These upcoming years are crucial as world leaders will agree on a new sustainable development framework for the next 15 years. The proposed 17 Sustainable Development Goals include targets to end poverty, to ensure healthy lives and quality education and to combat climate change, among others. The decisions taken will undoubtedly have a huge impact on children's lives and rights today as well as the lives and rights of future generations.

A fascinating compendium of stories chronicling the creation of local nature conservancies, and the people behind them, on seventeen islands on the Salish Sea from the 1990s to the present day. Voices for the Islands brings together the stories and experiences of those who rose to protect areas at risk within their island communities. Narratively linked by author Sheila Harrington’s three-year sailing journey among the islands to interview more than fifty veteran conservationists, the book shares an in-depth view of local protests and the history and evolution of local conservancies from their timely emergence through legal battles and successful partnerships. It highlights how local, provincial, and national support was won, through the collaborative efforts of dedicated locals, resulting in hundreds of new protected areas and parks within one of the most at-risk ecological communities in Canada—the islands of the Salish Sea. Beginning in the 1980s, when logging and development threatened the fragile ecosystems and natural habitats, and culminating in the creation of more than seventeen local conservancies and the Gulf Island National Park Reserve, Voices for the Islands will inspire readers to turn apathy into action and support the cause of conservation and reconciliation in an era of species extinction and climate change. Full of colour photos, maps, and fascinating first-hand stories by unsung heroes of conservation—many of whom are now elders—this book reveals how local people and grassroots movements have the power to transform the future of our precious planet.

The experiences of people coming to the United States from many different lands are conveyed in the words of a contemporary young girl visiting Ellis Island and of a girl who immigrated in about 1910, as well as by quotes from early twentieth century immigrants and Ellis Island officials.

Shortlisted for the 2023 Scotiabank Giller Prize Finalist for the PEN/Faulkner Award for Fiction A Hurston Wright Legacy Award Nominee Longlisted for the 2023 New American Voices Award A New York Times Book Review Editors' Choice Powerful stories that explore the legacy of colonialism, and issues of race, immigration, sexual discrimination, and class in the lives of Jamaican women across London, Panama, France, Jamaica, Florida and more The Islands follows the lives of Jamaican women—immigrants or the descendants of immigrants—who have relocated all over the world to escape the ghosts of colonialism on what they call the Island. Set in the United States, Jamaica, and Europe, these international stories examine the lives of an uncertain and unsettled cast of characters. In one story, a woman and her husband impulsively leave San Francisco and move to Florida with wild dreams of American reinvention only to unearth the cracks in their marriage. In another, the only Jamaican mother—who is also a touring comedienne—at a prep school feels pressure to volunteer in the school’s International Day. Meanwhile, in a third story, a travel writer finally connects with the mother who once abandoned her. Set in locations and times ranging from 1950s London to 1960s Panama to modern-day New Jersey, Dionne Irving reveals the intricacies of immigration and assimilation in this debut, establishing a new and unforgettable voice in Caribbean-American literature. Restless, displaced, and disconnected, these characters try to ground themselves—to grow where they find themselves planted—in a world in which the tension between what’s said and unsaid can bend the soul.

Provides information about the immigration station in New York harbor, along with fictionalized accounts of the people who came through or worked there.

"Weaving together historical and ethnographic research, Catalina M. de Onâis challenges the master narratives of Puerto Rico as a tourist destination and site of 'natural' disasters. She demonstrates how fossil-fuel economies are inextricably entwined with colonial practices and policies and how local community groups in Puerto Rico have struggled against energy coloniality and energy privilege to mobilize and transform power from the ground up. This work decenters continental contexts and deconstructs damaging hierarchies that devalue and exploit disenfranchised rural, coastal communities"--

While indigenous languages have become prominent in global political and educational discourses, limited attention has been given to indigenous children’s everyday communication. Voices of Play is a study of multilingual play and performance among Miskitu children growing up on Corn Island, part of a multi-ethnic autonomous region on the Atlantic Coast of Nicaragua. Corn Island is historically home to Afro-Caribbean Creole people, but increasing numbers of Miskitu people began moving there from the mainland during the Contra War, and many Spanish-speaking mestizos from western Nicaragua have also settled there. Miskitu kids on Corn Island often gain some competence speaking Miskitu, Spanish, and Kriol English. As the children of migrants and the first generation of their families to grow up with television, they develop creative forms of expression that combine languages and genres, shaping intercultural senses of belonging. Voices of Play is the first ethnography to focus on the interaction between music and language in children’s discourse. Minks skillfully weaves together Latin American, North American, and European theories of culture and communication, creating a transdisciplinary dialogue that moves across intellectual geographies. Her analysis shows how music and language involve a wide range of communicative resources that create new forms of belonging and enable dialogue across differences. Miskitu children’s voices reveal the intertwining of speech and song, the emergence of “self” and “other,” and the centrality of aesthetics to social struggle.