Oliver the owl stays up so late one night that he sees the sun come up, but when he goes to share the sight with his nighttime friends, they are all asleep.

Oliver Stone is a master of in-your-face movie making. In picture after picture - in what the director refers to as "wakeup cinema" - he takes on big, controversial topics and verges on filmic assault of the audience to drive home his point of view. Stone's artistic warfare, evidenced in such widely seen films as Platoon and JFK, has brought him acclaim as one of the few commercially successful Hollywood directors unafraid to make bold, meaningful films and has brought him criticism as a self-anointed sayer of the truth on whatever subject his eye comes to rest. His provocative style has triggered an enormous critical response, with interviews, reviews, and commentaries numbering in the thousands - remarkable especially for a filmmaker whose first noteworthy film, Salvador, opened in 1986. In this thoroughgoing assessment of Stone's life and work, Frank Beaver not only uses the rich response to the films to inform his own analysis but makes the case that the director has used it as well. There is, Beaver suggests, "a telling symbiosis between critical response and ongoing practice in Stone's emergence as a unique director". Beaver explores the way in which criticism has undeniably helped to shape the course of Stone's ideas and filmmaking techniques.

The forty-seven new works in this volume include poems on crickets, toads, trout lilies, black snakes, goldenrod, bears, greeting the morning, watching the deer, and, finally, lingering in happiness. Each poem is imbued with the extraordinary perceptions of a poet who considers the everyday in our lives and the natural world around us and finds a multitude of reasons to wake early.

The New York Times-bestselling collection of poems from celebrated poet Mary Oliver In A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

"First published in the United States of America by Viking, an imprint of Penguin Group (USA) LLC, 2014."--Title page verso.

He Was Searching for a Lost Dog. He Found More Than He’d Ever Hoped For. On Valentine’s Day 2019, someone stole Steven Carino’s dog, Oliver, from his car. Having lost his mother at thirteen and grown up with an alcoholic father, he could always count on his dogs for comfort and company. But now, with his beloved Oliver missing, Steven felt utterly alone. Then, the miracle. In a series of near-impossible coincidences, people from different walks of life crossed paths with Oliver and with Steven. Hardworking immigrants, wealthy suburbanites, car mechanics, deli workers, old friends, close relatives, street cops, gang members, a TV news reporter, social media followers around the world, and one very gifted hairdresser all played a part in Steven’s desperate journey to find Oliver. In the middle of it all, Steven realized that no one is ever truly alone--and that the power of community can be life-changing. Oliver is not just a book about a stolen dog. At its core, it’s a story about kindness, friendship, and the power of faith. As Steven says, “This is more than just a dog story. This is an everybody story. This is a love story.”