One of the key points made in this volume is that despite the relative similarities between Nordic countries, specific academic developments have taken place that touch on the histories of Nordic human geography in a manner that influences contemporary geographical discourses.

More than 1.3 million people visit Alaska each year to experience its unique history, abundant wildlife, diverse cultures, and natural beauty. This book enriches that experience. Here is a collection of authentic voices, oral and written, that depicts Alaska with intelligence, integrity, and authenticity. Encompassing classic and contemporary writers and storytellersestablished and new, insiders and outsidersthis anthology includes fiction, nonfiction, poetry, and oral tradition. Several books that have recently gained national attention are highlighted: Seth Kantner's Ordinary Wolves, Marjo.

In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.

A rich mosaic of photographs, words, and songs, Voices from the Mountains tells the turbulent story of the Appalachian South in the twentieth century. Focusing on the abuses of the coal industry and the grassroots struggle against mine owners that began in the 1960s, Guy and Candie Carawan have gathered quotations from a variety of sources; words and music to more than fifty ballads and songs, laments and satires, hymns and protests; and more than one hundred and fifty photographs of longtime Appalachian residents, their homes, their countryside, the mines they work in, and the labor battles they have fought. The "voices" that speak out in these pages range from the mountain people themselves to such well-known artists as Jean Ritchie, Hazel Dickens, Harriet Simpson Arnow, and Wendell Berry. Together they tell of the damage wrought by strip mining and the empty promises of land reclamation; the search for work and a new life in the North; the welfare rights, labor, antipoverty, and black lung movements; early days in the mines; disasters and negligence in the coal industry; and protest and change in the coal fields. Dignity and despair, poverty and perseverance, tradition and change--Voices from the Mountains eloquently conveys the complex panorama of modern Appalachian life.

Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.

Are you considered a "dingbatter," or outsider, when you visit the Outer Banks? Have you ever noticed a picture in your house hanging a little "sigogglin," or crooked? Do you enjoy spending time with your "buddyrow," or close friend? Drawing on over two decades of research and 3,000 recorded interviews from every corner of the state, Walt Wolfram and Jeffrey Reaser's lively book introduces readers to the unique regional, social, and ethnic dialects of North Carolina, as well as its major languages, including American Indian languages and Spanish. Considering how we speak as a reflection of our past and present, Wolfram and Reaser show how languages and dialects are a fascinating way to understand our state's rich and diverse cultural heritage. The book is enhanced by maps and illustrations and augmented by more than 100 audio and video recordings, which can be found online at talkintarheel.com.

When American journalist Patrick Michael Rucker learned of the Northern Ireland peace accord signed on Good Friday, 1998, he knew he had to return. Rucker had last seen this torn country in 1991, when “the troubles” raged at a fever pitch of daily bombings and murder. Could such a violently divided society truly live in peace? What had changed? In the fall of 1998, Rucker returned to Belfast to see for himself, and this stark, gritty, spellbinding book is his report. A fearless and brilliant reporter, Rucker sought out victims and killers, leading IRA terrorists and the loyalist counterparts bent on assassinating them, British soldiers and innocent bystanders swept helplessly into an endless undeclared war. Rucker watched as Michelle Williamson chained herself outside a prison to protest the release of the IRA prisoner whose bomb killed her innocent parents. He visited the hospital room of Liam Cairns, a young man abducted by an IRA “punishment gang” and beaten beyond recognition. He tracked down the children of Jean McConville, a widow abducted and killed decades ago for aiding a British solider–a tragic mistake that the IRA finally was ready to admit. There are scores of encounters like these in the pages ofThis Troubled Land, shocking portraits of a society caught in a nightmare of rage and despair. But as Rucker discovers, despair has now begun to give way to a different mood–not forgiveness and reconciliation, exactly, for the wounds are still too raw, but a weary longing for closure. Rucker sees glimmers of hope in a Protestant mother murmuring an apology to a Catholic widow, in talk of forgetting the past, in the jarring vision of a glass-roofed double-decker bus carrying tourists down Belfast’s Madrid Street, where just a few years ago bullets flew between the Catholics and the Protestants. In vivid, electrifying prose, Rucker captures the soul of a country at a critical juncture, a country finally putting the darkest moments of its past behind and daring to look ahead.