“Hot new talent.” —Locus Get to know tomorrow’s brightest creative talents chosen by some of today’s bestselling authors and celebrated artists including Kevin J. Anderson, Orson Scott Card, Larry Elmore, and Brandon Sanderson. Explore 12 diverse new universes of possibility through a variety of creative and fresh new ideas—all in one anthology. From dragons to mythical death dealers, from murder on the moon to deep space mystery, these stories bring you the hot new talent in science fiction, fantasy, and horror. Discover the writers who push the boundaries—and break beyond them . . . the illustrators who envision the impossible—and render it real . . . the stories that challenge the way we see ourselves—and see the world in a new way. You’ll love this anthology because of the diversity of stories, unexpected twists and turns, and 16 full color illustrations that bring the stories to vivid life. Get it now. Bonus short stories by L. Ron Hubbard, Todd McCaffrey, and Robert J. Sawyer Art and writing tips by Anne McCaffrey, L. Ron Hubbard, and Larry Elmore “This fine collection will appeal to both fans of science fiction and fantasy short stories and aspiring writers looking for ways to improve their craft.” —Booklist About the Stories: When Gwen’s husband is found murdered, she’s the only suspect. After all, they were the only two people on the moon.—Moonlight One Flora’s father is a mech-soldier of the Slayer Class, but how much of him is really left inside the machine?—The Armor Embrace When an alien with godly intelligence is discovered watching the earth, one man must try to learn if its motives are pure.—Envoy in the Ice If you were stranded in an open boat and the only hope for rescue came from a ghost ship, would dare to ride?—The Devil’s Rescue Some gifts come with heavy price tags, and the giver must rise to the occasion.—Tears for Shülna What if an alien asks for your help with a question, and the answer affects the future of the whole human race?—The Drake Equation Barlow has a talent for finding the dead. Or do they find him.—Acquisition When Varga sets out to explore the ancient stronghold of a long- dead wizard, she discovers that the ruins aren’t as deserted as she thought.—Obsidian Spire If only that reptile in the sewer were something as predictable as an alligator.—Gator On a distant world among the cloud peaks, the light-hawks promise a rich reward for those daring enough to harvest one.—A Glowing Heart In a world where memories can be stripped, Bill discovers that he has a family he has never known.—The Long Dizzy Down Not all spirits have the best of intentions, and they must be dealt with.—The Woodcutters’ Deity You can put an end to something wondrous, but only at a cost.—The Dragon Killer’s Daughter In a life-or-death situation, sometimes you wish that you had a really powerful spell. But that begs the question—what is power?—Useless Magic Some devils are as old as a dream, and more evil than men can imagine.—Adramelech When the world needs saving, three children are called to the task.—The Fox, the Wolf, and the Dove Can an aging sorcerer find a way to track down his old nemesis with the small bit of magic he has left, or is he just fooling himself?—The Magnificent Bhajan

A collection of reviews of individual albums, c2003-2006.

"One day I blew my nose and half my brains came out." Los Angeles, 1976. David Bowie is holed up in his Bel-Air mansion, drifting into drug-induced paranoia and confusion. Obsessed with black magic and the Holy Grail, he's built an altar in the living room and keeps his fingernail clippings in the fridge. There are occasional trips out to visit his friend Iggy Pop in a mental institution. His latest album is the cocaine-fuelled Station To Station (Bowie: "I know it was recorded in LA because I read it was"), which welds R&B rhythms to lyrics that mix the occult with a yearning for Europe, after three mad years in the New World. Bowie has long been haunted by the angst-ridden, emotional work of the Die Brucke movement and the Expressionists. Berlin is their spiritual home, and after a chaotic world tour, Bowie adopts this city as his new sanctuary. Immediately he sets to work on Low, his own expressionist mood-piece.

The classic samurai novel about the real exploits of the most famous swordsman. Miyamoto Musashi was the child of an era when Japan was emerging from decades of civil strife. Lured to the great Battle of Sekigahara in 1600 by the hope of becoming a samurai—without really knowing what it meant—he regains consciousness after the battle to find himself lying defeated, dazed and wounded among thousands of the dead and dying. On his way home, he commits a rash act, becomes a fugitive and brings life in his own village to a standstill—until he is captured by a weaponless Zen monk. The lovely Otsu, seeing in Musashi her ideal of manliness, frees him from his tortuous punishment, but he is recaptured and imprisoned. During three years of solitary confinement, he delves into the classics of Japan and China. When he is set free again, he rejects the position of samurai and for the next several years pursues his goal relentlessly, looking neither to left nor to right. Ever so slowly it dawns on him that following the Way of the Sword is not simply a matter of finding a target for his brute strength. Continually striving to perfect his technique, which leads him to a unique style of fighting with two swords simultaneously, he travels far and wide, challenging fighters of many disciplines, taking nature to be his ultimate and severest teacher and undergoing the rigorous training of those who follow the Way. He is supremely successful in his encounters, but in the Art of War he perceives the way of peaceful and prosperous governance and disciplines himself to be a real human being He becomes a reluctant hero to a host of people whose lives he has touched and been touched by. And, inevitably, he has to pit his skill against the naked blade of his greatest rival. Musashi is a novel in the best tradition of Japanese story telling. It is a living story, subtle and imaginative, teeming with memorable characters, many of them historical. Interweaving themes of unrequited love, misguided revenge, filial piety and absolute dedication to the Way of the Samurai, it depicts vividly a world Westerners know only vaguely. Full of gusto and humor, it has an epic quality and universal appeal. The novel was made into a three-part movie by Director Hiroshi Inagai. For more information, visit the Shopping area

Continues the adventures of Japanese swordsman Miyamoto Musashi.

How I wish this book had been available years ago when I as a young minister tried to preach on the life of King Saul. Dr. Cyril Barber has given us a commentary on 1 Samuel that balances dependable information, spiritual interpretation, and practical application. I predict that in years to come this volume will be a standard reference work for serious Bible students and careful expository preachers. But there is no dull academic atmosphere in these pages. The book is a joy to read. Dr. Barber makes ancient history exciting and practical, and he does so without spiritualizing the text. You will enjoy using this book. It will open up new facets of truth for you to receive and apply in your own life and then share with others. From the Foreword, by Warren W. Wiersbe

This book, first published in 1989, contains reprints of the early periodical on accounting, The Book-Keeper. It dealt with ‘historical reviews of methods and systems in all ages and by all nations. Elucidations of accounts, introducing new and simplified features of accounting. Problems from the counting-room discussed and explained. Instructive notes upon plans and methods of book-keeping in every department of trade, commerce and industry.’ The journal is a primary source for students interested in the history of accounting.