About the Book: Spread over a wide canvas, but focused entirely on the Indian diaspora, Mulloo attempts a diasporic perspective by using the inter disciplinary tools of history, economics, politics and sociology to narrate the story of overseas Indians.

In historic and ethnographic accounts of Indians living in diaspora, the elderly seem to receive much less attention than the new generation and its progress, prosperity and success. Using critical pedagogy approach, this book attempts to close that gap by focusing on the voices of the Punjabi, Bengali, Sindhi, and Gujarati diasporic Indians elderly, living in five countries.

The proliferation of old age homes and increasing numbers of elderly living alone are startling new phenomena in India. These trends are related to extensive overseas migration and the transnational dispersal of families. In this moving and insightful account, Sarah Lamb shows that older persons are innovative agents in the processes of social-cultural change. Lamb's study probes debates and cultural assumptions in both India and the United States regarding how best to age; the proper social-moral relationship among individuals, genders, families, the market, and the state; and ways of finding meaning in the human life course.

Fitting in with the emphasis of the series on studying movements of people that have been little researched and written about in the past, this volume focuses on the Indian labor diaspora. The author draws on 19th-century material from Mauritius, the Caribbean, Fiji, Natal, and Reunion, much of it letters of indentured or time-expired laborers and their families, and much of it previously unpublished. Coverage includes the experiences of recruitment and the voyage overseas, the working lives of indentured Indians, personal lives of Indian migrants, and new horizons--the world beyond indenture. Distributed by Books International. Annotation copyright by Book News, Inc., Portland, OR

A first-generation American's searing appraisal of race and assimilation in the US At the age of twelve, Sharmila Sen emigrated from India to the US. The year was 1982, and everywhere she turned, she was asked to self-report her race. Rejecting her new 'not quite' designation-not quite white, not quite black, not quite Asian-she spent much of her life attempting to blend into American whiteness. But after her teen years, watching shows like The Jeffersons, dancing to Duran Duran, and perfecting the art of Jell-O no-bake desserts, she was forced to reckon with the hard questions: Why does whiteness retain its cloak of invisibility while other colours are made hypervisible? Part memoir, part manifesto, Not Quite Not White is a witty and poignant story of self-discovery.

Indian Writers attempt to locate diasporic voices in the interstitial spaces of countless ideologies. The anthology provides a critical examination of dislocated diasporic subjects - those who have adjusted to the dislocation well, those who have chosen the hybrid spaces for empowerment, those who are dragged forcefully to various territories, and yet those who gleefully inhabit trans-local spaces. A wide range of voices raise these critical questions: How do we read these voices? How are the voices received in various locations? Are these voices considered Indian? Do they represent Indianness, or some hybridized version of it? What is an authentic cultural identity? What, ultimately, is Indianness, or for that matter, any hard-won national or ethnic identity? Additionally, as more female writers are being read, both in the global south and in the north, the reception of these texts, particularly in an era of globalization, and in the aftermath of the 9/11 attack in the United States, raises questions on how the «other», the subaltern, is represented and read. Some writers use an assimilationist approach to the cultures of the West to such a degree that they find Indian culture monolithically oppressive, while others continue to romanticize Indianness, yet others eroticize and ethnicize the east for western consumption. The authors of the essays in this anthology examine contemporary debates in postcolonial and transnational literary criticism in an attempt to understand the often complex and hybrid narratives of the diasporic Indian subject.