"Mark Lattimer is chopped by a stranger in the heat of a riot. He has been attacked because he looks white and middle class, though he is a politically committed lawyer working for the poor and the nationalist movement in Jamaica. Now he is trapped, brought to bleed his life away in a small, airless room, cut off from doctors, ambulances, police. As he dies, he talks to his companions, his black lover and a fellow party worker, and drifts into memories of his past: his privileged childhood, his time in London and the RAF, his affairs and marriage and the moment when he gives his allegiance to the poor. But now what meaning can be given to his life and death?"--BOOK JACKET.

Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South. “Intense, brilliant . . . . Capote has an astonishing command . . . a magic all his own.” —The Atlantic At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.

Germany, in the final years of the Third Reich. Hermann Karnau is a sound engineer obsessed with recording the human voice in all its variations—the rantings of leaders, the roar of crowds, the rasp of throats constricted in fear—and indifferent to everything else. Employed by the Nazis, his assignments take him to Party rallies, to the Eastern Front, and into the household of Joseph Goebbels. There he meets Helga, the eldest daughter: bright, good-natured, and just beginning to suspect the horror that surrounds her... Based on an acclaimed novel by Marcel Beyer, Voices in the Dark is the first fictional graphic novel by Ulli Lust, whose award-winning graphic memoir Today Is the Last Day of the Rest of Your Life appeared in English in 2013. It is the story of an unlikely friendship and of a childhood betrayed, a grim parable of naïveté and evil, and a vivid, unsettling masterpiece. This NYRC edition is a trade paperback and features full color throughout and new English hand-lettering.

In such groundbreaking novels as Crache and Idolon, Mark Budz established his reputation as one of science fiction’s most exciting and innovative writers. Now he surprises us again with an ambitious new thriller set in three realities at once, where three different lives hang in the balance. . . . What if your world were rapidly running out of tomorrows? And what if the only way to save the future was to relive the past? But which past holds the key to survival? That’s the life-and-death question faced by three desperate people separated by the past, present, and future but who share a single terrifying reality. A tortured soul, brain-damaged in a motorcycle accident, issues a pirate broadcast out of a van in near-future California. In Depression-era San Francisco an architect with an inoperable brain tumor seeks a mystical cure. A post-human space traveler caught in a cosmic accident searches for a way to reconstruct himself and the future. In Mark Budz’s spellbinding narrative, their lives–and deaths–are drawn together by a force even more powerful than destiny.

"West Indian Literature, as a body of work, is a fairly recent phenomenon; and literary criticism has not always acknowledged the diversity of approaches to writing effectively. In Making West Indian Literature poet and critic Mervyn Morris explores examples of West Indian creativity shaping a range of responses to experience, which often includes colonial traces. Appreciating various kinds of making and a number of West Indian makers, these engaging essays and interviews display a recurrent interest in the processes of composition. Some of the prices highlight writer-performers who have not often been examined. This very readable book, often personal in tone, makes a distinctive contribution to the knowledge and understanding of West Indian Literature. "

Mandy survived the terrible accident that killed her mother, but she was left blind and alone. Now she lives with relatives she doesn't know, attends a new school, and tries to make friends--all the while struggling to function without sight. Her unpredictable life takes its strangest turn when she begins to hear the oddest things through the window of her attic room. In fact, what she hears--and seems to "see"--are events that happened years ago, before she was even born. . . .