Sanskrit classical epic; text with English translation.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Drona Parva, the seventh, is the major book of the Kurukshetra war with Drona as commander. The narration is on most of the great warriors who served on respectively to the Kauravas and the Pandavas in the battle. Drona or Dronacharya is portrayed as the royal guru to the Kauravas and the Pandavas. He was skilled in advanced military arts. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

The Mahabharata is one of the two major Sanskrit epics of ancient India. It is an epic narrative of the Kurukshetra War and the fates of the Kauravas and the Pandava princes as well as containing philosophical and devotional material, such as a discussion of the four goals of life. Here we have Karna Parva, the eighth, in which the battle continues with Karna as commander. Vyasa is a revered figure in Hindu traditions. He is a kala-Avatar or part-incarnation of God Vishnu. Vyasa is sometimes conflated by some Vaishnavas with Badarayana, the compiler of the Vedanta Sutras and considered to be one of the seven Chiranjivins. He is also the fourth member of the Rishi Parampara of the Advaita Guru Parampar of which Adi Shankara is the chief proponent.

Ancient India, like ancient Greece boasts of two great Epics. One of them, the Maha-bharata, relates to a great war in which all the warlike races of Northern India took a share, and may therefore be compared to the Iliad. The great war which is the subject of this Epic is believed to have been fought in the thirteenth or fourteenth century before Christ. The war thus became the centre of a cycle of legends, songs, and poems in ancient India, the vast mass of legends and poetry, accumulated during centuries, was cast in a narrative form and formed the Epic of the Great Bharata nation, and therefore called the Maha-bharata. The real facts of the war had been obliterated by age, legendary heroes had become the principal actors, and, as is invariably the case in India, the thread of a high moral purpose, of the triumph of virtue and the subjugation of vice, was woven into the fabric of the great Epic.

The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose Adi Parva by Kisari Mohan Ganguli SECTION I Om! Having bowed down to Narayana and Nara, the most exalted male being, and also to the goddess Saraswati, must the word Jaya be uttered. Ugrasrava, the son of Lomaharshana, surnamed Sauti, well-versed in the Puranas, bending with humility, one day approached the great sages of rigid vows, sitting at their ease, who had attended the twelve years' sacrifice of Saunaka, surnamed Kulapati, in the forest of Naimisha. Those ascetics, wishing to hear his wonderful narrations, presently began to address him who had thus arrived at that recluse abode of the inhabitants of the forest of Naimisha. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

Collection of literary works, based on Mahābhārata, Hindu epic, by 20th century Indic authors.

The Mahabharata is an Indian epic, in its original Sanskrit probably the largest ever composed. It is the story of a dynastic struggle that provides a social, moral, and cosmological background to the climatic battle. The present English rendition is a retelling based on a translation of the Sanskrit original published by Pratap Chandra Roy, Published in the beginning of this century. William buck has condensed the story. The old translation from which he worked covers 5800 pages of print, while his own book is less than a tenth of that length. But by and large, Buck`s rendition reflects the sequence of events in the Sanskrit epic, and he uses the traditional techniques for instance, of stories within stories, flashbacks, moral lessons laid in the mouths of principal characters. There are other English versions of the Mahabharata, some shorter, some longer. But apart from William Buck`s rendition, none have been able to capture the blend of religion andmartial spirit that pervades the original epic. It succeeds eminently in illustrating how seemingly grand and magnificent human endeavors turn out to be astoundingly insignificant in the perspective of eternity. CONTENTS Publisher's Preface, Introduction, Part I: In the Beginning, A Mine of Jewels and Gems, The Ring and the Well, Fire and Flame, Indraprastha, The Falling Sand, Part II: In the Middle, 6:00 Nala and Damayanti, 7:00 The Thousand-Petaled Lotus, An Iron Net, Virata, The Invasion, Do Not Tell, Sanjaya Returns, Trees of Gold, The Enchanted Lake, The Night, Part III: In the End, The Blade of Grass, The Lonely Encounter, Parikshita, The Timeless Path, The City of Gates, Notes, Reference List of Characters