This book reveals how Fields became a character comedian while performing in Broadway’s most illustrious revue, the Ziegfeld Follies. As the first biography to use the recently opened Fields Papers at the Motion Picture Academy, the book explores how Fields years as a Follies entertainer portraying a beleaguered husband and a captivating conman became a landmark turning point in his career, leading to his fame as a masterful film comedian. The book also untangles a web of mysteries about Fields’s turbulent private life, from the heartrending stories about the tragic relationship with his calculating wife who refused to divorce him, to his estranged son controlled by his mother, to the seven-year extra-marital affair with a chorus girl that led to the birth of an unwanted child. This electrifying saga illuminates a complex dual personality, whirling from tenderness to brusqueness, who endured so much anguish in order to bring the gift of laughter to millions. Although vilified by Ziegfeld and assailed by demons, Fields survived the cutthroat rigors of Broadway show biz to become a legendary American iconoclast and cultural icon.

In this wonderful parody from 1940, W.C. Fields announces his candidacy for America's highest office. He offers sound advice on a number of topics in classic Fields-style humor in his attempt to win votes. "Campaign resolutions are no better than New Year's resolutions," he writes. "They are thrown together hastily at the last minute, with never a thought as to how they may be gracefully broken. Now, I am a candidate with years of experience breaking New Year's resolutions, and what I can accomplish with those, I can certainly accomplish with campaign resolutions."

A documented chronology traces Fields' work in all media. The bibliographies cover 16 typescripts and more than 525 books and periodicals, with full annotations describing the work and setting it in context. Studio, date of release, length, director and cast credits are listed in the filmography. The discography includes all albums on which Fields appeared. Also detailed are the 17 cigarette cards that featured Fields.

Fields never got around to writing his autobiography, but at his death in 1946, he left behind a vast assortment of notes, outlines, scrapbooks, letters, scripts, scenarios, and photographs. Now his grandson, Ronald J. Fields, has edited and woven this wealth of previously unpublished material into a unique new portrait of the Great One--in his own words. This book establishes the true facts about W.C. Fields's early years: how, around 1895, he really got started juggling; how met his future wife Hattie; and how he felt about his incessant tours, triumphs, and film career.

All students of the Great Man's'career will have to rely on this work. . . . Perhaps Gehring's greatest contributio here is his discussion of 23 sketches that Fields copyrighted that are now in the Library of Congress. Choice

Louvish brilliantly sifts through evidence of W.C. Fields' own self-creation to illuminate the vaudeville world from which he rose to become the beloved cinematic curmudgeon and comic genius of his time. Photos.