“I first met Jesse Ed Davis in the late ’80s. . . . [He was a] gentle yet intensely present giant who was a legend of an artist. . . . In Washita Love Child, Jesse Ed Davis is resurrected in story.” —Joy Harjo, from the foreword No one played like Jesse Ed Davis. One of the most sought-after guitarists of the late 1960s and ’70s, Davis appeared alongside the era’s greatest stars—John Lennon and Mick Jagger, B.B. King and Bob Dylan—and contributed to dozens of major releases, including numerous top-ten albums and singles, and records by artists as distinct as Johnny Cash, Taj Mahal, and Cher. But Davis, whose name has nearly disappeared from the annals of rock and roll history, was more than just the most versatile session guitarist of the decade. A multitalented musician who paired bright flourishes with soulful melodies, Davis transformed our idea of what rock music could be and, crucially, who could make it. At a time when few other Indigenous artists appeared on concert stages, radio waves, or record store walls, in a century often depicted as a period of decline for Native Americans, Davis and his Kiowa, Comanche, Cheyenne, Seminole, and Mvskoke relatives demonstrated new possibilities for Native people. Weaving together more than a hundred interviews with Davis’s bandmates, family members, friends, and peers—among them Jackson Browne, Bonnie Raitt, and Robbie Robertson—Washita Love Child powerfully reconstructs Davis’s extraordinary life and career, taking us from his childhood in Oklahoma to his first major gig backing rockabilly star Conway Twitty, and from his dramatic performance at George Harrison’s 1971 Concert for Bangladesh to his years with John Trudell and the Grafitti Man band. In Davis’s story, a post-Beatles Lennon especially emerges as a kindred soul and creative partner. Yet Davis never fully recovered from Lennon’s sudden passing, meeting his own tragic demise just eight years later. With a foreword by former poet laureate Joy Harjo, who collaborated with Davis near the end of his life, Washita Love Child thoroughly and finally restores the “red dirt boogie brother” to his rightful place in rock history, cementing his legacy for generations to come.

"With this book, the Zappa fan will get a glimpse into Frank that I don't believe any other book written by him or about him expresses. And us Zappa fans love that. Thank you, Co." - Steve Vai "I think the best way to start when somebody says something can't be done, just look at them and say: why not?" - Frank Zappa, Los Angeles, 1990 Co de Kloet and Frank Zappa were friends for many years, and during that time Co recorded nearly every conversation the two men had. They also corresponded frequently--about life, music, politics, and much more besides--and this book offers a unique chronicle of their friendship, from their first meeting in 1977 to Zappa's death in 1993. Co is renowned as an expert on Zappa's music, but this book is about far more than that, and is unlike any other collection of interviews. As his son Dweezil writes in his foreword, Frank was a reluctant and sometimes combative interviewee, yet his conversations with Co were open and wide-ranging. Through more than two decades of these discussions, Frank & Co reveals a thoughtful, sensitive, and expansive Zappa, offering readers new insights into the life and career of one of the great masters of twentieth-century American music. It also includes Co's favourite memories of Frank, as well as interviews with Zappa alumni Flo & Eddie, Jimmy Carl Black, Pamela Zarubica, and Don van Vliet, aka Captain Beefheart.

This is a YA graphic novel, told from the perspective of a person with a developmental disorder, set in a real village operated by people with special needs. There’s a real village in Germany called Neuerkerode that is operated by people with mental disabilities - the local restaurant, the local bar, the local supermarket. The author spent two years living 3 or 4 days a week there, researching and getting to know its townsfolk, and the result is an empathetic depiction. This graphic novel is told entirely from a developmentally impaired boy's perspective. Noel had always lived with his mother in Berlin, until one day tragedy strikes and he finds himself alone for the first time. A man with a beard tells him he can’t stay in the apartment anymore and takes him to a place with so many strangers ― Who can he trust? Who does he like? Who loves him?

Guinevere Beck, MFA student at New York University, is perhaps known more for her tragic death than for the brightyoung literary voice her work represents. This posthumouscollection for her prose, poetry and memoir is her firstpublication.You used to wrap yourselfin fairy tales like a blanket.But it was the cold youloved.Sharp shivers as youuncoveredthe corpses ofBluebeard's wives...

Robert Graysmith reveals the true identity of Zodiac—America's most elusive serial killer. Between December 1968 and October 1969 a hooded serial killer called Zodiac terrorized San Francisco. Claiming responsibility for thirty-seven murders, he manipulated the media with warnings, dares, and bizarre cryptograms that baffled FBI code-breakers. Then as suddenly as the murders began, Zodiac disappeared into the Bay Area fog. After painstaking investigation and more than thirty years of research, Robert Graysmith finally exposes Zodiac’s true identity. With overwhelming evidence he reveals the twisted private life that led to the crimes, and provides startling theories as to why they stopped. America’s greatest unsolved mystery has finally been solved. INCLUDES PHOTOS AND A COMPLETE REPRODUCTION OF ZODIAC’S LETTERS

A tour diary of life on the road with one of Minnesota’s greatest bands—with nearly 100 never-before-seen photographs “Don’t bore us, get to the chorus” is Bill Sullivan’s motto, which will come as no surprise to anyone who opens Lemon Jail. A raucous tour diary of rock ’n’ roll in the 1980s, Sullivan’s book puts us in the van with the Replacements in the early years. Barreling down the highway to the next show through quiet nights and hightailing it out of scandalized college towns, Sullivan—the young and reckless roadie—is in the middle of the joy and chaos, trying to get the band on stage and the crowd off it and knowing when to jump in and cover Alice Cooper. Lemon Jail shows what it’s like to keep the band on the road and the wheels on the van—and when to just close your eyes and hit the gas. That first van, dubbed the Lemon Jail by Bill, takes the now legendary Replacements from a south Minneapolis basement to dive bars and iconic rock clubs to college parties and eventually an international stage. It’s not a straight shot or a smooth ride, and there’s never a dull moment, whether Bob Stinson is setting a record for the quickest ejection from CBGB in NYC or hiding White Castle sliders around a hotel room or whether Paul Westerberg is sneaking gear out of a hostile venue or saving Bill’s life at a brothel in New Jersey. With growing fame (and new vans) come tours with REM and X (what happens when the audience isn’t allowed to stand?), Tom Petty and the Heartbreakers and the Violent Femmes (against their will), and Saturday Night Live, where the band’s televised antics earn the edict You’ll never play on NBC again. Fast forward: You’ll never play Washington, D.C., again. Or Moorhead. Hiding in fans’ backyards while the police search the streets and pelted with canned goods at a Kent State food drive, the Replacements hit rough patches along with sweet spots, and Lemon Jail reveals the grit and glory both onstage and off, all told in the irrepressible, full-throttle style that makes Bill Sullivan an irresistible guide on this once-in-a-lifetime road trip with a band on the make.

A member of seminal new-wave band Magazine, the original bassist in the legendary Nick Cave and the Bad Seeds, a Mercury-Prize-nominated solo artist, and pioneer of the imaginary soundtrack album--no matter where Barry Adamson's career has taken him, the result has been consistently impressive. Covering his early life up to the 1990s, 'The Barry Adamson Story' addresses Adamson's Mancunian and mixed-race roots, beginning in the late 1950s, through to the highs of his momentous musical achievements and the lows of psychiatric hospitals and drug rehabs. Using a 'noir' style of self examination, he also investigates the acute loss of his parents and sister in his early twenties, multiple failed relationships and arrives at the beginnings of a successful Hollywood soundtrack career.