Voicing Scotland takes the reader on a discovery tour through Scotland's traditional music and song culture, past and present. West unravels the strings that link many of our contemporary musicians, singers and poets with those of the past, offering up to our ears these voices which deserve to be more loudly heard. What do they say to us in the 21st Century? What is the role of tradition in the contemporary world? Can there be a folk culture in the digital age? What next for the traditional arts? REVIEWS Can folk stay true to tradition and still be genuinely contemporary? Can its pride in place counter globalisation- without collapsing into narrow nationalism? The answer for, Gary West, is a resounding Yes. SCOTSMAN Voicing Scotland...is an engrossing assessment of where Scottish Traditional Music standsl, at a time of resonant political developments in the nation's history but also of globalisation and the threat of cultural homogenisation in todays 'liquid society'. SCOTSMAN

In October 1977, the Scottish Branch of the Royal Institute of International Affairs established a study group to consider the representation of Scottish interests abroad. The members of the group were drawn from the Scottish universities as well as from business and banking in Scotland. The study began with a series of discussion meetings at which the group as a whole was able to draw on the knowledge and experience of, among others, Mr Alick Buchanan-Smith MP; Mr Stanley Budd, Head of the Edinburgh Office of the Commission of the European Communities; Mr J. Allan Stewart, Scottish Secretary of the Confederation of British Industry; Mr A.S. Halford-MacLeod of the Scottish Council (Development and Industry); and senior officials of the Scottish Office. Individual members of the group then undertook a programme of interviews with representatives of the fishing industry, in particular Mr Gilbert Buchan and Mr David Aitchison of the Scottish Fishermen's Federation, Mr James Lovie of the Scottish Fishermen's Organisation Ltd and Mr Robert Allan of the Scottish Section of the British Fishing Federation; with representatives of the agriculture industry, notably, Mr Michael Burnett of the National Farmers' Union of Scotland, Mr Dermot Gunn of the Scottish Agricultural Organisation Society and Mr A.F. Roney-Dougal of the Scottish Landowners' Federation; and with representatives of Scottish local authorities and the relevant departments of the Scottish Office.

This book examines the experiences of gay and bisexual men who lived in Scotland during an era when all homosexual acts were illegal, tracing the historical relationship between Scottish society, the state and its male homosexual population using a combination of oral history and extensive archival research.

This book focuses on James Kelman, a leading Scottish author, and his use of language. It examines how Kelman presents a spoken Glasgow working-class voice in his stories while breaking down the traditional distinction made between speech and writing in literature. Three main themes are explored: the use of Glaswegian/Scots language, the inclusion of working-class discourse features, and an expressive preference for spoken over written forms. Kelman’s writing is approached through an examination of his use of punctuation, spelling, vocabulary, grammar, swearing, and body language. Throughout, examples from Kelman’s writing are analysed and statistical comparisons are made between his writing and the Scots Corpus of Texts and Speech. In summary, the reader will find a detailed and systematic analysis of Kelman’s use of language in literature, showing linguistic patterns, identifying key textual strategies and features, and comparing these to the standards that precede him and those that surround his work.

This book brings together a team of specialists to explore why some left-wing politicians are able to communicate their message effectively, whereas others struggle to connect with the public. To address this question, it analyses the rhetoric and narratives employed by figures from British and Welsh Labour, the Green Party, the Scottish National Party and the radical left, as well as the anti-austerity movement. In doing so, the collection offers insights into why the performances of political actors such as Carwyn Jones and Nicola Sturgeon resonate with a wide audience, whereas some - like Jeremy Corbyn - have limited appeal beyond the party faithful. The volume provides an accessible examination of the language and ideas of the UK left, while offering a novel perspective on the challenges currently facing the Labour Party. It will therefore appeal to a wide readership, including scholars and students of rhetoric, ideology, political leadership, and British politics.

Provides a cultural history and political critique of Scottish devolutionProvides the first critical history of Scottish devolutionOffers the first multidisciplinary study of (UK or Scottish) devolution: engaging extensively with the work of historians, sociologists, political scientists and cultural theoristsCombines close attention to political and electoral factors with cultural issues and developments Draws on political theory which illuminates devolution from outside its terms This book is about the role of writers and intellectuals in shaping constitutional change. Considering an unprecedented range of literary, political and archival materials, it explores how questions of 'voice', language and identity featured in debates leading to the new Scottish Parliament in 1999. Tracing both the 'dream' of cultural empowerment and the 'grind' of electoral strategy, it reconstructs the influence of magazines such as Scottish International, Radical Scotland, Cencrastus and Edinburgh Review, and sets the fiction of William McIlvanney, James Kelman, Irvine Welsh, A. L. Kennedy and James Robertson within a radically altered picture of devolved Scotland.