The transnationally coordinated response to "Covid-19" witnessed numerous developments reminiscent of the prewar years of the Third Reich, including the suspension of constitutional rights and freedoms, the rollout of draconian legislation, an attempted revolution from above (the "Great Reset"), the censorship of dissent, health surveillance, euthanasia, eugenics, the corruption of science by politics, and the hijacking of conscience. The list goes on. "Never again!" was the rallying cry after 1945, yet never again is now global. How did we get here? Wall Street, the Nazis, and the Crimes of the Deep State explores the role of Wall Street in promoting the rise of Hitler, funding the Nazi war machine, recruiting and rehabilitating ex-Nazis, and creating a transnational deep state inspired by Nazi methods. Wall Street has long preferred totalitarianism as the regime type most effective in crushing working-class resistance, and as capitalism once more enters a period of acute crisis, the aim is to replace liberal democracy with global technocracy—a novel, biodigital form of totalitarianism whose potential for social control exceeds anything imaginable by Hitler or Stalin. Wall Street, the Nazis, and the Crimes of the Deep State illustrates how totalitarianism does not spring into existence fully formed. In the case of Nazi Germany, the descent into barbarism took place gradually, over many years. Today, the warning signs from history are flashing red. Unless the global technocratic coup being attempted is put down, we can expect the centralization of power in a New World Order, the return of slavery, the privatization of the global commons, and the transformation of society into a biodigital camp, bringing an end to the rule of law and normalizing the use of eugenics and a systematic mass murder of dissidents.

Now in a new edition updated through the unprecedented 2016 presidential election, this provocative book makes a compelling case for a hidden “deep state” that influences and often opposes official U.S. policies. Prominent political analyst Peter Dale Scott begins by tracing America’s increasing militarization, restrictions on constitutional rights, and income disparity since World War II. With the start of the Cold War, he argues, the U.S. government changed immensely in both function and scope, from protecting and nurturing a relatively isolated country to assuming ever-greater responsibility for controlling world politics in the name of freedom and democracy. This has resulted in both secretive new institutions and a slow but radical change in the American state itself. He argues that central to this historic reversal were seismic national events, ranging from the assassination of President Kennedy to 9/11. Scott marshals compelling evidence that the deep state is now partly institutionalized in non-accountable intelligence agencies like the CIA and NSA, but it also extends its reach to private corporations like Booz Allen Hamilton and SAIC, to which 70 percent of intelligence budgets are outsourced. Behind these public and private institutions is the influence of Wall Street bankers and lawyers, allied with international oil companies beyond the reach of domestic law. Undoubtedly the political consensus about America’s global role has evolved, but if we want to restore the country’s traditional constitutional framework, it is important to see the role of particular cabals—such as the Project for the New American Century—and how they have repeatedly used the secret powers and network of Continuity of Government (COG) planning to implement change. Yet the author sees the deep state polarized between an establishment and a counter-establishment in a chaotic situation that may actually prove more hopeful for U.S. democracy.

THE INSTANT NATIONAL BESTSELLER “One of the more surprising double-reverse plot twists...in some time.” —The New York Times In this “propulsive, page-turning, compelling, fragmentation grenade of a debut thriller” (C.J. Box, #1 New York Times bestselling author), a deadly plot against the president’s life emerges from the shadows of the Deep State. Recently elected President Richard Monroe—populist, controversial, and divisive—is at the center of an increasingly polarized Washington, DC. Never has the partisan drama been so tense or the paranoia so rampant. In the midst of contentious political turf wars, the White House chief of staff is found dead in his house and West Wing intern and ex-Army grunt Hayley Chill is positive that it’s not from natural causes. Determined to find the truth, Hayley uncovers shocking evidence that a wide-ranging conspiracy is running beneath the surface of DC in an effort to undermine the rule of law—and democracy itself. Soon, Hayley is in a race against time to reveal the truth and save the life of the next victim: the president. “Deep State rings eerily true [and] will keep you turning pages well into the night” (Jack Carr, former Navy SEAL and author of The Terminal List).

Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.

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A low-level government investigator looking at the books of a failed Northern California bank stumbles upon an account that has no explanation. It is a tiny thread that will ultimately unravel a criminal tapestry of unbelievable audacity, complexity, and scope, a conspiracy ranging from the cocaine fields of the Andes to the corridors of power in Washington, D.C. Few other novelists today know as much about the intersection of big money and global crime as Michael M. Thomasand none can match his storytelling power. Charged with action, surprise, and inside knowledge, Black Money gathers an unlikely team of heroes, led by Lee Boynton, a wealthy heiress turned journalist, and Thurlow Coole, a Wall Street wizard turned computer-fraud expert. They find themselves challenging a criminal alliance that, in a diabolically clever scheme, is laundering billions of drug dollars through a skein of businesses ranging from Wall Street firms to fast-food stores. At a relentless pace, Black Money leads us into the inner coils of the vast global web, along whose filaments trillions of dollars move every day, and into the brain of JEDI, the top-secret government computer network the penetration of which lies at the heart of the plot. This is a whole new kind of techno-thriller - one in which the weapon is more awesome than any missile.