He was adored by millions, his music entertaining the world but he was alone. She was loved by her children and friends enjoyed her job but she was alone. Two people two lives entwining but two worlds colliding. Claire Rossini loved Massimo Carando's music was excited to meet the great entertainer but could she fill the void in his soul? Massimo looked to Claire as his salvation. Could he convince her to leave the comfortable life she had known to start a new life in Sicily? Could she ever know his heart the way he knew hers? A fan letter written years ago was the bridge between these two very different people.

A history of the design, marketing, and uses of Chrysler's F-body cars, the 1976-1980 Dodge Aspens and Plymouth Volares. Lots of photographs (many in color) and data tables. This book has had highly favorable reviews in MOPAR COLLECTORS GUIDE and HEMMINGS CLASSIC CAR magazines.

ho scritto, queste poesie, per dare: speranza, vita, amore dedicate, a tutte le persone, che ancora sperano, che ancora soffrono e per chi è alla ricerca, di una vita migliore. I wrote these poems, to give: hope, life, love dedicated to all those who still hope, still suffer and for those in search of a better l

Volare develops an analysis of the contemporary popular media-driven image of Italy. The high visibility of Italian fashion and industrial design, "Italian" settings for advertising, shelves of Italian foods in every supermarket, and select gentrified cuisines all demonstrate the way in which Italy has become a global pop icon. This book, written and designed to capture the energy of its subject, explores the phenomenon of Italy as icon, which extends through the transformations of popular culture now sweeping the world. The global culture, unified by the market and by transnational media corporations, has produced a series of stereotypes and semantic references that might be termed the "Italian dream, " which occupies a space on the continuum of spectacular images the world sees as the American dream, French allure, and classic English style. In turn, the Italian icon, freed of territorial boundaries linking it to the land it ostensibly depicts, influences not only the external view of Italians but Italians' own views of themselves. Italy has created a dream, which is dreamed by others, and it is necessary to realize the existence of this dream for it to become reality.