A decade's worth of poems by one of our most reliable witnesses, National Book Award finalist Thomas Lynch. In his fourth collection of poems, Thomas Lynch attends to flora, fauna, and fellow pilgrims: dead poets and living masters, a former president and his factotums, a sin-eater and inseminator. Faux-bardic and mock-epic, deft at lament and lampoon, fete and feint, Lynch's poems are powerful medicines, tonics for the long haul and home-going. from "Walking Papers" You can think of it as punctuation and maybe take some comfort from that, friend— a question mark or exclamation point— no matter, we're all sentenced to an end, the movers and the shakers, bon vivants, all ne'er-do-wells and nincompoops, savants, sage and sluggard, deft and daft alike: everyone's given their walking papers.

Turner Publishing is proud to present a new edition of Sandra Hochman's first novel, Walking Papers First published by Viking Press in 1971, Hochman's widely-praised novel is about a messy divorce told with a poet's verve. From the Viking Press edition: Diana Balooka: “Out of my womanhood is my madness woven." And, for Diana, out of marriage has divorce arisen. With four children, a pet Zulu-Terrier (a rare breed), and a wheeler-dealer love affair to boot. Diana Balooka: "We are babies. Watched by our elders. Like the dangerously Insane and deaf we invent our own language We gesture in our own mudras. We understand each other." Breaking into herself, Diana is a sanity robber armed with cupfuls of tears and lots of laughs. How can pain be amusing? Sandra Hochman's novel is how. This is a madcap erotic journal of the very separate parts of one woman's life. It is played out with a great personal intensity, a kind of tape-recorded reality that stuns and amazes upon the sound of her own voice; fast forward to Juarez. Mexico; reverse to her flamboyant grandfather's used stageprop farm, or to life In Paris with a hypnotist; hold, for a moment of tormented reflection, on Jason, the nonhusband; then slowly spin forward again, frantic and funny, turn, turn, to everything there is a season . . . . Should the tape chance to break. she bends and splices it together, twists it and sets it to reel on a little further. Miss Hochman pulls and tugs her heroine—a mother, tapdancer. writer, and partner in an affair that stretches from an ocean beach to real estate on Seventy- second Street—as she is caught to a bizarre parade of men on the hunt in New York City. Her invention, sensuality, and poetic gifts lend to Walking Papers a totally original novelist's voice belonging, in Diana's words, to "a woman obsessed with essentials." A women to be read.

Turner Publishing is proud to present a new edition of Sandra Hochman's first novel, Walking Papers First published by Viking Press in 1971, Hochman's widely-praised novel is about a messy divorce told with a poet's verve. From the Viking Press edition: Diana Balooka: "Out of my womanhood is my madness woven." And, for Diana, out of marriage has divorce arisen. With four children, a pet Zulu-Terrier (a rare breed), and a wheeler-dealer love affair to boot. Diana Balooka: "We are babies. Watched by our elders. Like the dangerously Insane and deaf we invent our own language We gesture in our own mudras. We understand each other." Breaking into herself, Diana is a sanity robber armed with cupfuls of tears and lots of laughs. How can pain be amusing? Sandra Hochman's novel is how. This is a madcap erotic journal of the very separate parts of one woman's life. It is played out with a great personal intensity, a kind of tape-recorded reality that stuns and amazes upon the sound of her own voice; fast forward to Juarez. Mexico; reverse to her flamboyant grandfather's used stageprop farm, or to life In Paris with a hypnotist; hold, for a moment of tormented reflection, on Jason, the nonhusband; then slowly spin forward again, frantic and funny, turn, turn, to everything there is a season . . . . Should the tape chance to break. she bends and splices it together, twists it and sets it to reel on a little further. Miss Hochman pulls and tugs her heroine--a mother, tapdancer. writer, and partner in an affair that stretches from an ocean beach to real estate on Seventy- second Street--as she is caught to a bizarre parade of men on the hunt in New York City. Her invention, sensuality, and poetic gifts lend to Walking Papers a totally original novelist's voice belonging, in Diana's words, to "a woman obsessed with essentials." A women to be read.

This is poems about love and romance. They were inspirited by my life experience and came fluently from my heart. It's a refreshing and amusing content.

An unprecedented eyewitness account of the New York School, as seen between the lines of O'Hara's poetry Joe LeSueur lived with Frank O'Hara from 1955 until 1965, the years when O'Hara wrote his greatest poems, including "To the Film Industry in Crisis," "In Memory of My Feelings," "Having a Coke with You," and the famous Lunch Poems—so called because O'Hara wrote them during his lunch break at the Museum of Modern Art, where he worked as a curator. (The artists he championed include Jackson Pollock, Joseph Cornell, Grace Hartigan, Jane Freilicher, Joan Mitchell, and Robert Rauschenberg.) The flowering of O'Hara's talent, cut short by a fatal car accident in 1966, produced some of the most exuberant, truly celebratory lyrics of the twentieth century. And it produced America's greatest poet of city life since Whitman. Alternating between O'Hara's poems and LeSueur's memory of the circumstances that inspired them, Digressions on Some Poems by Frank O'Hara is a literary commentary like no other—an affectionate, no-holds-barred memoir of O'Hara and the New York that animated his work: friends, lovers, movies, paintings, streets, apartments, music, parties, and pickups. This volume, which includes many of O'Hara's best-loved poems, is the most intimate, true-to-life portrait we will ever have of this quintessential American figure and his now legendary times.