A unique and enthralling anthology compiled by WWII flying ace, Laddie Lucas, Voices in the Air tells the story of the air battles of the Second World War in the voices of those who took part. Drawn largely on the writings of the combatants themselves from all sides of the conflict, this book offers a vivid and highly individual account of the great aerial campaigns of WWII. From a thrilling account of the first sustained dogfight between Spitfire and Messerschmitt in 1940, to an eighteen-year-old Japanese suicide pilot's last letter home and the Luftwaffe leaders' analysis of 'what went wrong' after the Battle of Britain, the book dramatically deals with every aspect of the war. Full of stories of astonishing escapades, incredible bravery, dogged persistence and moving feats of arms, Voices in the Air honours both the sung and the unsung heroes of the war.

“What is almost certainly the definitive account of the Auxiliary Air Force, the Special Reserve and the Royal Air Force Volunteer Reserve.” —Paul Nixon, Army Ancestry Research To date, little has been written about the Territorial Air Force as a voluntary military organization and no sustained analysis of its recruitment and social composition undertaken. Made up of three different parts, the Auxiliary Air Force, the Special Reserve and the Royal Air Force Volunteer Reserve, these three separate and different groups have not featured significantly in existing literature. Along with a history of the Territorial Air Force, this book includes an analysis of how the volunteers joined, and what kinds of men were accepted into the organizations as both pilots and officers. The influences class and social status had on recruitment in the run up to the Second World War are also discussed. There is an exploration of the key differences between the Auxiliary squadrons and the SR squadrons, as well as the main reasons for the idea of merging the SR squadrons into the AAF squadrons. Briefly discussed are the newly formed University Air Squadrons that were set up to promote “air mindedness” and to stimulate an interest and research on matters aeronautical. Military voluntarism continued to play a key role in the defense of twentieth-century Britain, and class ceased to be the key determining factor in the recruitment of officers as the organizations faced new challenges. Within both the AAF and the RAFVR the pre-war impression of a gentlemen’s flying club finally gave way to a more meritocratic culture in the post-war world.

This comparative account of civilian experiences of aerial bombing in World War II Britain and Japan reveals the universality of total war.

Spitfire fighter pilots tell their extraordinary stories of combat during the Second World War.

The Royal Air Force is synonymous with its heroic achievements in the summer of 1940, when Winston Churchill's "famous few"—the Hurricane and Spitfire pilots of RAF Fighter Command—held G&öering's Luftwaffe at bay in the Battle of Britain, thereby changing the course of the war. For much of the 20th century, warplanes were fixed in the world's imagination, a symbol of the perils and excitements of the modern era. But within the space of 100 years, military aviation has morphed from the exotic to the mundane. An activity which was charged with danger—the domain of the daring—is now carried out by computers and pilotless drones. Aviators have always seemed different to soldiers and sailors—more adventurous, questing and imaginative. Their stories gripped the public and in both wars and air aces dominated each side's propaganda, capturing hearts and dreams. Writing with the verve, passion and the sheer narrative aplomb familiar to many thousands of readers from his bestselling World War II aerial histories, Fighter Boys and Bomber Boys, Patrick Bishop's Wings is a rich and compelling account of military flying from its heroic early days to the present.

Owing its origins to Lord Trenchard’s desire to establish an elite corps of civilians who would serve their country in flying squadrons during their spare time, the Auxiliary Air Force (AAF) was first formed in October 1924. Today, the Royal Auxiliary Air Force (RAuxAF) is the primary reinforcement capability for the regular RAF. It consists of paid volunteers who, at weekends, evenings and holidays, train to support the RAF, particularly in times of national emergency and conflict. This has seen the AAF play important roles in the Battle of Britain, its squadrons claiming 30 per cent of enemy ‘kills’. Other notable achievements by AAF pilots include the first German aircraft destroyed over the British mainland and its territorial waters, the first U-boat to be destroyed with the aid of airborne radar, the first destruction of a V-1 flying bomb, and an AAF squadron claimed the highest score of any British night fighter squadron. It was an AAF squadron which was the first to be equipped with jet-powered aircraft. Receiving ‘Royal’ status in 1947 in recognition of its contribution to victory in the Second World War, the RAuxAF also came to the fore during the Cold War providing home defense as the regular squadrons were shipped to hotspots around the world. In more recent times, squadrons and personnel of the RAuxAF have seen action in Iraq and Afghanistan This book presents, for the first time, the history and development of all the squadrons and units that made up the Auxiliary and the Royal Auxiliary Air Force, including the Balloon Squadrons, the Maritime Headquarters Units, Fighter Control and Radar Reporting Units, Royal Auxiliary Air Force Regiments and of course the Women’s Auxiliary Air Force. These devoted warriors continue to serve alongside the regular forces in defense of the United Kingdom, ready to be called into action whenever their country is in time of need.

The cinema was the most popular form of entertainment during the Second World War. Film was a critically important medium for influencing opinion. Films, such as In Which We Serve and One of Our Aircraft is Missing, shaped the British people's perceptions of the conflict. British War Films, 1939-1945 is an account of the feature films produced during the war, rather than government documentaries and official propaganda, making the book an important index of British morale and values at a time of desperate national crisis.