Voices of Italian America presents a top-rate authoritative study and anthology of the italian-language literature written and published in the United States from the heydays of the Great Migration (1880–1920) to the almost definitive demise of the cultural world of the first generation soon before and after World War II. The volume resurrects the neglected and even forgotten territory of a nationwide “Little Italy” where people wrote, talked, read, and consumed the various forms of entertainment mostly in their native Italian language, in a complex interplay with native dialects and surrounding American English. The anthological sections include excerpts from the ethnically tinged thrillers by Tuscan-born first-comer Bernardino Ciambelli, as well as the first short stories by Italian American women, set in the Gilded Age. The fiction of political activists such as Carlo Tresca coexists with the hardboiled autobiography of Italian American cop Mike Fiaschetti, fighting against the Mafia. Voices of Italian America presents new material by English-speaking classics such as Pietro di Donato and John Fante, and a selection of poetry by a great bilingual voice, the champion of the “masses” and Industrial Workers of the World (IWW) poet Arturo Giovannitti, and by a lesserknown, self-taught, satirical versifier, Riccardo Cordiferro/Ironheart. Controversial documents on the difficult interracial relations between Italian Americans and African Americans live side by side with the first poignant chronicles from Ellis Island. This study sheds light on the “fabrication” of a new culture of immigrant origins—pliable, dynamic, constantly shifting and transforming itself—while focusing on stories, genres, rhythms, the “human touch” contributed by literature in its wider sense. Ultimately, through a rich sample of significant texts covering various aspects of the immigrant experience, Voices of Italian America offers the reader a literary history of Italian American culture.

Discover the first-hand accounts and stories of Italian World War II Veterans who answered the call to serve their country, despite being deemed Enemy Aliens by their own government. At the beginning of World War II, Italian citizens living in the United States were referred to as Enemy Aliens. Yet hundreds of young Italian Americans flocked to recruiting stations, and over 500,000-perhaps as many as 1.5 million-served in the military during the war. Despite the difficulties they faced, including the possibility of having to fight against Italians, countless Italian Americans received decorations for bravery, fourteen of whom received the Medal of Honor. Italian Americans in World War II offers their stories, which, for the most part, have yet to be told. Belmonte interviewed almost 50 Italian-American veterans of World War II, from all branches and types of service. Stories of daily life, food, equipment, and training from soldiers, sailors, and airmen are captured. You'll read personal tales about how survivors of D-Day, Iwo Jima, Tarawa, Okinawa, and The Battle of the Bulge felt about entering combat. This fitting tribute also includes photographs from this period in history, bringing the men's stories to life.

Journalist and writer Maria Laurino blends autobiography and cultural history in this revealing look at Italian culture and its impact on Italian-American, and American, life. Particularly valuable is her discussion of stereotyping (both nostalgic and negative) and her insightful description of her struggle, beginning in adolescence, with her own Italian identity. Annotation copyrighted by Book News Inc., Portland, OR

In the United States, African American and Italian cultures have been intertwined for more than a hundred years. From as early as nineteenth-century African American opera star Thomas Bowers—“The Colored Mario”—all the way to hip-hop entrepreneur Puff Daddy dubbing himself “the Black Sinatra,” the affinity between black and Italian cultures runs deep and wide. Once you start looking, you’ll find these connections everywhere. Sinatra croons bel canto over the limousine swing of the Count Basie band. Snoop Dogg deftly tosses off the line “I’m Lucky Luciano ’bout to sing soprano.” Like the Brooklyn pizzeria and candy store in Spike Lee’s Do the Right Thing and Jungle Fever, or the basketball sidelines where Italian American coaches Rick Pitino and John Calipari mix it up with their African American players, black/Italian connections are a thing to behold—and to investigate. In Flavor and Soul, John Gennari spotlights this affinity, calling it “the edge”—now smooth, sometimes serrated—between Italian American and African American culture. He argues that the edge is a space of mutual emulation and suspicion, a joyous cultural meeting sometimes darkened by violent collision. Through studies of music and sound, film and media, sports and foodways, Gennari shows how an Afro-Italian sensibility has nourished and vitalized American culture writ large, even as Italian Americans and African Americans have fought each other for urban space, recognition of overlapping histories of suffering and exclusion, and political and personal rispetto. Thus, Flavor and Soul is a cultural contact zone—a piazza where people express deep feelings of joy and pleasure, wariness and distrust, amity and enmity. And it is only at such cultural edges, Gennari argues, that America can come to truly understand its racial and ethnic dynamics.

Tells of the story of how Italians integrated into America in the 1950s in part through the music of such singers as Enrico Caruso, Frank Sinatra, Dean Martin, Perry Como, and others.

Una Storia Segreta brings a new perspective to the history of wartime violations of civilian populations. The essays in this volume bring together the voices of the Italian American community and experts in the field, including personal stories by survivors and their children, letters from internment camps, news clips, photographs, and cartoons.

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