Shortlisted for the T. S. Eliot Prize Finalist for the Forward Prize for Best Collection The extraordinary new poetry collection by Tracy K. Smith, the Poet Laureate of the United States Even the men in black armor, the ones Jangling handcuffs and keys, what else Are they so buffered against, if not love’s blade Sizing up the heart’s familiar meat? We watch and grieve. We sleep, stir, eat. Love: the heart sliced open, gutted, clean. Love: naked almost in the everlasting street, Skirt lifted by a different kind of breeze. —from “Unrest in Baton Rouge” In Wade in the Water, Tracy K. Smith boldly ties America’s contemporary moment both to our nation’s fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith’s signature voice—inquisitive, lyrical, and wry—turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence. Here, private utterance becomes part of a larger choral arrangement as the collection widens to include erasures of The Declaration of Independence and the correspondence between slave owners, a found poem comprised of evidence of corporate pollution and accounts of near-death experiences, a sequence of letters written by African Americans enlisted in the Civil War, and the survivors’ reports of recent immigrants and refugees. Wade in the Water is a potent and luminous book by one of America’s essential poets.

"A study of African American spirituals, which emerged out of slavery and reflect a blend of spirituality and yearning for liberation"--

Whether or not we are aware of it, everyone is being ""baptized."" While the church baptizes people in the name of the Father, Son, and Holy Spirit, the culture in which we live is baptizing us into the trinitarian values of consumption, production, and acquisition. The respective baptism we choose to immerse ourselves in is consequential for the type of people we are becoming. Wade In the Water alerts us to the presence of these formative forces, so that we can choose the sacred ways that form us in the Jesus Way. ""In this thoughtful and powerful book, Eric Peterson pulls on the thread of Christian baptism, and by the time he is done the whole fabric of the Christian life has been gathered up. Read this book alone for encouragement, read it with others for strength, proclaim it from the pulpit for courage and guidance."" --Thomas G. Long, Professor, Candler School of Theology, Emory University, Atlanta, Georgia ""More than merely a quaint church photo op for babies and their parents, Peterson shows how baptism is the pattern for a way of life in the midst of an increasingly toxic culture. We find here a compelling demonstration of practical theology as related to the meaning and practice of baptism that is biblically engaged, historically informed, theologically insightful, and always pastorally wise."" -- Gordon S. Mikoski, Associate Professor, Director, Editor, Theology Today, Princeton Theological Seminary Eric E. Peterson is the founding pastor of Colbert Presbyterian Church in Eastern Washington where he has served since 1997. Eric is married to Elizabeth; together they are the grateful parents of six children.

National Book Award Finalist From the dazzlingly original Pulitzer Prize-winning poet hailed for her “extraordinary range and ambition” (The New York Times Book Review): a quietly potent memoir that explores coming-of-age and the meaning of home against a complex backdrop of race, faith, and the unbreakable bond between a mother and daughter. The youngest of five children, Tracy K. Smith was raised with limitless affection and a firm belief in God by a stay-at-home mother and an engineer father. But just as Tracy is about to leave home for college, her mother is diagnosed with cancer, a condition she accepts as part of God’s plan. Ordinary Light is the story of a young woman struggling to fashion her own understanding of belief, loss, history, and what it means to be black in America. In lucid, clear prose, Smith interrogates her childhood in suburban California, her first collision with independence at Harvard, and her Alabama-born parents’ recollections of their own youth in the Civil Rights era. These dizzying juxtapositions—of her family’s past, her own comfortable present, and the promise of her future—will in due course compel Tracy to act on her passions for love and “ecstatic possibility,” and her desire to become a writer. Shot through with exquisite lyricism, wry humor, and an acute awareness of the beauty of everyday life, Ordinary Light is a gorgeous kaleidoscope of self and family, one that skillfully combines a child’s and teenager’s perceptions with adult retrospection. Here is a universal story of being and becoming, a classic portrait of the ways we find and lose ourselves amid the places we call home.

The debut collection by the Poet Laureate of the United States * Winner of the 2002 Cave Canem Poetry Prize * You are pure appetite. I am pure Appetite. You are a phantom In that far-off city where daylight Climbs cathedral walls, stone by stolen stone. --from "Self-Portrait as the Letter Y" The Body's Question by Tracy K. Smith received the 2002 Cave Canem Poetry Prize for the best first book by an African-American poet, selected by Kevin Young. Confronting loss, historical intersections with race and family, and the threshold between childhood and adulthood, Smith gathers courage and direction from the many disparate selves encountered in these poems, until, as she writes, "I was anyone I wanted to be."

From the first orange glow on the water in the pond, to the last humans and animals running home from an evening rain shower, here is a day-in-the-life of a city park, and the playground within it. A rhythmic text and sweet, accessible images will immerse parents, toddlers, and young children in the summer season and the community within a park. Seasoned picture book readers may notice Emily Jenkins's classic inspirations for this book: Alvin Tresselt's Caldecott Medal-winning White Snow, Bright Snow, illustrated by Roger Duvoisin, and Charlotte Zolotow's The Park Book, illustrated by H. A. Rey.

Octavia E. Butler meets Marvel’s Black Panther in The Deep, a story rich with Afrofuturism, folklore, and the power of memory, inspired by the Hugo Award–nominated song “The Deep” from Daveed Diggs’s rap group Clipping. Yetu holds the memories for her people—water-dwelling descendants of pregnant African slave women thrown overboard by slave owners—who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly is forgotten by everyone, save one—the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface escaping the memories, the expectations, and the responsibilities—and discovers a world her people left behind long ago. Yetu will learn more than she ever expected about her own past—and about the future of her people. If they are all to survive, they’ll need to reclaim the memories, reclaim their identity—and own who they really are. The Deep is “a tour de force reorientation of the storytelling gaze…a superb, multilayered work,” (Publishers Weekly, starred review) and a vividly original and uniquely affecting story inspired by a song produced by the rap group Clipping.