Wallace Stegner is an iconic western writer. His works of fiction, including the Pulitzer Prize–winning Angle of Repose and Big Rock Candy Mountain, as well as his nonfiction books and essays introduced the beauty and character of the American West to thousands of readers. Wallace Stegner’s Unsettled Country assesses his life, work, and legacy in light of contemporary issues and crises. Along with Stegner’s achievements, the contributors show how his failures offer equally crucial ways to assess the past, present, and future of the region. Drawing from history, literature, philosophy, law, geography, and park management, the contributors consider Stegner’s racial liberalism and regional vision, his gendered view of the world, his understandings of conservation and the environment, his personal experience of economic collapse and poverty, his yearning for community, and his abiding attachment to the West. Wallace Stegner’s Unsettled Country is an even-handed reclamation of Stegner’s enduring relevance to anyone concerned about the American West’s uncertain future.

A New England village, untouched by history since the American Revolution, is the unquiet arena containing, but just barely, the aloof natives and the summer residents. Their paths cross, happily or disastrously, in a book that seems too real to be fiction. As Wallace Stegner writes, the conflict on this particular frontier "has been reproduced in an endlessly changing pattern all over the United States."

This provocative collection of essays reveals the passionate voice of a Native American feminist intellectual. Elizabeth Cook-Lynn, a poet and literary scholar, grapples with issues she encountered as a Native American in academia. She asks questions of critical importance to tribal people: who is telling their stories, where does cultural authority lie, and most important, how is it possible to develop an authentic tribal literary voice within the academic community? In the title essay, “Why I Can’t Read Wallace Stegner,” Cook-Lynn objects to Stegner’s portrayal of the American West in his fiction, contending that no other author has been more successful in serving the interests of the nation’s fantasy about itself. When Stegner writes that “Western history sort of stopped at 1890,” and when he claims the American West as his native land, Cook-Lynn argues, he negates the whole past, present, and future of the native peoples of the continent. Her other essays include discussion of such Native American writers as Michael Dorris, Ray Young Bear, and N. Scott Momaday; the importance of a tribal voice in academia, the risks to American Indian women in current law practices, the future of Indian Nationalism, and the defense of the land. Cook-Lynn emphasizes that her essays move beyond the narrowly autobiographical, not just about gender and power, not just focused on multiculturalism and diversity, but are about intellectual and political issues that engage readers and writers in Native American studies. Studying the “Indian,” Cook-Lynn reminds us, is not just an academic exercise but a matter of survival for the lifeways of tribal peoples. Her goal in these essays is to open conversations that can make tribal life and academic life more responsive to one another.

Stegner’s Pulitzer Prize-winning novel of personal, historical, and geographic discovery Confined to a wheelchair, retired historian Lyman Ward sets out to write his grandparents' remarkable story, chronicling their days spent carving civilization into the surface of America's western frontier. But his research reveals even more about his own life than he's willing to admit. What emerges is an enthralling portrait of four generations in the life of an American family. "Cause for celebration . . . A superb novel with an amplitude of scale and richness of detail altogether uncommon in contemporary fiction." —The Atlantic Monthly "Brilliant . . . Two stories, past and present, merge to produce what important fiction must: a sense of the enchantment of life." —Los Angeles Times This Penguin Classics edition features an introduction by Jackson J. Benson. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

“Respectful of his subject but never worshipful, Fradkin has given us our first full critical portrait of the man and his protean career..”—Hampton Sides, author of Blood and Thunder: An Epic of the American West

The topic of the border wall between the United States and Mexico continues to be broadly and hotly debated: on national news media, by local and state governments, and even over the dinner table. By now, broad segments of the population have heard widely varying opinions about the wall's effect on illegal immigration, international politics, and the drug war. But what about the wall's effect on animals? Krista Schlyer vividly shows us that this largely isolated natural area, stretching from the Pacific Ocean to the Gulf of Mexico, is also host to a number of rare ecosystems.

The writings of Wallace Stegner (1909-1993) make him a major figure in American literature. These essays by some of the foremost commentators writing on the West today constitute the first attempt since his death to assess the diversity of Stegner's contributions to American intellectual life. The essayists engage his novels, short stories, memoirs, and biographies; the intersection between Stegner's fiction and history; and his role as an environmental essayist. These interpretive pieces are preceded by more personal accounts by his son Page Stegner, former students James R. Hepworth and Wendell Berry, and writers William Kittredge and Ivan Doig. They identify several themes that pervade Stegner's life and work - a search for continuity between past and present, hope and optimism about the future, and an attempt to foster for the West, as Stegner put it, "a society to match its scenery".