On 17 April 1975, the Khmer Rouge armies defeated the Lon Nol regime and took Cambodian capital Phnom Penh, dispersing its more than two million inhabitants to a life of hard agricultural labour in the countryside. During the next four years, the Khmer Rouge - headed by Pol Pot - terrorised the population. Along with haunting landscapes, the stark, powerful portraits in War Remnants of the Khmer Rouge portray those who suffered greatly under the genocide of the Khmer Rouge in Cambodia.

How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.

Morris examines the, "first and only extended war between two communist regimes."

The Chronicle of a People's War: The Military and Strategic History of the Cambodian Civil War, 1979–1991 narrates the military and strategic history of the Cambodian Civil War, especially the People’s Republic of Kampuchea (PRK), from when it deposed the genocidal Khmer Rouge regime in 1979 until the political settlement in 1991. The PRK survived in the face of a fierce insurgency due to three factors: an appealing and reasonably well-implemented political program, extensive political indoctrination, and the use of a hybrid army. In this hybrid organization, the PRK relied on both its professional, conventional army, and the militia-like, "territorial army." This latter type was lightly equipped and most soldiers were not professional. Yet the militia made up for these weaknesses with its intimate knowledge of the local terrain and its political affinity with the local people. These two advantages are keys to victory in the context of counterinsurgency warfare. The narrative and critical analysis is driven by extensive interviews and primary source archives that have never been accessed before by any scholar, including interviews with former veterans (battalion commanders, brigade commanders, division commanders, commanders of provincial military commands, commanders of military regions, and deputy chiefs of staff), articles in the People’s Army from 1979 to 1991, battlefield footage, battlefield video reports, newsreel, propaganda video, and official publications of the Cambodian Institute of Military History.

This book provides a comprehensive yet concise narrative of the history of the Khmer Rouge, from its inception during the 1950s through its eventual reintegration into Cambodian society in 1998. The Khmer Rouge: Ideology, Militarism, and the Revolution That Consumed a Generation examines the entire organizational life of the Khmer Rouge, looking at it from both a societal and organizational perspective. The chapters cover each pivotal period in the history of the Khmer Rouge, explaining how extreme militarism, organizational dynamics, leadership policies, and international context all conspired to establish, maintain, and destroy the Khmer Rouge as an organization. The work goes beyond inspecting the actions of a few key leadership individuals to describe the interaction among different groups of elites as well as the ideologies and culture that formed the structural foundation of the organization.

Award-winning journalist Elizabeth Becker started covering Cambodia in 1973 for The Washington Post, when the country was perceived as little more than a footnote to the Vietnam War. Then, with the rise of the Khmer Rouge in 1975 came the closing of the border and a systematic reorganization of Cambodian society. Everyone was sent from the towns and cities to the countryside, where they were forced to labor endlessly in the fields. The intelligentsia were brutally exterminated, and torture, terror, and death became routine. Ultimately, almost two million people—nearly a quarter of the population—were killed in what was one of this century's worst crimes against humanity.When the War Was Over is Elizabeth Becker's masterful account of the Cambodian nightmare. Encompassing the era of French colonialism and the revival of Cambodian nationalism; 1950s Paris, where Khmer Rouge leader Pol Pot received his political education; the killing fields of Cambodia; government chambers in Washington, Paris, Moscow, Beijing, Hanoi, and Phnom Penh; and the death of Pol Pot in 1998; this is a book of epic vision and staggering power. Merging original historical research with the many voices of those who lived through the times and exclusive interviews with every Cambodian leader of the past quarter century, When the War Was Over illuminates the darkness of Cambodia with the intensity of a bolt of lightning.

When the Khmer Rouge came to power in Cambodia in 1975, they inherited a war-ravaged and internationally isolated country. Pol Pot’s government espoused the rhetoric of self-reliance, but Democratic Kampuchea was utterly dependent on Chinese foreign aid and technical assistance to survive. Yet in a markedly asymmetrical relationship between a modernizing, nuclear power and a virtually premodern state, China was largely unable to use its power to influence Cambodian politics or policy. In Brothers in Arms, Andrew Mertha traces this surprising lack of influence to variations between the Chinese and Cambodian institutions that administered military aid, technology transfer, and international trade. Today, China’s extensive engagement with the developing world suggests an inexorably rising China in the process of securing a degree of economic and political dominance that was unthinkable even a decade ago. Yet, China’s experience with its first-ever client state suggests that the effectiveness of Chinese foreign aid, and influence that comes with it, is only as good as the institutions that manage the relationship. By focusing on the links between China and Democratic Kampuchea, Mertha peers into the “black box” of Chinese foreign aid to illustrate how domestic institutional fragmentation limits Beijing’s ability to influence the countries that accept its assistance.