Now available: a special Tenth Anniversary Edition with bonus material to celebrate ten years of continuing reader demand. Look for it here on Amazon. Voices Under Berlin: The Tale of a Monterey Mary is the tale of one of the early skirmishes of the Secret Cold War told with a pace and a black humor reminiscent of that used by Joseph Heller (Catch-22) and Richard Hooker (M*A*S*H*). It is set against the backdrop of the CIA cross-sector tunnel operation to tap three Russian telecom�munications cables in Berlin in the mid-nineteen-fifties. It is the story of the American soldiers who worked the tunnel, and how they fought for a sense of purpose against boredom and the enemy both within and without. One of them is the target of a Russian "honey-trap," but which one? Kevin, the Russian transcriber, Blackie, the blackmarketeer, or Lt. Sheerluck, the martinet? The other end of the tunnel is the story of the Russians whose telephone calls the Americans are intercepting. Their end of the tale is told in the unnarrated transcripts of their calls. They are the voices under Berlin. * Dr. Wesley Britton, author of Spy Television, Beyond Bond: Spies in Fiction and Film, and Onscreen and Undercover: The Ultimate Book of Movie Espionage, calls Voices Under Berlin "a spy novel that breaks all the molds," adding that "in the tradition of Greene and Ambler, 'Voices Under Berlin' contains many literate qualities that make it a work of special consideration, worthy of an audience much broader than that of espionage enthusiasts or those interested in Cold War history. In fact, one indication of the book's quality is that it was among the award winners at the 2008 Hollywood Book Festival, a very rare honor for a spy novel." * Po Wong writing at bookideas.com says "Kevin is a hero in the mold of McMurphy, the rebellious asylum inmate who is the protagonist in Ken Kesey's One Flew over the Cuckoo's Nest. Kevin manages to do his job despite the blind obedience to stringent regulations that frequently overrides common sense and intelligence in large military operations, and despite the widespread ineptness around him. ... Voices under Berlin is a coherent, funny, and often sardonic look at real espionage work. The detail is so realistic that you may find yourself wondering, as I did, whether this is a novel or the memoirs of an actual intelligence agent. Of course, if you're looking for James Bond, you won't find him here. What you will find is a fascinating account of what it must have been like to be toiling away at an important but often dreary job underneath the streets of Berlin during the Cold War years. * Midwest Book Review says one of the things that sets this novel apart is "the author's combining a genuine gift for humor with a deft literary astuteness in telling a story that fully engages the reader quite literally from first page to last." Winner of six book awards. Also by this author: Berlin in Early Cold-War Army Booklets The Day Before the Berlin Wall: Could We Have Stopped It? - An Alternate History of Cold War Espionage Berlin in Early Berlin-Wall Era CIA, State Department, and Army Booklets Reunification: A Monterey Mary Returns to Berlin Berlin in D�tente-era Berlin Brigade Booklets

Celebrating ten years of on-going reader demand with a special "Tenth Anniversary Edition" that includes 'bonus materials'. Voices Under Berlin: The Tale of a Monterey Mary is the tale of one of the early skirmishes of the Secret Cold War told with a pace and a black humor reminiscent of that used by Joseph Heller (Catch-22) and Richard Hooker (M*A*S*H*). It is set against the backdrop of the CIA cross-sector tunnel operation to tap three Russian telecom�munications cables in Berlin in the mid-nineteen-fifties. It is the story of the American soldiers who worked the tunnel, and how they fought for a sense of purpose against boredom and the enemy both within and without. One of them is the target of a Russian "honey-trap," but which one? Kevin, the Russian transcriber, Blackie, the blackmarketeer, or Lt. Sheerluck, the martinet? The other end of the tunnel is the story of the Russians whose telephone calls the Americans are intercepting. Their end of the tale is told in the unnarrated transcripts of their calls. They are the voices under Berlin. * Dr. Wesley Britton, author of Spy Television, Beyond Bond: Spies in Fiction and Film, and Onscreen and Undercover: The Ultimate Book of Movie Espionage, calls Voices Under Berlin "a spy novel that breaks all the molds," adding that "in the tradition of Greene and Ambler, 'Voices Under Berlin' contains many literate qualities that make it a work of special consideration, worthy of an audience much broader than that of espionage enthusiasts or those interested in Cold War history. In fact, one indication of the book's quality is that it was among the award winners at the 2008 Hollywood Book Festival, a very rare honor for a spy novel." * Po Wong writing at bookideas.com says "Kevin is a hero in the mold of McMurphy, the rebellious asylum inmate who is the protagonist in Ken Kesey's One Flew over the Cuckoo's Nest. Kevin manages to do his job despite the blind obedience to stringent regulations that frequently overrides common sense and intelligence in large military operations, and despite the widespread ineptness around him. ... Voices under Berlin is a coherent, funny, and often sardonic look at real espionage work. The detail is so realistic that you may find yourself wondering, as I did, whether this is a novel or the memoirs of an actual intelligence agent. Of course, if you're looking for James Bond, you won't find him here. What you will find is a fascinating account of what it must have been like to be toiling away at an important but often dreary job underneath the streets of Berlin during the Cold War years. * Midwest Book Review says one of the things that sets this novel apart is "the author's combining a genuine gift for humor with a deft literary astuteness in telling a story that fully engages the reader quite literally from first page to last." Winner of six book awards. Also by this author: Berlin in Early Cold-War Army Booklets The Day Before the Berlin Wall: Could We Have Stopped It? - An Alternate History of Cold War Espionage Berlin in Early Berlin-Wall Era CIA, State Department, and Army Booklets Reunification: A Monterey Mary Returns to Berlin Berlin in D�tente-era Berlin Brigade Booklets

A thrilling Cold War narrative of superpower showdowns, media suppression, and two escape tunnels beneath the Berlin Wall. In the summer of 1962, the year after the rise of the Berlin Wall, a group of young West Germans risked prison, Stasi torture, and even death to liberate friends, lovers, and strangers in East Berlin by digging tunnels under the Wall. Then two U.S. television networks heard about the secret projects and raced to be first to document them from the inside. NBC and CBS funded two separate tunnels in return for the right to film the escapes, planning spectacular prime-time specials. President John F. Kennedy, however, was wary of anything that might spark a confrontation with the Soviets, having said, “A wall is better than a war,” and even confessing to Secretary of State Dean Rusk, “We don’t care about East Berlin.” JFK approved unprecedented maneuvers to quash both documentaries, testing the limits of a free press in an era of escalating nuclear tensions. As Greg Mitchell’s riveting narrative unfolds, we meet extraordinary characters: the legendary cyclist who became East Germany’s top target for arrest; the Stasi informer who betrays the “CBS tunnel”; the American student who aided the escapes; an engineer who would later help build the tunnel under the English channel; and the young East Berliner who fled with her baby, then married one of the tunnelers. The Tunnels captures the chilling reach of the Stasi secret police as U.S. networks prepared to “pay for play” but were willing to cave to official pressure, the White House was eager to suppress historic coverage, and ordinary people in dire circumstances became subversive. The Tunnels is breaking history, a propulsive read whose themes still reverberate.

'As convoluted and deadly as the plot of a novel by John le Carre, but all too real' Daily Mail, Must Reads 'With a gripping narrative and vivid interviews with those on all sides whose lives were directly affected by that grim symbol of the East-West divide that poisoned Europe for almost half a century, [MacGregor] has made an important contribution to the history of our times' Jonathan Dimbleby 'Captures brilliantly and comprehensively both the danger and exhilaration that I and other reporters, soldiers, and people experienced intersecting with the wall - a must-read for anyone who wants to understand the Europe we have inherited' Jon Snow A powerful, fascinating, and ground-breaking history of Checkpoint Charlie, the legendary and most important military gate on the border of East and West Berlin where the United States and her allies confronted the USSR during the Cold War. As the thirtieth anniversary of the fall of the Berlin Wall approaches in 2019, Iain MacGregor captures the mistrust, oppression, paranoia, and fear that gripped the city throughout this period. Checkpoint Charlie is about the nerve-wracking confrontation between the West and the Soviet Union that contains never-before-heard interviews with the men who built and dismantled the Wall; lovers who crossed it; relatives and friends who lost family trying to escape over it; German, British, French, and Russian soldiers who guarded its checkpoints; CIA, MI6 and Stasi operatives who oversaw secret operations across its borders; politicians whose ambitions shaped it; journalists who recorded its story; and many more whose living memories contributed to the full story of Checkpoint Charlie. A brilliant work of historical journalism, Checkpoint Charlie is an invaluable record of this period.

Using humor as the common denominator, a multicultural cast of YA authors steps up to the mic to share stories touching on race. Listen in as ten YA authors — some familiar, some new — use their own brand of humor to share their stories about growing up between cultures. Henry Choi Lee discovers that pretending to be a tai chi master or a sought-after wiz at math wins him friends for a while — until it comically backfires. A biracial girl is amused when her dad clears seats for his family on a crowded subway in under a minute flat, simply by sitting quietly in between two uptight white women. Edited by acclaimed author and speaker Mitali Perkins, this collection of fiction and nonfiction uses a mix of styles as diverse as their authors, from laugh-out-loud funny to wry, ironic, or poingnant, in prose, poetry, and comic form.

A city that has lost one of its limbs and is receiving a miraculous gift, a little bump under the flesh, where the limb is just beginning to grow back. Thus does the American girl in Jeffrey Lewis's remarkable polyphonic novel describe Berlin and the "remnant Jews, secret GDR Jews...Soviet Jews...Jews who'd fled and come back with the victors, Jews who were lost mandarins now, Jews who'd believed in the universality of man and maybe still did" whom she finds at a Day of Atonement gathering in the eastern part of the city in a year soon after the Wall fell. Berlin Cantata deploys thirteen voices to tell a story not only of atonement, but of discovery, loss, identity, intrigue, mystery, insanity, sadomasochism and lies. At its centre is a country house owned successively by Jews, Nazis and Communists. In the country house, the American girl seeks her hidden past. In the girl, a local reporter seeks redemption. In the reporter, a false hero of the past seeks exposure. In the false hero, the American girl seeks a guide. And so it goes, a round of conspiracy and desire. Even as he describes his native city, the false hero describes the characters of Berlin Cantata: "We dined on wreckage. We were not afraid to beg. We continued our long tradition of believing either in nothing or too much."

In the Wall Jumper, real people cross the Wall not to defect but to quarrel with their lovers, see Hollywood movies, and sometimes just because they can't help themselves—the Wall has divided their emotions as much as it has their country.