Essays.

In a century torn by violent civil uprisings, civilian bombings, and genocides, war has been an immediate experience for both soldiers and civilians, for both women and men. But has this reality changed our long-held images of the roles women and men play in war, or the emotions we attach to violence, or what we think war can accomplish? This provocative collection addresses such questions in exploring male and female experiences of war--from World War I, to Vietnam, to wars in Latin America and the Middle East--and how this experience has been articulated in literature, film and drama, history, psychology, and philosophy. Together these essays reveal a myth of war that has been upheld throughout history and that depends on the exclusion of "the feminine" in order to survive. The discussions reconsider various existing gender images: Do women really tend to be either pacifists or Patriotic Mothers? Are men essentially aggressive or are they threatened by their lack of aggression? Essays explore how cultural conceptions of gender as well as discursive and iconographic representation reshape the experience and meaning of war. The volume shows war as a terrain in which gender is negotiated. As to whether war produces change for women, some contributors contend that the fluidity of war allows for linguistic and social renegotiations; others find no lasting, positive changes. In an interpretive essay Klaus Theweleit suggests that the only good war is the lost war that is embraced as a lost war. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Thirteen-year-old Tommy Duncan just wants to root for the Brooklyn Dodgers and listen to his favorite radio programs. But it's 1940, and the world is about to change. All his friend Beth wants to discuss is the war in Europe. Don't talk to Tommy about that, though. He has more immediate concerns, like Beth starting to wear earrings and his mother's declining health. The stories of a Jewish friend at school, however, begin to make the war more real to him, and Tommy, like the world around him, is sure to be forever changed.

George S. Bernard was a Petersburg lawyer and member of the 12th Virginia Infantry Regiment during the Civil War. Over the course of his life, Bernard wrote extensively about his wartime experiences and collected accounts from other veterans. In 1892, he published War Talks of Confederate Veterans, a collection of firsthand accounts focusing on the battles and campaigns of the 12th Virginia that is widely read to this day. Bernard prepared a second volume but was never able to publish it. After his death in 1912, his papers became scattered or simply lost. But a series of finds, culminating with the discovery of a cache of papers in Roanoke in 2004, have made it possible to reconstruct a complete manuscript of the unpublished second volume. The resulting book, Civil War Talks, contains speeches, letters, Bernard's wartime diary, and other firsthand accounts of the war not only by veterans of the Confederacy, such as General William Mahone, but by Union veterans as well. Their personal stories cover the major military campaigns in Virginia, Maryland, and Pennsylvania--Seven Pines, Malvern Hill, Gettysburg, Wilderness, Spotsylvania, Petersburg, and Appomattox. For the general reader, this volume offers evocative testimonies focusing on the experiences of individual soldiers. For scholars, it provides convenient access to many accounts that, until now, have not been widely available or have been simply unknown.

From the #1 New York Times bestselling author of Restart, a story of telling truth from lies -- and finding out what being a hero really means. There are two things Trevor loves more than anything else: playing war-based video games and his great-grandfather Jacob, who is a true-blue, bona fide war hero. At the height of the war, Jacob helped liberate a small French village, and was given a hero's welcome upon his return to America.Now it's decades later, and Jacob wants to retrace the steps he took during the war -- from training to invasion to the village he is said to have saved. Trevor thinks this is the coolest idea ever. But as they get to the village, Trevor discovers there's more to the story than what he's heard his whole life, causing him to wonder about his great-grandfather's heroism, the truth about the battle he fought, and importance of genuine valor.