An introduction to the theology of art and the art of theology.

"A fine collection of probing and imaginative discussions on the relation between the Incarnation and the arts." --Nicholas Wolterstorff, Yale Divinity School

God’s Good Earth offers Christians and their communities an engaging resource for prayer, reflection, and worship that reflects and nourishes their efforts to serve God and care for God’s creation. Compilers Anne and Jeffery Rowthorn have prepared 52 beautiful, ready-made prayer services, each around a specific theme, drawing from a rich variety of ecumenical resources: psalms and other responsive readings, Scripture, hymns, prayers, and reflections from the world's most engaging nature writers and interpreters of the social and cultural landscape. Each section can be used in full, or the user may select smaller sections; permission is granted to the purchaser to reproduce for use in public prayer. God's Good Earth forms hearts and minds to know that transformation is not only possible but essential if the Earth is to survive, healthy and whole. Those who enter into the book’s praise and prayer will have their faith in God the Creator strengthened, their gratitude for the wonders of God's creation deepened, and their commitment to act on behalf of God's good earth enhanced. The print edition is printed with high production standards on recycled, FSC-certified paper.

"Walter Brueggemann is the master of finding fresh and compelling dimensions of meaning in texts so familiar they barely scratch the surface of our consciousness. In this exciting collection, Brueggemann finds that when we admit we are dust, we can be liberated. Why? Because we are free from acting like God. We are free to choose obedience to the one living, true Sovereign. The idols lose their grip on us and we live faithfully and in authentic joy." --Ronald J. Allen, Christian Theological Seminary "According to Walter Brueggemann, the autonomy, secularity, and individualism that characterize modernity have 'exiled' the contemporary believer. Always concerned with the manner in which one is to live in the world, he argues for a subversive imagination similar to that found in the biblical wisdom writings, the Psalms, and the Prophets. One comes away from this book both energized by the vision presented and challenged to make it a reality." --Dianne Bergant, Catholic Theological Union in Chicago "There is a reason why Walter Brueggemann remains, for preachers and pastors, the most loved and trusted of all biblical scholars--and that is simply because he writes for us. In every season and heartbreak of life and ministry, he writes for us. And over the years, we have come to see that when Brueggemann goes to the text before God, with his signature passion, candor, and ferocious energy, he goes not for our enlightenment or edification, but for our life and for his. Read this book and take off your shoes, because you will enter onto holy ground." --Anna Carter Florence, Columbia Theological Seminary .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }

Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.

A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.

Listening is an essential skill for healthy relationships, both with God and with other people. But it is more than that: listening is a way of life. Adam McHugh places listening at the heart of our spirituality, our relationships and our mission. Heed the call to the listening life, and hear what God is doing in you and the world.