Now available: a special Tenth Anniversary Edition with bonus material to celebrate ten years of continuing reader demand. Look for it here on Amazon. Voices Under Berlin: The Tale of a Monterey Mary is the tale of one of the early skirmishes of the Secret Cold War told with a pace and a black humor reminiscent of that used by Joseph Heller (Catch-22) and Richard Hooker (M*A*S*H*). It is set against the backdrop of the CIA cross-sector tunnel operation to tap three Russian telecom�munications cables in Berlin in the mid-nineteen-fifties. It is the story of the American soldiers who worked the tunnel, and how they fought for a sense of purpose against boredom and the enemy both within and without. One of them is the target of a Russian "honey-trap," but which one? Kevin, the Russian transcriber, Blackie, the blackmarketeer, or Lt. Sheerluck, the martinet? The other end of the tunnel is the story of the Russians whose telephone calls the Americans are intercepting. Their end of the tale is told in the unnarrated transcripts of their calls. They are the voices under Berlin. * Dr. Wesley Britton, author of Spy Television, Beyond Bond: Spies in Fiction and Film, and Onscreen and Undercover: The Ultimate Book of Movie Espionage, calls Voices Under Berlin "a spy novel that breaks all the molds," adding that "in the tradition of Greene and Ambler, 'Voices Under Berlin' contains many literate qualities that make it a work of special consideration, worthy of an audience much broader than that of espionage enthusiasts or those interested in Cold War history. In fact, one indication of the book's quality is that it was among the award winners at the 2008 Hollywood Book Festival, a very rare honor for a spy novel." * Po Wong writing at bookideas.com says "Kevin is a hero in the mold of McMurphy, the rebellious asylum inmate who is the protagonist in Ken Kesey's One Flew over the Cuckoo's Nest. Kevin manages to do his job despite the blind obedience to stringent regulations that frequently overrides common sense and intelligence in large military operations, and despite the widespread ineptness around him. ... Voices under Berlin is a coherent, funny, and often sardonic look at real espionage work. The detail is so realistic that you may find yourself wondering, as I did, whether this is a novel or the memoirs of an actual intelligence agent. Of course, if you're looking for James Bond, you won't find him here. What you will find is a fascinating account of what it must have been like to be toiling away at an important but often dreary job underneath the streets of Berlin during the Cold War years. * Midwest Book Review says one of the things that sets this novel apart is "the author's combining a genuine gift for humor with a deft literary astuteness in telling a story that fully engages the reader quite literally from first page to last." Winner of six book awards. Also by this author: Berlin in Early Cold-War Army Booklets The Day Before the Berlin Wall: Could We Have Stopped It? - An Alternate History of Cold War Espionage Berlin in Early Berlin-Wall Era CIA, State Department, and Army Booklets Reunification: A Monterey Mary Returns to Berlin Berlin in D�tente-era Berlin Brigade Booklets

He escaped from one of the world’s most brutal regimes.Then, he decided to tunnel back in. In the summer of 1962, a young student named Joachim Rudolph dug a tunnel under the Berlin Wall. Waiting on the other side in East Berlin were dozens of men, women, and children—all willing to risk everything to escape. From the award-winning creator of the acclaimed BBC Radio 4 podcast, Tunnel 29 is the true story of this most remarkable Cold War rescue mission. Drawing on interviews with the survivors and Stasi files, Helena Merriman brilliantly reveals the stranger-than-fiction story of the ingenious group of student-diggers, the glamorous red-haired messenger, the Stasi spy who threatened the whole enterprise, and the love story that became its surprising epilogue. Tunnel 29 was also the first made-for-TV event of its kind; it was funded by NBC, who wanted to film an escape in real time. Their documentary—which was nearly blocked from airing by the Kennedy administration, which wanted to control the media during the Cold War—revolutionized TV journalism. Ultimately, Tunnel 29 is a success story about freedom: the valiant citizens risking everything to win it back, and the larger world rooting for them to triumph.

Celebrating ten years of on-going reader demand with a special "Tenth Anniversary Edition" that includes 'bonus materials'. Voices Under Berlin: The Tale of a Monterey Mary is the tale of one of the early skirmishes of the Secret Cold War told with a pace and a black humor reminiscent of that used by Joseph Heller (Catch-22) and Richard Hooker (M*A*S*H*). It is set against the backdrop of the CIA cross-sector tunnel operation to tap three Russian telecom�munications cables in Berlin in the mid-nineteen-fifties. It is the story of the American soldiers who worked the tunnel, and how they fought for a sense of purpose against boredom and the enemy both within and without. One of them is the target of a Russian "honey-trap," but which one? Kevin, the Russian transcriber, Blackie, the blackmarketeer, or Lt. Sheerluck, the martinet? The other end of the tunnel is the story of the Russians whose telephone calls the Americans are intercepting. Their end of the tale is told in the unnarrated transcripts of their calls. They are the voices under Berlin. * Dr. Wesley Britton, author of Spy Television, Beyond Bond: Spies in Fiction and Film, and Onscreen and Undercover: The Ultimate Book of Movie Espionage, calls Voices Under Berlin "a spy novel that breaks all the molds," adding that "in the tradition of Greene and Ambler, 'Voices Under Berlin' contains many literate qualities that make it a work of special consideration, worthy of an audience much broader than that of espionage enthusiasts or those interested in Cold War history. In fact, one indication of the book's quality is that it was among the award winners at the 2008 Hollywood Book Festival, a very rare honor for a spy novel." * Po Wong writing at bookideas.com says "Kevin is a hero in the mold of McMurphy, the rebellious asylum inmate who is the protagonist in Ken Kesey's One Flew over the Cuckoo's Nest. Kevin manages to do his job despite the blind obedience to stringent regulations that frequently overrides common sense and intelligence in large military operations, and despite the widespread ineptness around him. ... Voices under Berlin is a coherent, funny, and often sardonic look at real espionage work. The detail is so realistic that you may find yourself wondering, as I did, whether this is a novel or the memoirs of an actual intelligence agent. Of course, if you're looking for James Bond, you won't find him here. What you will find is a fascinating account of what it must have been like to be toiling away at an important but often dreary job underneath the streets of Berlin during the Cold War years. * Midwest Book Review says one of the things that sets this novel apart is "the author's combining a genuine gift for humor with a deft literary astuteness in telling a story that fully engages the reader quite literally from first page to last." Winner of six book awards. Also by this author: Berlin in Early Cold-War Army Booklets The Day Before the Berlin Wall: Could We Have Stopped It? - An Alternate History of Cold War Espionage Berlin in Early Berlin-Wall Era CIA, State Department, and Army Booklets Reunification: A Monterey Mary Returns to Berlin Berlin in D�tente-era Berlin Brigade Booklets

A city that has lost one of its limbs and is receiving a miraculous gift, a little bump under the flesh, where the limb is just beginning to grow back. Thus does the American girl in Jeffrey Lewis's remarkable polyphonic novel describe Berlin and the "remnant Jews, secret GDR Jews...Soviet Jews...Jews who'd fled and come back with the victors, Jews who were lost mandarins now, Jews who'd believed in the universality of man and maybe still did" whom she finds at a Day of Atonement gathering in the eastern part of the city in a year soon after the Wall fell. Berlin Cantata deploys thirteen voices to tell a story not only of atonement, but of discovery, loss, identity, intrigue, mystery, insanity, sadomasochism and lies. At its centre is a country house owned successively by Jews, Nazis and Communists. In the country house, the American girl seeks her hidden past. In the girl, a local reporter seeks redemption. In the reporter, a false hero of the past seeks exposure. In the false hero, the American girl seeks a guide. And so it goes, a round of conspiracy and desire. Even as he describes his native city, the false hero describes the characters of Berlin Cantata: "We dined on wreckage. We were not afraid to beg. We continued our long tradition of believing either in nothing or too much."

A “fascinating, well-researched account” of Mildred Gillars, the failed actress who turned on her country and became a Nazi propagandist during WWII (Publishers Weekly). One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda. At the outbreak of war in September 1939, Gillars had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI. Spicing her broadcasts with music, Gillars’s used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were. After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, and was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.

'As convoluted and deadly as the plot of a novel by John le Carre, but all too real' Daily Mail, Must Reads 'With a gripping narrative and vivid interviews with those on all sides whose lives were directly affected by that grim symbol of the East-West divide that poisoned Europe for almost half a century, [MacGregor] has made an important contribution to the history of our times' Jonathan Dimbleby 'Captures brilliantly and comprehensively both the danger and exhilaration that I and other reporters, soldiers, and people experienced intersecting with the wall - a must-read for anyone who wants to understand the Europe we have inherited' Jon Snow A powerful, fascinating, and ground-breaking history of Checkpoint Charlie, the legendary and most important military gate on the border of East and West Berlin where the United States and her allies confronted the USSR during the Cold War. As the thirtieth anniversary of the fall of the Berlin Wall approaches in 2019, Iain MacGregor captures the mistrust, oppression, paranoia, and fear that gripped the city throughout this period. Checkpoint Charlie is about the nerve-wracking confrontation between the West and the Soviet Union that contains never-before-heard interviews with the men who built and dismantled the Wall; lovers who crossed it; relatives and friends who lost family trying to escape over it; German, British, French, and Russian soldiers who guarded its checkpoints; CIA, MI6 and Stasi operatives who oversaw secret operations across its borders; politicians whose ambitions shaped it; journalists who recorded its story; and many more whose living memories contributed to the full story of Checkpoint Charlie. A brilliant work of historical journalism, Checkpoint Charlie is an invaluable record of this period.

Using humor as the common denominator, a multicultural cast of YA authors steps up to the mic to share stories touching on race. Listen in as ten YA authors — some familiar, some new — use their own brand of humor to share their stories about growing up between cultures. Henry Choi Lee discovers that pretending to be a tai chi master or a sought-after wiz at math wins him friends for a while — until it comically backfires. A biracial girl is amused when her dad clears seats for his family on a crowded subway in under a minute flat, simply by sitting quietly in between two uptight white women. Edited by acclaimed author and speaker Mitali Perkins, this collection of fiction and nonfiction uses a mix of styles as diverse as their authors, from laugh-out-loud funny to wry, ironic, or poingnant, in prose, poetry, and comic form.