life events were fictionalized in Scoop, and how this memoir fits into Waugh's overall literary career, which includes the classic Brideshead Revisited. As Hamilton explains, Waugh was the right man (a misfit), in the right place (a largely unknown country that lent itself to farcical imagination), at the right time (when the correspondents themselves were more interesting than the scraps of news they could get.) The result, Waugh in Abyssinia, is a memoir like no other.

With its specific focus on the connections between politics, travel, and travel writing, Not So Innocent Abroad offers a fresh approach to the study of travel literature. The authors make clear that travel and travel writing are never an “innocent” enterprise; rather, journeying always occurs within political systems, and travel writing either reflects the traveler’s political stance, includes political aspects of foreign cultures, or directly or indirectly influences political decisions. In contrast to most scholarly publications that primarily focus on travel literature of former colonial nations, this volume includes a broader range of travelogues depicting cultures worldwide, spanning from the eighteenth to the twenty-first century. It thus offers with its comparative approach not only a geographically wide selection but also an historical dimension to the political aspects of travel writing. Although most travel literature generally has followed the Horatian principle to instruct and delight the armchair traveler, the authors of this volume clearly address the broader political implications of travel and travel writing within networks of “naked” politics, such as international or interior conflicts, emigration laws, or national propaganda. They also reveal how insidiously political messages are dissimulated through travel writing.

In the 1930s, the discourse of travel furthered widely divergent and conflicting ideologies—socialist, conservative, male chauvinist, and feminist—and the major travel writers of the time revealed as much in their texts. Evelyn Waugh was a declared conservative and fascist sympathizer; George Orwell was a dedicated socialist; Graham Greene wavered between his bourgeois instincts and his liberal left-wing sympathies; and Rebecca West maintained strong feminist and liberationist convictions. Bernard Schweizer explores both the intentional political rhetoric and the more oblique, almost unconscious subtexts of Waugh, Orwell, Greene, and West in his groundbreaking study of travel writing's political dimension. Radicals on the Road demonstrates how historically and culturally conditioned forms of anxiety were compounded by the psychological dynamics of the uncanny, and how, in order to dispel such anxieties and to demarcate their ideological terrains, 1930s travelers resorted to dualistic discourses. Yet any seemingly fixed dualism, particularly the opposition between the political left and the right, the dichotomy between home and abroad, or the rift between utopia and dystopia, was undermined by the rise of totalitarianism and by an increasing sense of global crisis—which was soon followed by political disillusionment. Therefore, argues Schweizer, traveling during the 1930s was more than just a means to engage the burning political questions of the day: traveling, and in turn travel writing, also registered the travelers' growing sense of futility and powerlessness in an especially turbulent world.