In Frederic Voss's wonderful memoir, My House Was Not a Home, the author describes life on the farm with an abusive grandmother. His priority was finding other places to be than at "home," a place never referred to as such in the book. Voss's book is, however, not about abuse, but rather the friends that helped him avoid it. There were many characters, good and not so good. In chapter 4, we meet Reg Keetering, the king of the tall-tale spinners, as he conjures "The Man Who Invented Dinosaurs." In chapter 5, Darrell (pronounced Duryl) Campbell regales the boys in the barbershop with the origins of the "Greatest Camel and Goat Herd Dog Y'all Ever Saw." Readers meet the author's best friend, Jimmy, Tehama County's answer to Will Rogers. They'll begin to hate the school bully, Stanley Bater, who picks on only kids smaller than him. Once referred to as "Master Bater," he couldn't figure out why they were all laughing. Among the author's many friends were abandoned dogs that came to the house from the highway. They were taken in and fed and loved. Many were reclaimed by the highway or wandered off or killed in mysterious ways. There is room for their stories too.

Join J. M. Coetzee and Thomas Keneally in rediscovering Nobel Laureate Patrick White In 1973, Australian writer Patrick White was awarded the Nobel Prize in Literature "for an epic and psychological narrative art which has introduced a new continent into literature." Set in nineteenth-century Australia, Voss is White's best-known book, a sweeping novel about a secret passion between the explorer Voss and the young orphan Laura. As Voss is tested by hardship, mutiny, and betrayal during his crossing of the brutal Australian desert, Laura awaits his return in Sydney, where she endures their months of separation as if her life were a dream and Voss the only reality. Marrying a sensitive rendering of hidden love with a stark adventure narrative, Voss is a novel of extraordinary power and virtuosity from a twentieth-century master. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Regency London--a dizzying whirl of balls and young ladies pursued by charming men. But the Woodmore sisters are hunted by a more sinister breed: Lucifer's own. First in the vampire trilogy The Regency Draculia.

A former international hostage negotiator for the FBI offers a new, field-tested approach to high-stakes negotiations—whether in the boardroom or at home. After a stint policing the rough streets of Kansas City, Missouri, Chris Voss joined the FBI, where his career as a hostage negotiator brought him face-to-face with a range of criminals, including bank robbers and terrorists. Reaching the pinnacle of his profession, he became the FBI’s lead international kidnapping negotiator. Never Split the Difference takes you inside the world of high-stakes negotiations and into Voss’s head, revealing the skills that helped him and his colleagues succeed where it mattered most: saving lives. In this practical guide, he shares the nine effective principles—counterintuitive tactics and strategies—you too can use to become more persuasive in both your professional and personal life. Life is a series of negotiations you should be prepared for: buying a car, negotiating a salary, buying a home, renegotiating rent, deliberating with your partner. Taking emotional intelligence and intuition to the next level, Never Split the Difference gives you the competitive edge in any discussion.

The series opens on a dystopic planet-sized ship in the far future, where a very advanced android receives a personality file from the 90s. He is the only one of his kind. His name is Alex, and in his quest for understanding just how he got to be an android-and on the planet-sized ship known as CONSTELIS VOSS-he finds curiously familiar faces who help him color in the blanks. As the coincidences pile up-friends, objects, scenes, motifs, and tropes-they start to form a pattern. A pattern that's set against the backdrop of a dystopian, corrupt civilization, with a conveniently very-evil villain. A pattern that seems, in all its madness, to be directly linked to him. Something is pulling the strings, and figuring out the mystery is the only way to save himself, his friends, and the future of the very human race itself. But will he be able solve the mystery without losing himself-and his friends-in the process? The road to hell is paved with good intentions, after all. Welcome to Constelis Voss, the anime-inspired, psychological sci-fi trilogy nobody asked for, but everyone (probably) deserves.

I’m arguably the biggest, strongest Lycan in the pack. My father would have it no other way. He raised me to mate the Princess and become the High Alpha. He was wrong. The High Alpha is letting his daughter choose her own mate. He’s letting her choose love. My competition is fierce. The cocky Vampire prince and the Princess’s best friend and sentry both hold a piece of her heart. But too bad for them, so do I. They aren’t backing down. Then the Vamp suggests we share her. If we truly loved her like we say, why make her choose? I don’t know if I can do it. I didn’t intend it to happen, but I already love her. One thing is for sure. I’m not walking away from her.

This innovative work of historical archaeology illuminates the genesis of the Californios, a community of military settlers who forged a new identity on the northwest edge of Spanish North America. Since 1993, Barbara L. Voss has conducted archaeological excavations at the Presidio of San Francisco, founded by Spain during its colonization of California's central coast. Her research at the Presidio forms the basis for this rich study of cultural identity formation, or ethnogenesis, among the diverse peoples who came from widespread colonized populations to serve at the Presidio. Through a close investigation of the landscape, architecture, ceramics, clothing, and other aspects of material culture, she traces shifting contours of race and sexuality in colonial California.