In Dangerous Voices Holst-Warhaft investigates the power and meaning of the ancient lament, especially women's mourning of the dead, and sets out to discover why legislation was introduced to curb these laments in antiquity. An investigation of laments ranging from New Guinea to Greece suggests that this essentially female art form gave women considerable power over the rituals of death. The threat they posed to the Greek state caused them to be appropriated by male writers including the tragedians. Holst-Warhaft argues that the loss of the traditional lament in Greece and other countries not only deprives women of their traditional control over the rituals of death but leaves all mourners impoverished.

The American church avoids lament. But lament is a missing, essential component of Christian faith. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. Hear the prophet's lament as the necessary corrective for Christianity's future.

Our culture wants you to be happy. It rewards those who smile through the pain, who pretend everything's fine, who compartmentalize grief and get on with life. But everything's not fine. And God does not expect us to pretend it is. He wants all of us--including our pain. Perhaps nowhere in Scripture do we get as full a picture of the heights and depths of the human experience as in the Psalms. The outpourings of emotion never shy away from the darkest moments of life, and yet they also point toward the light--toward the God in whom we place our hope. Inspired by Psalm 37, Voices of Lament is a powerful collection of reflections from Christian Women of Color on themes of injustice, heartache, and deep suffering. Their essays, prayers, poems, and liturgies lay bare the experiences of the oppressed even as they draw us into deeper intimacy with God and a more fulsome understanding of each other. For anyone who longs to better express and understand the beauty of lament held in holy tension with hope and love, this extraordinary collection presents both well-known and new voices from various ethnic and people groups and different generations, putting God's faithfulness on full and glorious display.

Publishers Weekly calls Lunar Cycle Book 1 "Appealingly reminiscent of an updated Heinlein juvenile." As Drusilla Zhao begins her new life on Earth with her girlfriend Sara, she struggles to adapt while suffering from PTSD. When Sara's home is threatened, Dru must fight to defend the Alliance while battling enemies inside her own head.

Though often deprived of public position, women have long practiced the personal art of writing and so have been prepared to be our spiritual and visionary voices of light."--BOOK JACKET.

As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.

Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith. Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.