This volume meticulously records our enduring love affair with the most beautiful and exotic of plants, the water lily.

When Blue Bird and her grandmother leave their family?s camp to gather beans for the long, threatening winter, they inadvertently avoid the horrible fate that befalls the rest of the family. Luckily, the two women are adopted by a nearby Dakota community and are eventually integrated into their kinship circles. Ella Cara Deloria?s tale follows Blue Bird and her daughter, Waterlily, through the intricate kinship practices that created unity among her people. Waterlily, published after Deloria?s death and generally viewed as the masterpiece of her career, offers a captivating glimpse into the daily life of the nineteenth-century Sioux. This new Bison Books edition features an introduction by Susan Gardner and an index.

From the author of the "wonderfully ingenious" (Marilyn Stasio, The New York Times Book Review) novel After the Crash, a thrilling tale of a murder that takes place in Claude Monet's garden and the mystery that surrounds it. Giverny, France. During the day, the town is the home of the famous artist Claude Monet and the gardens where he painted his Water Lilies. But once the tourists have gone, there is a darker side to the peaceful French village. This is the story of thirteen days that begin with one murder and end with another. Jéme Morval, a man whose passion for art was matched only by his passion for women, has been found dead in the stream that runs through the gardens. In his pocket is a postcard of Monet's Water Lilies with the words: Eleven years old. Happy Birthday. Entangled in the mystery are three women: a young painting prodigy, the seductive village schoolteacher, and an old widow who watches over the village from a mill by the stream. All three of them share a secret. But what do they know about the discovery of Jéme Morval's corpse? And what is the connection to the mysterious, rumored painting of Black Water Lilies?

This special re-print edition of Henry S. Conard's book

Monet, the father of French impressionist painting, devoted twenty-five years to a series of paintings of the water lilies that floated in the pond of his lavish garden in Giverny. This volume is dedicated to those paintings, and opens with a biography of Monet that links the artist’s childhood passion for nature and for drawing to his later fascination with light. Monet’s experiments with how to best capture light and its effect on the sky and on water at different times of the day include paintings such as Impression, Sunrise (1872), which inspired the name of the impressionist movement. A critical text analyzes Monet’s ingenuity, audacity, and modernity, as well as his influence on other artists, from Zao Wou-ki to music to Shirley Goldfarb. This definitive catalog is completed by 210 color reproductions of the water lily paintings with annotated captions, period shots of Giverny by photographers such as Cartier-Bresson, and rare documents including Monet’s personal letters to his optometrist regarding his failing eyesight, which has been linked to his development of the impressionist style. The large-format volume features an eight-page gatefold of the murals at the Orangerie in Paris, and it serves as both an accessible introductory work and a complete reference guide to an important component in the history of art.

Claude Monet's water lily paintings are among the most iconic and beloved works of art of the past century. Yet these entrancing images were created at a time of terrible private turmoil and sadness for the artist. The dramatic history behind these paintings is little known; Ross King's Mad Enchantment tells the full story for the first time and, in the process, presents a compelling and original portrait of one of our most popular and cherished artists. By the outbreak of war in 1914, Monet, then in his mid-seventies, was one of the world's most famous and successful painters, with a large house in the country, a fleet of automobiles and a colossal reputation. However, he had virtually given up painting following the death of his wife Alice in 1911 and the onset of blindness a year later. Nonetheless, it was during this period of sorrow, ill health and creative uncertainty that – as the guns roared on the Western Front – he began the most demanding and innovative paintings he had ever attempted. Encouraged by close friends such as Georges Clemenceau, France's dauntless prime minister, Monet would work on these magnificent paintings throughout the war years and then for the rest of his life. So obsessed with his monumental task that the village barber was summoned to clip his hair as he worked beside his pond, he covered hundreds of yards of canvas with shimmering layers of pigment. As his ambitions expanded with his paintings, he began planning what he intended to be his legacy to the world: the 'Musée Claude Monet' in the Orangerie in Paris. Drawing on letters and memoirs and focusing on this remarkable period in the artist's life, Mad Enchantment gives an intimate portrayal of Claude Monet in all his tumultuous complexity, and firmly places his water lily paintings among the greatest achievements in the history of art.

In 1837, while charting the Amazonian country of Guiana for Great Britain, German naturalist Robert Schomburgk discovered an astounding "vegetable wonder"--a huge water lily whose leaves were five or six feet across and whose flowers were dazzlingly white. In England, a horticultural nation with a mania for gardens and flowers, news of the discovery sparked a race to bring a live specimen back, and to bring it to bloom. In this extraordinary plant, named Victoria regia for the newly crowned queen, the flower-obsessed British had found their beau ideal. In The Flower of Empire, Tatiana Holway tells the story of this magnificent lily, revealing how it touched nearly every aspect of Victorian life, art, and culture. Holway's colorful narrative captures the sensation stirred by Victoria regia in England, particularly the intense race among prominent Britons to be the first to coax the flower to bloom. We meet the great botanists of the age, from the legendary Sir Joseph Banks, to Sir William Jackson Hooker, director of the Royal Botanic Gardens at Kew, to the extravagant flower collector the Duke of Devonshire. Perhaps most important was the Duke's remarkable gardener, Joseph Paxton, who rose from garden boy to knight, and whose design of a series of ever-more astonishing glass-houses--one, the Big Stove, had a footprint the size of Grand Central Station--culminated in his design of the architectural wonder of the age, the Crystal Palace. Fittingly, Paxton based his design on a glass-house he had recently built to house Victoria regia. Indeed, the natural ribbing of the lily's leaf inspired the pattern of girders supporting the massive iron-and-glass building. From alligator-laden jungle ponds to the heights of Victorian society, The Flower of Empire unfolds the marvelous odyssey of this wonder of nature in a revealing work of cultural history.