An entire generation of young adults has never known an America without the War on Terror. This book contends with the pervasive effects of post-9/11 policy and myth-making in every corner of American life. Never-Ending War on Terror is organized around five keywords that have come to define the cultural and political moment: homeland, security, privacy, torture, and drone. Alex Lubin synthesizes nearly two decades of United States war-making against terrorism by asking how the War on Terror has changed American politics and society, and how the War on Terror draws on historical myths about American national and imperial identity. From the PATRIOT Act to the hit show Homeland, from Edward Snowden to Guantanamo Bay, and from 9/11 memorials to Trumpism, this succinct book connects America's political economy and international relations to our contemporary culture at every turn.

The University of Chicago political philosopher applies "just war theory" to the war on terror and concludes that pacifism is an inappropriate response to the events of September 11, 2001. 35,000 first printing.

Since September 2001, the United States has waged what the government initially called the global war on terrorism (GWOT). Beginning in late 2005 and early 2006, the term Long War began to appear in U.S. security documents such as the National Security Council's National Strategy for Victory in Iraq and in statements by the U.S. Secretary of Defense and the Chairman of the JCS. The description Long War—unlimited in time and space and continuing for decades—is closer to reality and more useful than GWOT. Colonel Robert Cassidy argues that this protracted struggle is more correctly viewed as a global insurgency and counterinsurgency. Al Qaeda and its affiliates, he maintains, comprise a novel and evolving form of networked insurgents who operate globally, harnessing the advantages of globalization and the information age. They employ terrorism as a tactic, subsuming terror within their overarching aim of undermining the Western-dominated system of states. Placing the war against al Qaeda and its allied groups and organizations in the context of a global insurgency has vital implications for doctrine, interagency coordination, and military cultural change-all reviewed in this important work. Cassidy combines the foremost maxims of the most prominent Western philosopher of war and the most renowned Eastern philosopher of war to arrive at a threefold theme: know the enemy, know yourself, and know what kind of war you are embarking upon. To help readers arrive at that understanding, he first offers a distilled analysis of al Qaeda and its associated networks, with a particular focus on ideology and culture. In subsequent chapters, he elucidates the challenges big powers face when they prosecute counterinsurgencies, using historical examples from Russian, American, British, and French counterinsurgent wars before 2001. The book concludes with recommendations for the integration and command and control of indigenous forces and other agencies.

“Divulge[s] the details of top-level deliberations—details that were almost certainly known only to the administration’s inner circle” (The Wall Street Journal). When he was elected in 2008, Barack Obama had vowed to close Guantánamo, put an end to coercive interrogation and military tribunals, and restore American principles of justice. Yet by the end of his first term he had backtracked on each of these promises, ramping up the secret war of drone strikes and covert operations. Behind the scenes, wrenching debates between hawks and doves—those who would kill versus those who would capture—repeatedly tested the very core of the president’s identity, leading many to wonder whether he was at heart an idealist or a ruthless pragmatist. Digging deep into this period of recent history, investigative reporter Daniel Klaidman spoke to dozens of sources to piece together a riveting Washington story packed with revelations. As the president’s inner circle debated secret programs, new legal frontiers, and the disjuncture between principles and down-and-dirty politics, Obama vacillated, sometimes lashed out, and spoke in lofty tones while approving a mounting toll of assassinations and kinetic-war operations. Klaidman’s fly-on-the-wall reporting reveals who had his ear, how key national security decisions are really made, and whether or not President Obama lived up to the promise of candidate Obama. “Fascinating . . . Lays bare the human dimension of the wrenching national security decisions that have to be made.” —Tina Brown, NPR “An important book.” —Steve Coll, The New Yorker

In 'The Roots of War and Terror', Anthony Stevens provides profound insights into the nature and origins of armed conflict. Combining the concepts of the archetype and the collective unconscious (Jungian) with crucial evidence from the behavioural and biological sciences, Stevens exposes war as an ancient propensity rooted in human psychology - particularly in the psychology and anatomy of the human male.Stevens explains what attracts men to the profession of arms and describes the age-old techniques, still used in military training camps, which are necessary to activate the warrior archetype in the masculine psyche. The author sheds light on how leaders persuade populations to go to war and lays bare the unconscious fantasies that could draw us all to final Armageddon.In later chapters in his book, Stevens discusses ways of inhibiting the archetypes of war (through educational policy and admission of women into the citadels of masculine power) of diverting them into less destructive channels.'The Roots of War and Terror' is an indispensable work for anyone wishing to understand the psychological basis of war or hoping to discover ways in which the unimaginable catastrophe of nuclear war could be avoided.'Denial and dissociation, repression and projection enable us to remain cheerfully unconscious. Disguised as defenders of our egos and protectors of our peace of mind, those discreet flunkies are really secret agents in the service of the archetypes of war. Unknown and unrecognised by our fellow citizens, they are the stooges of Armageddon.'

The phrase 'War on Terror' has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Exploring the role of verbal and visual images in the War on Terror, the author finds a conflict whose shaky metaphoric and imaginary conception has created its own reality.

The Russo-Chechen conflict has been the bloodiest war in Europe since the Second World War. It continues to drag on, despite the fact that it hits the headlines only when there is some 'terrorist spectacular'. Providing a comprehensive overview of the war and the issues connected with it, the author examines the origins of the conflict historically and traces how both sides were dragged inexorably into war in the early 1990s. The book discusses the two wars (1994-96 and 1999 to date), the intervening truce and shows how a downward spiral of violence has led to a mutually-damaging impasse from which neither side has been able to remove itself. It applies theories of conflict, especially theories of terrorism and counter-terrorism and concludes by proposing some alternative resolutions that might lead to a just and lasting peace in the region.