Diana Reid Haig walks the reader through modern Paris and the palaces which surround it, pointing out all the key places connected to Marie Antoinette. She gives us the history, anecdotes and shows where Antoinette spent good times as well as bad.

This compelling book begins on the 2nd of August 1793, the day Marie Antoinette was torn from her family’s arms and escorted from the Temple to the Conciergerie, a thick-walled fortress turned prison. It was also known as the “waiting room for the guillotine” because prisoners only spent a day or two here before their conviction and subsequent execution. The ex-queen surely knew her days were numbered, but she could never have known that two and a half months would pass before she would finally stand trial and be convicted of the most ungodly charges. Will Bashor traces the final days of the prisoner registered only as Widow Capet, No. 280, a time that was a cruel mixture of grandeur, humiliation, and terror. Marie Antoinette’s reign amidst the splendors of the court of Versailles is a familiar story, but her final imprisonment in a fetid, dank dungeon is a little-known coda to a once-charmed life. Her seventy-six days in this terrifying prison can only be described as the darkest and most horrific of the fallen queen’s life, vividly recaptured in this richly researched history.

What if a beautiful dress could take you back in time? Louise Lambert's best friend's thirteenth birthday party is fast approaching, so of course the most important question on her mind is, "What am I going to wear?!" Slipping on an exquisite robin's egg blue gown during another visit to the mysterious Traveling Fashionista Vintage Sale, Louise finds herself back in time once again, swept up in the glory of palace life, fancy parties, and enormous hair as a member of the court of France's most infamous queen, Marie Antoinette. But between cute commoner boys and glamorous trips to Paris, life in the palace isn't all cake and couture. Can Louise keep her cool-and her head!-as she races against the clock to get home?

In this follow up to My Good Life in France, Janine Marsh tells of the delights and dramas of getting to grips with rural life in northern France.

These handy, take-along walking guides--filled with essential maps, inspirational photos, and insider tips--showcase the world's great cities in a practical, streamlined, itinerary-driven format. The best way to appreciate the city is to walk: it is only on foot that you can explore the lively districts in all their variety and diversity. This volume offers 14 itineraries that will guide you step by step to the most hidden and picturesque corners of Paris. The "Whirlwind Tour" section includes ideas for visiting the entire city in one day or in a weekend, enjoying a solo trip or a family visit with children. The walks through the city, from the Tour Eiffel and Les Invalides to Place du Châtelet and Les Halles, touch on each of the points of interest on the map. The more detailed descriptions offer interesting information about the museums and other sites, including the Cathédrale de Notre-Dame de Paris, the Musée du Louvre, and the Arc de Triomphe. Decidedly Parisian, the guide introduces the reader to the more unusual aspects of the city's culture, such as haute couture, art, theatre, and the best of local life, from street markets to minor museums and visits to architectural peculiarities.

In this dazzling new vision of the ever-fascinating queen, a dynamic young historian reveals how Marie Antoinette's bold attempts to reshape royal fashion changed the future of France Marie Antoinette has always stood as an icon of supreme style, but surprisingly none of her biographers have paid sustained attention to her clothes. In Queen of Fashion, Caroline Weber shows how Marie Antoinette developed her reputation for fashionable excess, and explains through lively, illuminating new research the political controversies that her clothing provoked. Weber surveys Marie Antoinette's "Revolution in Dress," covering each phase of the queen's tumultuous life, beginning with the young girl, struggling to survive Versailles's rigid traditions of royal glamour (twelve-foot-wide hoopskirts, whalebone corsets that crushed her organs). As queen, Marie Antoinette used stunning, often extreme costumes to project an image of power and wage war against her enemies. Gradually, however, she began to lose her hold on the French when she started to adopt "unqueenly" outfits (the provocative chemise) that, surprisingly, would be adopted by the revolutionaries who executed her. Weber's queen is sublime, human, and surprising: a sometimes courageous monarch unwilling to allow others to determine her destiny. The paradox of her tragic story, according to Weber, is that fashion—the vehicle she used to secure her triumphs—was also the means of her undoing. Weber's book is not only a stylish and original addition to Marie Antoinette scholarship, but also a moving, revelatory reinterpretation of one of history's most controversial figures.