A striking debut novel about a college freshman grappling with the challenges of attending an elite university with a disturbing racist history, which may not be as distant as it seems. "A searing debut.” –Entertainment Weekly Savannah Howard thought everyone followed the same checklist to get into Wooddale University: Take the hardest classes Get perfect grades Give up a social life to score a full ride to a top school But now that she’s on campus, it’s clear there’s a different rule book. Take student body president, campus royalty, and racist jerk Lucas Cunningham. It’s no secret money bought his acceptance letter. And he’s not the only one. Savannah tries to keep to head down, but when the statue of the university’s first Black president is vandalized, how can she look away? Someone has to put a stop to the injustice. But will telling the truth about Wooddale’s racist past cost Savannah her own future? First-time novelist Kristen R. Lee delivers a page-turning, thought-provoking story that exposes racism and hypocrisy on college campuses, and champions those who refuse to let it continue.

An Israeli girl’s coming of age is told through a diary addressed to Anne Frank in this powerful novel—“a temple of love to the imaginary” (Time Out Israel). Love is both the question and the answer in this lyrical novel by one of Israel’s bestselling authors. Returning to her hometown as an adult, Rivi Shenhar discovers a collection of her old diaries—impassioned, plaintive journals she addressed to Anne Frank while growing up in Israel in the 1970s. Reading them takes her back to the isolated, lonely girl she was, living alone with a distant mother, but also to the love affair that changed her life. When her young literature teacher provides an outlet for Rivi’s frustrations, she never imagines that she will fall in love—or that such a turbulent, forbidden relationship could last so long, or become so intimate and erotically charged. Rivi’s transformation from awkward child to confident woman—and writer—is deftly handled, in “metaphoric language that is amazingly sensuous and precise” (Globes).

Autotheory--the commingling of theory and philosophy with autobiography--as a mode of critical artistic practice indebted to feminist writing and activism. In the 2010s, the term "autotheory" began to trend in literary spheres, where it was used to describe books in which memoir and autobiography fused with theory and philosophy. In this book, Lauren Fournier extends the meaning of the term, applying it to other disciplines and practices. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory.

A Fidel Castro-like octogenarian Cuban exile obsessively seeks revenge against the dictator.

From the French Abbey of St Wandrille to the abandoned and awesome Rock Monasteries of Cappadocia in Turkey, the celebrated travel writer Patrick Leigh Fermor studies the rigorous contemplative lives of the monks and the timeless beauty of their monastic surroundings. In his occasional retreats, the peaceful solitude and the calm enchantment of the monasteries was passed on as a kind of 'supernatural windfall' which A Time to Keep Silence so effortlessly records.

S. A. Chakraborty continues the sweeping adventure begun in The City of Brass—"the best adult fantasy I’ve read since The Name of the Wind" (#1 New York Times bestselling author Sabaa Tahir)—conjuring a world where djinn summon flames with the snap of a finger and waters run deep with old magic; where blood can be dangerous as any spell, and a clever con artist from Cairo will alter the fate of a kingdom. Nahri’s life changed forever the moment she accidentally summoned Dara, a formidable, mysterious djinn, during one of her schemes. Whisked from her home in Cairo, she was thrust into the dazzling royal court of Daevabad—and quickly discovered she would need all her grifter instincts to survive there. Now, with Daevabad entrenched in the dark aftermath of a devastating battle, Nahri must forge a new path for herself. But even as she embraces her heritage and the power it holds, she knows she’s been trapped in a gilded cage, watched by a king who rules from the throne that once belonged to her family—and one misstep will doom her tribe.. Meanwhile, Ali has been exiled for daring to defy his father. Hunted by assassins, adrift on the unforgiving copper sands of his ancestral land, he is forced to rely on the frightening abilities the marid—the unpredictable water spirits—have gifted him. But in doing so, he threatens to unearth a terrible secret his family has long kept buried. And as a new century approaches and the djinn gather within Daevabad's towering brass walls for celebrations, a threat brews unseen in the desolate north. It’s a force that would bring a storm of fire straight to the city’s gates . . . and one that seeks the aid of a warrior trapped between worlds, torn between a violent duty he can never escape and a peace he fears he will never deserve.