This sweeping study takes readers on a fascinating tour of Washington, D.C.’s monuments, statues, headstones, and memorials. James M. Goode canvasses more than 500 sculptural pieces, often overlooked by residents and visitors, and presents critical discussions and detailed histories of each work. The result is a graphic history of the cultural, political, and military contributions of America’s greatest leaders. Washington Sculpture revises and updates Goode’s classic 1974 book The Outdoor Sculpture of Washington, D.C., expanding its survey to include pieces found in nearby Maryland and Virginia, unusual cemetery sculpture, and monuments recently erected on the National Mall—the National WWII Memorial, the Korean War Veterans Memorial, the Vietnam Veterans Memorial, and the Franklin Delano Roosevelt Memorial. Chapters explore the city's fourteen neighborhoods as well as the Maryland and Virginia suburbs. Both a guide for visitors and a reference for serious historians, Washington Sculpture offers the most comprehensive examination of urban sculpture in the nation's capital.

This catalogue is published in conjunction with the exhibition Canova's "George Washington," on view at the Frick Collection, May 23-September 23, 2018, and the Canova Museum.

The Seattle Art Museum's Olympic Sculpture Park, where Alexander Calder's The Eagle soars over Puget Sound, Roxy Paine's stainless-steel Split glistens in the rain, and Richard Serra's Wake beckons visitors to walk within its towering forms, stands out as an exemplary civic project: an urban park open and free to all and a dynamic green space filled with great art. The innovative design turned a former industrial site on Elliott Bay into a remarkable place that not only celebrates the inseparable nature of art, urban infrastructure, and landscape but also captures the majestic character of the Pacific Northwest. Using the park as a model of how public-private partnerships can create innovative civic spaces, this informative and visually stunning book will bring the Olympic Sculpture Park to a broader audience beyond the greater Seattle area and will be a vital resource for museum professionals, architects, urban planners, students, and general art lovers.

Beyond Grief explores high-style funerary sculptures and their functions during the turn of the twentieth century. Many scholars have overlooked these monuments, viewing them as mere oddities, a part of an individual artist's oeuvre, a detail of a patron's biography, or local civic cemetery history. This volume considers them in terms of their wider context and shifting use as objects of consolation, power, and multisensory mystery and wonder. Art historian Cynthia Mills traces the stories of four families who memorialized their losses through sculpture. Henry Brooks Adams commissioned perhaps the most famous American cemetery monument of all, the Adams Memorial in Washington, D.C. The bronze figure was designed by Augustus Saint-Gaudens, who became the nation’s foremost sculptor. Another innovative bronze monument featured the Milmore brothers, who had worked together as sculptors in the Boston area. Artist Frank Duveneck composed a recumbent portrait of his wife following her early death in Paris; in Rome, the aging William Wetmore Story made an angel of grief his last work as a symbol of his sheer desolation after his wife’s death. Through these incredible monuments Mills explores questions like: Why did new forms--many of them now produced in bronze rather than stone and placed in architectural settings--arise just at this time, and how did they mesh or clash with the sensibilities of their era? Why was there a gap between the intention of these elite patrons and artists, whose lives were often intertwined in a closed circle, and the way some public audiences received them through the filter of the mass media? Beyond Grief traces the monuments' creation, influence, and reception in the hope that they will help us to understand the larger story: how survivors used cemetery memorials as a vehicle to mourn and remember, and how their meaning changed over time.

Art, history, and political drama all meld together in this one dramatic story about one dramatic sculpture. The nation's first federally-commissioned monument, Horatio Greenough's huge marble statue of George Washington, sits near the entrance of the Smithsonian's National Museum of American History. Meant to be the symbolic focus of the whole continent--at the very center of the US Capitol--the monument instead seems a sadly curious relic. This book tells the tale of its demotion from stardom to obscurity: the story is stranger than fiction, including an attempted murder; fights in the USA, Britain, and Italy; and political maneuvering. Horatio Greenough and the Form Majestic: The Biography of the Nation's First Washington Monument presents new research into the complicated tale. It translates and explains the monument's Latin inscription and offers the story of how the work was brought to America by a sea captain subsequently immortalized by Herman Melville. The book also untangles and decodes the monument's symbolism for the average spectator and art lovers alike. This is the story of the commissioning, conception, execution, transportation, installation and re-location, the public's bemused and often fond reception, subsequently frequent re-positionings, and so much more of the nation's first monument to George Washington. Horatio Greenough's statue rests at the heart of an amazing tale, never told before this book.