Die Beziehung zwischen Großeltern und Enkelkindern ist eine ganz besondere. Für Laura war ihr Opa schon immer ein Held und als er stirbt, bricht für sie eine Welt zusammen. Eines Tages spendet ihr ein besonderes Geburtstagsgeschenk Trost und lässt die Erinnerungen an ihren Großvater wieder aufleben. Ein Roman mit biografischen Zügen.

A true classic with a timeless message! All the other bulls run, jump, and butt their heads together in fights. Ferdinand, on the other hand, would rather sit and smell the flowers. So what will happen when Ferdinand is picked for the bullfights in Madrid? The Story of Ferdinand has inspired, enchanted, and provoked readers ever since it was first published in 1936 for its message of nonviolence and pacifism. In WWII times, Adolf Hitler ordered the book burned in Nazi Germany, while Joseph Stalin, the leader of the Soviet Union, granted it privileged status as the only non-communist children's book allowed in Poland. The preeminent leader of Indian nationalism and civil rights, Mahatma Gandhi—whose nonviolent and pacifistic practices went on to inspire Civil Rights leader Martin Luther King, Jr.—even called it his favorite book. The story was adapted by Walt Disney into a short animated film entitled Ferdinand the Bull in 1938. Ferdinand the Bull won the 1938 Academy Award for Best Short Subject (Cartoons).

A notable discovery of a truly original voice Several stories inhabit Roger Lewinter’s first small book to appear in English, Story of Love in Solitude. Each story takes the form of a loop: a spider who won’t stop returning; camellias that flourish and then die; dying parents whose presence is always yet felt; turning again and again to work on Rilke translations; a younger man whom the narrator sees each week at the Geneva street markets. All the tales touch on the possibility, the open possibility of love—a loop without end. Lewinter’s short fictional works are at once prose poems and a form of dreaming; they are akin to the great French tradition of things sparking emotions and emotions sparking things—part Sarraute, part Robbe-Grillet, part Perec. Plot is not really the point of his meditative works. Lewinter concerns himself more with perception, apperception, and sudden inflections of grace: loss and beauty meet in an explosion of joy, which becomes, “in its brilliance, a means of transmittal.”

Heidi is an orphaned girl initially raised by her aunt Detie in Maienfeld, Switzerland after the early deaths of her parents, Tobias and Adelheid (Detie's sister and brother-in-law). Detie brings 6-year-old Heidi to her paternal grandfather's house, up the mountain from D�rfli. He has been at odds with the villagers and embittered against God for years and lives in seclusion on the alm. This has earned him the nickname Alm-Uncle. He briefly resents Heidi's arrival, but the girl's evident intelligence and cheerful yet unaffected demeanor soon earn his genuine, if reserved, affection. Heidi enthusiastically befriends her new neighbors, young Peter the goatherd, his mother, Bridget, and his blind maternal grandmother, who is "Grannie" to everyone. With each season that passes, the mountaintop inhabitants grow more attached to Heidi.

Stunning fragments that offer an epiphany of grace and beauty The Attraction of Things concerns the entirety of beauty and the possibility of grace, relayed via obsessions with rare early gramophone records, the theater, translation, dying parents: all these elements are relayed in a dizzying strange traffic of cultural artifacts, friendships, losses, discoveries, and love. Roger Lewinter believes that in the realm of art, “the distinction between life and death loses its relevance, the one taking place in the other.” Whereas Story of Love in Solitude is a group of small stories, The Attraction of Things is a continuous narrative (more or less) of a man seeking (or stumbling upon) enlightenment. “The Attraction of Things,” states Lewinter, “is the story of a being who lets himself go toward what attracts him, toward what he attracts—beings, works, things—and who, through successive encounters, finds the way out of the labyrinth, to the heart, where the bolt of illumination strikes. This is the story of a letting go toward the illumination.”

This haunting, heart-stopping middle grade novel follows three of the Wolfskinder, German children left to fend for themselves in the final days of World War II, as they struggle to hold onto themselves and each other while surviving in the wild. Sometimes it’s good to be wild. Sometimes, you have to be. When the Russian Army marches into East Prussia at the end of World War II, the Wolf family must flee. Being caught by the Russians or Americans would be the end for them. Liesl, Otto, and baby Mia’s father has already been captured, and they get separated from their mother in a blizzard after only a few days on the run. Liesl promised Mama that she’d keep her brother and sister safe, no matter what. They’ll forage in the forests if they have to. Little do they know at the start that there are hundreds of other parentless children doing the same thing. And they far too quickly learn that, sometimes, to survive, you have to do bad things. Dangerous things. Wild things. Sometimes you must become a wolf.