Dietz finds that this period of Christianity witnessed an explosion of travel, as men and women took to the roads, seeking spiritual meaning in a life of itinerancy. This book is essential reading for those who study the history of monasticism, for it was a monastic context that religious travel first claimed an essential place within Christianity.

A magisterial sweep through 1500 years of Christian history with a groundbreaking focus on the missionary role of migrants in its spread. Human migration has long been identified as a driving force of historical change. Building on this understanding, Jehu Hanciles surveys the history of Christianity’s global expansion from its origins through 1500 CE to show how migration—more than official missionary activity or imperial designs—played a vital role in making Christianity the world’s largest religion. Church history has tended to place a premium on political power and institutional forms, thus portraying Christianity as a religion disseminated through official representatives of church and state. But, as Hanciles illustrates, this “top-down perspective overlooks the multifarious array of social movements, cultural processes, ordinary experiences, and non-elite activities and decisions that contribute immensely to religious encounter and exchange.” Hanciles’s socio-historical approach to understanding the growth of Christianity as a world religion disrupts the narrative of Western preeminence, while honoring and making sense of the diversity of religious expression that has characterized the world Christian movement for two millennia. In turning the focus of the story away from powerful empires and heroic missionaries, Migration and the Making of Global Christianity instead tells the more truthful story of how every Christian migrant is a vessel for the spread of the Christian faith in our deeply interconnected world.

This new version of the late fourth-century diary of journeys in and around the Holy Land known as the Itinerarium Egeriae provides a more literal translation of the Latin text than earlier English renderings, with the aim of revealing more of the female traveler’s personality. The substantial introduction to the book covers both early pilgrimage as a whole, especially travel by women, and the many liturgical rites of Jerusalem that Egeria describes. Both this and the verse-by-verse commentary alongside the translated text draw on the most recent scholarship, making this essential reading for pilgrims, students, and scholars seeking insight into life and piety during one of Christianity’s most formative periods.

This book explores womena (TM)s experiences of pilgrimage in Latin Christendom between 1300 and 1500 C.E. Later medieval authors harbored grave doubts about womena (TM)s mobility; literary images of mobile women commonly accused them of lust, pride, greed, and deceit. Yet real women commonly engaged in pilgrimage in a variety of forms, both physical and spiritual, voluntary and compulsory, and to locations nearby and distant. Acting within both practical and social constraints, such women helped to construct more positive interpretations of their desire to travel and of their experiences as pilgrims. Regardless of how their travel was interpreted, those women who succeeded in becoming pilgrims offer us a rare glimpse of ordinary women taking on extraordinary religious and social authority.

Augustine's dominant image for the human life is peregrinatio, which signifies at once a journey to the homeland (a pilgrimage) and the condition of exile from the homeland. For Augustine, all human beings are, in the earthly life, exiles from their true homeland: heaven. Some, but not all, become pilgrims seeking a way back to the heavenly homeland, a return mediated by the incarnate Christ. Becoming a pilgrim begins with attraction to beauty. The return journey therefore involves formation, both moral and aesthetic, in loving rightly. This image has occasioned a lot of angst in ethical thought in the last century. Augustine's vision of Christian life as a pilgrimage, his critics allege, casts a pall of groaning and longing over this life in favor of happiness in the next. Augustine's eschatological orientation robs the world of beauty and ethics of urgency. In Pilgrimage as Moral and Aesthetic Formation in Augustine's Thought, Sarah Stewart-Kroeker responds to Augustine's critics by elaborating the Christological continuity between the earthly journey and the eschatological home. Through this cohesive account of pilgrimage as a journey toward the right ordering of the desire for beauty and love for God and neighbour, Stewart-Kroeker reveals the integrity of Augustine's vision of moral and aesthetic vision. From the human desire for beauty to the embodied practice of Christian sacraments, Stewart-Kroeker develops an account of the relationship between beauty and morality as the linchpin of an Augustinian moral theology.

The first comprehensive study on the pattern of guilt and wandering in literature, this book examines the relationship between the two complex concepts as they appear in twentieth-century novels, positing its methodological premises on archetypal criticism and both close and distant reading, but also drawing on psychology, anthropology, mythology, and religion. This research deciphers a common paradigm and literary representation whose archetype within Western literature is found in the biblical figure of Cain, while presenting a critical framework valid for boundary-crossing comparative approaches. From Graham Greene’s The Power and the Glory and Malcolm Lowry’s Under the Volcano, to Wolfgang Koeppen’s Death in Rome and Ōoka Shōhei’s Fires on the Plain, this book is not merely a thematic study, but an analysis of the literary phenomena that appear in those novels where the sense of guilt is controversially subjective, or so collective as to be perceived as universal, as is often the case with war and postwar literature. Di Gennaro goes beyond the analysis of explicit rewritings of the story of Cain, in order to uncover the monomyth through its rhetorical structures and mythical methods. The wasteland with no religion; the lost, abandoned garden; the classical and religiously-corrupted city; and the tropical, cannibalistic island at war are the respective settings of these narratives, where the issue is neither homelessness nor journeying, but, rather, the desperate and futile movement toward self-consciousness, or self-destruction. After the Second World War, much was silenced rather than left unsaid. This study retraces those silent cries over history through the powerful literary marks of myths.