In the first groundbreaking volume of a new series, acclaimed Napoleonic scholar Gareth Glover brings together previously unpublished material relating to the Battle of Waterloo. The range and unique nature of much of the research will intrigue and fascinate enthusiasts and historians alike. The wealth of hitherto unseen British material contained in Volume I includes: a series of letters written by a senior officer on Wellington's staff to Sir Thomas Graham immediately following the battle; the letters of a member of the Wedgwood family in the Guards at Waterloo; the journal of Sergeant Johnston of the Scots Greys, detailing all his experiences, including a very rare transcript of his own court martial; and letters from eminent surgeons – including those of Hume, Davy and Haddy James – who recall their harrowing tales of the horrific wounds suffered at Waterloo. In addition to these letters and journals, this volume will include 21 original line drawings created by Cavalié Mercer to accompany his famous book on his experiences at Waterloo, but which was never published. Subsequent volumes will include French, German, Dutch and Belgian material that has never been translated into English before.

The armies of the Napoleonic Wars fought in a series of devastating campaigns that disturbed the peace of Europe for twelve years, yet the composition, organization and fighting efficiency of these forces receive too little attention. Each force tends to be examined in isolation or in the context of an individual battle or campaign or as the instrument of a famous commander. Rarely have these armies been studied together in a single volume as they are in this authoritative and fascinating reassessment edited by Gregory Fremont-Barnes.Leading experts on the Napoleonic Wars have been specially commissioned to produce chapters on each of the armed forces that took part in this momentous era in European history. The result is a vivid comparative portrait of ten of the most significant armies of the period, and of military service and warfare in the early nineteenth century. The book will be essential reading and reference for all students of the Napoleonic era.Covers the armies of Austria, Britain, the Confederation of the Rhine, the Duchy of Warsaw, France, the Kingdom of Italy, Portugal, Prussia, Russia and Spain.

In this brilliant and profoundly moving collection of ‘farewell letters’ written by servicemen and women to their loved ones, Siân Price offers a remarkable insight into the hearts and minds of some of the soldiers, sailors and airmen of the past three hundred years. Each letter provides an enduring snapshot of an impossible moment in time – when an individual stares death squarely in the face. Some were written or dictated as the person lay mortally wounded; many were written on the eve of a great charge or battle; others were written by soldiers who experienced premonitions of their death, or by kamikaze pilots and condemned prisoners. They write of the grim realities of battle, of daily hardships, of unquestioning patriotism or bitter regrets, of religious fervor or political disillusionment, of unrelenting optimism or sinking morale – and above all, they write of their love for their family and the desire to return to them one day. Be it an epitaph dictated on a Napoleonic battlefield, a staunch, unsentimental letter written by a Victorian officer, or an email from a soldier in modern day Afghanistan, these voices speak eloquently and forcefully of the tragedy of war and answer that fundamental human need to say goodbye.

This volume offers new and challenging interdisciplinary approaches to the use and study of literary archives. Interrogating literary and archival methodology and foregrounding new forms of textual scholarship, the collection includes essays from both academics and archivists to address the full complexity of the study of modern literary archives. The authors examine the increasing prominence of archives and their importance to the interdisciplinary study of textual history in the 21st century, exploring both emerging and established areas of literary history. The book is marked by its attention to four distinct core threads that allow the authors to traverse a range of historical periods and literary figures: archival theory and textual production, authorial legacies and digital cultures, gender issues in the archive, and the practical concerns of archival research and curatorship. By offering an investigation of material from a range of historical periods within distinct methodological groupings, the volume seeks to encourage interplay between scholars working in different fields around similar essential questions of methodology, whilst presenting a rich account of archives worldwide.