A crime baffles the Australian police a young woman washed ashore with unexplainable injuries as a cause for death. Her birth certificate lists Rollo, Kansas a town that no longer exists as her place of origin. Well? the head of security asks. What do you think we should do? Only one conclusion to draw, Han commented after they reviewed the report. Dont you agree? Master Li feared Hans overwhelming logical conclusion, one that threatens to bring down the newly formed World Psychic Organization a rogue. and not just any rogue, Han continued when Li did not respond, a serial killer with advanced psychic ability. Since he has evaded Master Lis detection, who knows where or when he will strike next? Li took in a deep breath and pushed his plate of Running Elks delicacies away. He lost his appetite. Hes ruthless, Han commented. You wont be able to stop him as you did the others. I know, I know, Master Li said as he rose and walked to the window. A dark cloud has descended over us, Han. This rogue represents the kind of threat weve always dreaded, he said as he gazed out at the cold February landscape. Psychic pitted against psychic in a duel to the death Please visit: www.williamstolley.com for additional plot information and links to William L Stolleys other works in this series, Books I, II, and III in The Voices Saga, published by iUniverse Press.

A Voice from the South was published in 1892 by Anna Julia Cooper, an educator who was one of the first two African-American women to be awarded a master’s degree. Since then it has been recognized as one of the first works of Black feminist theory. Setting forth a perspective that would be described as “intersectional” in contemporary terms, Cooper explores her own lived experience as an educated African-American woman, and advocates for the education of African-American women as a necessary means of achieving racial equality. However, her marked emphasis on women’s roles in the household has been critiqued by later theorists as a concession to the 19th century “cult of domesticity”—or, alternatively, a strategic engagement with the dominant cultural view towards women in her time. A Voice from the South continues to be read and analyzed today for its pioneering role in African-American female scholarship. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

The Owner's Manual to the Voice demystifies the voice, enabling singers and all voice professionals - whether actors, broadcasters, teachers, preachers, lawyers, public speakers- to communicate intelligently with physicians and understand dangers, treatments, vocal hygiene and medical procedures.

A New York Times Notable Book and a San Francisco Chronicle Book of the Year: A look at the pleasures and surprises of rereading. Compared with reading, the act of rereading is far more personal—it involves a complex interaction of our past selves, our present selves, and literature. With candor and humor, this “inspired intellectual romp, part memoir, part criticism” takes us on a guided tour of the author’s own return to books she once knew—from the plays of Shakespeare to twentieth-century novels by Kingsley Amis and Ian McEwan, from the childhood favorite I Capture the Castle to classic novels such as Anna Karenina and Huckleberry Finn, from nonfiction by Henry Adams to poetry by Wordsworth—as she reflects on how the passage of time and the experience of aging has affected her perceptions of them (Lawrence Weschler). A cultural critic and the acclaimed author of Why I Read, Wendy Lesser conveys an infectious love of reading and inspires us all to take another look at the books we’ve read to find the unexpected treasures they might offer. “Delightful.” —Diane Johnson, author of Le Divorce “Anyone who has ever approached a once favorite book later in life . . . will find in this memoir moments of bittersweet recognition.” —The New York Times Book Review “Reflect[s] deeply and candidly on how a reader’s life experiences alter her perceptions of literature . . . [Lesser] has truly fascinating and original things to say about a compelling assortment of writers, including George Orwell, George Eliot, D. H. Lawrence, Dostoyevsky, and Shakespeare.” —Booklist

In and Out of View models an expansion in how censorship is discursively framed. Contributors from diverse backgrounds, including artists, art historians, museum specialists, and students, address controversial instances of art production and reception from the mid-20th century to the present in the Americas, Africa, Asia, Europe, and the Middle East. Their essays, interviews, and statements invite consideration of the shifting contexts, values, and needs through which artwork moves in and out of view. At issue are governmental restrictions and discursive effects, including erasure and distortion resulting from institutional policies, canonical processes, and interpretive methods. Crucial considerations concerning death/violence, authoritarianism, (neo)colonialism, global capitalism, labor, immigration, race, religion, sexuality, activism/social justice, disability, campus speech, and cultural destruction are highlighted. The anthology-a thought-provoking resource for students and scholars in art history, museum and cultural studies, and creative practices-represents a timely and significant contribution to the literature on censorship.

Dez Cylan is going through a rough period in his life. His girlfriend has just broken up with him, leaving him to wallow in misery in the small city of Revmont, Massachusetts. Professor Bruce Ulrich is tracing the rare Venus transit and comes across a haunting document from 1882, the last time the transit occurred. He questions his ethical nature about publicizing the information, all the while dealing with a painful divorce. Both Dez and Professor Ulrich brace themselves for the terror that envelops the city once the Venus transit begins to take shape, as its cosmic effects will leave them fighting for their lives. They will find that their enemy is the black night sky.

There was every possibility that I was dead, and my brain hadn’t got the memo. Or maybe it was that I wished I were dead. On reflection, that was more likely. Usually clear-headed editor Samantha Clair stumbles through her post-book-party morning with the hangover to end all hangovers. But before the ibuprofen has even kicked in, she finds herself entangled in an elaborate saga of missing neighbors, suspected arson, and strange men offering free tattoos. By the time the grisly news breaks that the fire has claimed a victim, Sam is already in pursuit. Never has comedy been so deadly as she faces down a pair from Thugs ’R’ Us, aided by nothing more than a Scotland Yard boyfriend, a stalwart Goth assistant, and an unnerving knowledge of London’s best farmer’s markets. From the acclaimed bestselling author Judith Flanders, A Cast of Vultures continues the sharp-witted series starring book editor and amateur sleuth Samantha Clair.