Rivers in India are commonly associated with certain worldly religious values: wealth, beauty, long life, good health, food, love, and the birth of children. However, these "domestic" values have been relatively neglected by Indologists, who have tended to view India and Hinduism through the prism of poverty, misery, asceticism, and themes of purity or pollution. Following recent scholarship by arguing that the earthly pursuits are equally vital to an understanding of popular Hinduism, Feldhaus examines the role of these ideals in the religious meanings of rivers in Maharashtra, a large region of western India. Drawing both on written religious texts and on a wide range of oral, iconographic, and ritual materials gathered in the course of field work in India, she shows that these values, which are usually associated with women or represented by goddesses, are an important motif in popular religious practices and oral traditions associated with the rivers of Maharashtra, and she presents the many different ways in which rivers are imagined, enshrined, worshipped, and feared.

'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge An intoxicating mix of Ugandan folklore and modern feminism, from a multi-award-winning author As Kirabo enters her teens, questions begin to gnaw at her – questions which the adults in her life will do anything to ignore. Where is the mother she has never known? And why would she choose to leave her daughter behind? Inquisitive, headstrong, and unwilling to take no for an answer, Kirabo sets out to find the truth for herself. Her search will take her away from the safety of her prosperous Ugandan family, plunging her into a very different world of magic, tradition, and the haunting legend of 'The First Woman'. 'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR

The New York Times–bestselling author of Bad Feminist shares a collection of stories about hardscrabble lives, passionate loves and vexed human connection. The women in these stories live lives of privilege and of poverty, are in marriages both loving and haunted by past crimes or emotional blackmail. A pair of sisters, grown now, have been inseparable ever since they were abducted together as children, and must negotiate the elder sister’s marriage. A woman married to a twin pretends not to realize when her husband and his brother impersonate each other. A stripper putting herself through college fends off the advances of an overzealous customer. A black engineer moves to Upper Michigan for a job and faces the malign curiosity of her colleagues and the difficulty of leaving her past behind. From a girls’ fight club to a wealthy subdivision in Florida where neighbors conform, compete, and spy on each other, Roxanne Gay delivers a wry, beautiful, haunting vision of modern America with her “signature wry wit and piercing psychological depth” (Harper’s Bazaar).

Most fisherman don't really fish just to catch fish. While we might appear to only fill our boats with fish, the reality is fishing fills our hearts with purpose. Many of us don't conform to land well, or even at all. We often find ourselves more lost on dirt and grass than a parakeet in the middle of the ocean. The rogue nature of men who often live in vast waters without roads and traffic signs makes for a bad fit in a society filled with rules and regulations. Our relationship with the opposite sex is perhaps the most difficult aspect of being a fisherman. We often fight a winless battle between our primordial desire to be accepted and loved versus the unrelenting beckoning of the ocean. A fisherman has two lives: the one where he stares at sea from land and the life where he stares at land from sea. For the fisherman, the question is not whether joy or pain are on the horizon for they've come to learn that both live hand in hand. The sea teaches men they cannot appreciate joy without knowing pain, and pain is not fully recognized without first experiencing joy. Loads of fish and welcoming arms are the Ying to the Yang in the darkest nights, both at sea and ashore. Despite being shackled to both like an anchor to a chain, fisherman will forever be hopelessly torn apart so long as the sea has fish, and the land has women. Vicious Cycle is a collection of the author's personal tales from the sea and personal battles on land, likely resonating with every man who calls the sea home. Geer loved the ocean before he even truly knew the definition of love. He spent his lifetime trying to be nothing more than accepted as a fisherman. Now, he shares those stories and those challenges with you. This book is for those that understand that beauty can be found in something that seemingly possess no traits of the traditional definition of beautiful.

This edited volume explores how a feminist political ecology framework can bring fresh insights to the study of rural and urban livelihoods dependent on vulnerable rivers, lakes, watersheds, wetlands and coastal environments. Bringing together political ecologists and feminist scholars from multiple disciplines, the book develops solution-oriented advances to theory, policy and planning to tackle the complexity of these global environmental changes. Using applied research on the contemporary management of groundwater, springs, rivers, lakes, watersheds and coastal wetlands in Central and South Asia, Northern, Central and Southern Africa, and South and North America, the authors draw on a variety of methodological perspectives and new theoretical approaches to demonstrate the importance of considering multiple layers of social difference as produced by and central to the effective governance and local management of water resources. This unique collection employs a unifying feminist political ecology framework that emphasizes the ways that gender interacts with other social and geographical locations of water resource users. In doing so, the book further questions the normative gender discourses that underlie policies and practices surrounding rural and urban water management and climate change, water pollution, large-scale development and dams, water for crop and livestock production and processing, resource knowledge and expertise, and critical livelihood studies. This book will be of interest to students and scholars of environmental studies, development studies, feminist and environmental geography, anthropology, sociology, environmental philosophy, public policy, planning, media studies, Latin American and other area studies, as well as women’s and gender studies.

"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review

A NEW YORK TIMES EDITOR'S CHOICE · A NEW YORK TIMES BOOK REVIEW NOTABLE BOOK · REVIEWED ON THE FRONT COVER From GMA BOOK CLUB PICK and WOMEN'S PRIZE FINALIST Angie Cruz, author of Dominicana, an electrifying new novel about a woman who has lost everything but the chance to finally tell her story “Will have you LAUGHING line after line...Cruz AIMS FOR THE HEART, and fires.” —Los Angeles Times "An endearing portrait of a FIERCE, FUNNY woman." —The Washington Post Cara Romero thought she would work at the factory of little lamps for the rest of her life. But when, in her mid-50s, she loses her job in the Great Recession, she is forced back into the job market for the first time in decades. Set up with a job counselor, Cara instead begins to narrate the story of her life. Over the course of twelve sessions, Cara recounts her tempestuous love affairs, her alternately biting and loving relationships with her neighbor Lulu and her sister Angela, her struggles with debt, gentrification and loss, and, eventually, what really happened between her and her estranged son, Fernando. As Cara confronts her darkest secrets and regrets, we see a woman buffeted by life but still full of fight. Structurally inventive and emotionally kaleidoscopic, How Not to Drown in a Glass of Water is Angie Cruz’s most ambitious and moving novel yet, and Cara is a heroine for the ages.