Justice Winters is doing her best to live like an ordinary college student, keeping all her secrets—past and present—buried deep. Even Cadence, the friend she calls “sister,” doesn’t know how Justice earns the cash to cover rent, much less the unspeakable truth about Pop and the sisters she left behind. On the night a careless boy threatens to reveal one of her secrets, Justice discovers she is willing to kill to make sure it never sees the light of day. When two more students turn up dead the next morning, she finds herself falling into a web of lies, brutality, and corruption—back into the darkness she thought she’d left behind. Can Justice solve the murders and come to terms with the war between good and evil that rages within her? To do so, is she willing to unbury her past and face a reality more terrifying than death?

Gnosticism was for C.G. jung the chief prefiguration of his analytical psychology. In this volume Robert Segal, an authority on theories of myth and Gnosticism, has searched the Jungian corpus for Jung's main discussions of this ancient form of spirituality. The progression in Gnosticism from sheer bodily existence to the release of the immaterial spark imprisoned in the body - and the reunion of that spark with the godhead - represents for Jung the psychological progression from ego consciousness to the ego's rediscovery of the unconscious, and the ego's integration with the unconscious to forge the self. Included in this volume are both Jung's sole work devoted entirely to Gnosticism, "Gnostic Symbols of the Self," and his own Gnostic myth, "Seven Sermons to the Dead." The book also contains key essays by Father Victor White and Gilles Quispel, whose "C.G. Jung und die Gnosis" is here translated for the first time. In his extensive introduction Segal discusses the parallel for Jung between ancient Gnostic and contemporary Jungian patients, the Jungian meaning of Gnostic myths and of the Seven Sermons, Jung's possible misinterpretation of Gnosticism, and the common characterization of Jung himself as a Gnostic.

"[A] fascinating and indispensable book."—Christopher Knight, Los Angeles Times Best Books of 2018—The Guardian Gold Medal for Contribution to Publishing, 2018 California Book Awards Carleton Watkins (1829–1916) is widely considered the greatest American photographer of the nineteenth century and arguably the most influential artist of his era. He is best known for his pictures of Yosemite Valley and the nearby Mariposa Grove of giant sequoias. Watkins made his first trip to Yosemite Valley and Mariposa Grove in 1861 just as the Civil War was beginning. His photographs of Yosemite were exhibited in New York for the first time in 1862, as news of the Union’s disastrous defeat at Fredericksburg was landing in newspapers and while the Matthew Brady Studio’s horrific photographs of Antietam were on view. Watkins’s work tied the West to Northern cultural traditions and played a key role in pledging the once-wavering West to Union. Motivated by Watkins’s pictures, Congress would pass legislation, signed by Abraham Lincoln, that preserved Yosemite as the prototypical “national park,” the first such act of landscape preservation in the world. Carleton Watkins: Making the West American includes the first history of the birth of the national park concept since pioneering environmental historian Hans Huth’s landmark 1948 “Yosemite: The Story of an Idea.” Watkins’s photographs helped shape America’s idea of the West, and helped make the West a full participant in the nation. His pictures of California, Oregon, and Nevada, as well as modern-day Washington, Utah, and Arizona, not only introduced entire landscapes to America but were important to the development of American business, finance, agriculture, government policy, and science. Watkins’s clients, customers, and friends were a veritable “who’s who” of America’s Gilded Age, and his connections with notable figures such as Collis P. Huntington, John and Jessie Benton Frémont, Eadweard Muybridge, Frederick Billings, John Muir, Albert Bierstadt, and Asa Gray reveal how the Gilded Age helped make today’s America. Drawing on recent scholarship and fresh archival discoveries, Tyler Green reveals how an artist didn’t just reflect his time, but acted as an agent of influence. This telling of Watkins’s story will fascinate anyone interested in American history; the West; and how art and artists impacted the development of American ideas, industry, landscape, conservation, and politics.

Mindy Starns Clark's first two books in the Smart Chick Mystery series—The Trouble with Tulip and Blind Dates Can Be Murder—are followed with more love and adventure in this final, suspense-filled book. When someone tries to push Jo Tulip in front of a New York train, her ex-fiance, Bradford, suffers an injury while saving her—and the unintentional sleuth is thrown onto the tracks of a very personal mystery. Jo's boyfriend, Danny Watkins, is away in Paris, so she begins a solo investigation of her near-murder. What secret was Bradford about to share before he took the fall? And when Jo uncovers clues tied to Europe, can she and Danny work together in time to save her life?

Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest? Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.

Most marshmallows are born into marshmallow families, play with marshmallow friends, and go to marshmallow school where they learn to be squishy. Most marshmallows read a book before bed and then fall asleep to dream ordinary marshmallow dreams. Is this book about most marshmallows? It isn't. Because Rowboat Watkins knows that just like you, some marshmallows have big dreams, and just like you, these marshmallows can do anything they set their minds to. This sweet and silly book is an inspiring reminder that by being true to ourselves each of us can be truly extraordinary.

The J.R. Watkins Company began in a back room of a small house in Plainview, Minnesota, in 1868. Through direct selling and innovative ideas like placing "Trial Marks" on bottles and offering money-back guarantees, Watkins grew from a one-man company into the world's largest direct selling company, an international corporation spanning North America, Australia, New Zealand, South Africa, and England. Today, the company is still in business selling the liniment that founder J.R. Watkins first bottled in 1868. With the help of nearly 40,000 sales associates worldwide, the Watkins name and its quality products are instantly recognizable to customers across the globe.