Lord Demir has spent his life trying to appease a brutal, selfish king, and keep the concubines under his care alive—and now he is on the verge of losing everything. The council wants to abolish the harems, there are no heirs to the throne, and the foreigners control the Steward. One wrong move will tip tensions into civil war. Crown Prince Ihsan returns to find his home in turmoil, and the royal court so full of vipers it's impossible to say which of them will strike first. Removing his father from the throne, one way or another, should be a simple matter. Staying alive and proving himself a worthy king will be far more difficult. Crown Princess Euren has spent the last five years in hiding so that she could not be used against her father or Ihsan. But she is the daughter of a soldier, never meant to wear a crown, never trained to fight battles where words are the weapon of choice. If she hopes to keep herself and her loved ones alive, she'll have to learn fast.

Examining late twentieth-century autobiographical writing by Arab women novelists, poets, and artists, this essay collection explores the ways in which Arab women have portrayed and created their identities within differing social environments. The collection goes well beyond dismantling standard notions of Arab female subservience, exploring the many ways Arab women writers have learned to speak to each other, to their readers, and to the world at large. Drawing from a rich body of literature, the essays attest to the surprisingly lively and committed roles Arab women play in varied geographic regions, at home and abroad. These recent writings assess how the interplay between individual, private, ethnic identity and the collective, public, global world of politics has impacted Arab women’s rights.

This first full-length study of women and the Fatimids is a groundbreaking work investigating an unexplored area in the field of Islamic and medieval studies. The authors have unearthed a wealth of references to women, thus re-inscribing their role in the history of one of the most fascinating Islamic dynasties, the only one to be named after a woman. At last some light is thrown on the erstwhile silent and shadowy figures of women under the Fatimids which gives them a presence in the history of women in medieval and pre-modern dynasties. Basing their research on a variety of sources from historical works to chronicles, official correspondence, documentary sources and archaeological findings, the authors have provided a richly informative analysis of the status and influence of women in this period. Their contribution is explored first within the context of Isma'ili and Fatimid genealogical history, and then within the courts in their roles as mothers, courtesans, wives and daughters, and as workers and servants. Throughout the book comparison is drawn with the status and roles of women in earlier, contemporary and subsequent Islamic as well as non-Islamic courts.

The Italians were so busy creating and performing superb music that they neglected to tell the great epic story of their wondrous achievement. With BRAVO! we hope to tell that story. The 1,000-year-old story begins, basically, with the work of a humble monk from the city of Arezzo. And this story has no ending. If, on one hand, we will never know the music of the Egyptians, of the Greeks, and of the Romans, on the other, we have come to know and to enjoy the music of every composer from the 12th Century to the Present day thanks to Guido's invention of the musical scale. As the story unfolds, we are rewarded with the many convincing superlatives forever tied to Italian musical endeavors. The first ten chapters deal with the Italian musical geniuses who theorized, made superb instruments, composed, performed, orchestrated, conducted and sang for the enjoyment of listeners worldwide, and the closing chapter gives a comprehensive look at the beautiful things that have happened in the Italian and American world of music. While each page of BRAVO! is full of surprising and fascinating details, the title reminds us that the term, BRAVO! is reserved only for topnotch performances. Book jacket.

The authors present the lives of biblical Jewish leaders like Queen Esther and the Prophetess Deborah as well as modern unique personalities like Supreme Court Justice Ruth Bader Ginsburg and Prime Minister Golda Meier. At the end of each biography is a section describing what young readers can do to understand the contribution made by these famous people, as well as a detailed bibliography of where to find additional information about each woman.

‘Between Friday and Monday we never slept at all. Everyone’s face was one mass of sand ... The guns were so hot, all the paint had gone’ Bombardier Ray Ellis Had the Allies lost in North Africa, Rommel’s Afrika Korps would have swept through the Middle East, cutting the vital supply line through the Suez Canal to Australia and India, and taking the oilfields of the Persian Gulf. Britain would have been isolated, without oil, and unable to fight. These historic battles of 1940–1943 were fought over vast distances on rugged terrain, with supply lines often stretched to breaking point. It was here that David Stirling formed the SAS to perform audacious sabotage missions, and the Long Range Desert Group collected intelligence from behind enemy lines. This is the story of the Allies’ first victory against Hitler’s army, told in the voices of the men who were there, which proved that the seemingly unstoppable Germans could be beaten.