Paul Rea uncovered the extraordinary story of an Australian ex-prisoner of war who had been illegally thrown into a Nazi concentration camp called Terazin in Czechoslovakia, now known as the 'Living Grave'. This soldier was stripped of any protection offered by his national and military status and was punished for doing no more than his duty: escaping from a POW camp. Further investigation tracked down more than a dozen Australian and New Zealand veterans who broke a long silence to speak about their horrendous ordeals. These soldiers' British counterparts were awarded Nazi war crime compensation, but all the ANZACs receiveved was denial by their Army and their governments. VOICES FROM A SMALL FORTRESS is a record of the extraordinary experiences of the men who survived.

Through inmates' own voicesNfrom secret diary entries and artwork to excerpts from memoirs and recordings narrated after the warN"Terezin" explores the lives of Jewish people in one of the most infamous of the Nazi transit camps in Czechoslovakia. Illustrations.

Paul Rea uncovered an extraordinary story of an Australian ex-prisoner of war who had been illegally thrown into a Nazi concentration camp called Terazin in Czechoslovakia, now known as the 'Living Grave'. This soldier was stripped of any protection offered by his national and military status and was punished for doing no more than his duty: escaping from a POW camp. An investigation tracked down more than a dozen Australian and New Zealand veterans who broke a long silence to speak about their horrendous ordeals. These soldiers' British counterparts were awarded Nazi war crime compensation, for the ANZACs, all they received was denial by their Army and their governments. Voices from a Small Fortress is a record of extraordinary experiences of the men who survived.

The volume presents theological and religious research that explores women's voices and experiences in the fields of migration, culture and (eco)peacebuilding with the goal to discuss complex and dynamic questions of women's active participation and engagement in these challenges, mainly from the perspective of Central European authors. The chapters address these matters in order to rethink and search for theological and religious responses to the inequalities, prejudices, and conflicts that arise from these crises and look for new ethical paths to mitigate them through interreligious dialogue and religious (eco)peacebuilding Nadja Furlan Štante is Principal Research Associate and Professor of Religious Studies at ZRS (Science and Research Centre) Koper. Maja Bjelica is Research Assistant at Institute for Philosophical Studies at ZRS (Science and Research Centre) Koper. Rebeka Ani? is a is Principal Research Associate at Institute of Sociological Sciences Ivo Pilar - Split.

This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.

The sixteen essays in this volume are a tribute to Hamish Ritchie’s deep interest in exile as a literary and historical phenomenon. The first eight focus on the British and Irish context, including studies of Jürgen Kuczynski and his family, Martin Miller, Lilly Kann, Hermann Sinsheimer, Albin Stuebs, Ludwig Hopf and Paul Bondy, as well as contributions on the Association of Jewish Refugees and the exile experience as reflected in Klaus Mann’s Der Vulkan. The following four contributions widen the discussion to encompass Germany, the Netherlands, Austria and Yugoslavia by focusing on the diaries of Anne Frank and Etty Hillesum, the early poetry of Bertolt Brecht, and works by Vladimir Vertlib, Aleksandar Ajzinberg, and David Albahari. The historical dimension is deepened with contributions on William Joyce, Joseph Jonas, the marginalisation of the mass emigration of the Jews within German memory, and the ‘exile’ of princesses for whom until recent times marriage often meant a life far from home.

For millennia, messianic visions of redemption have inspired men and women to turn against unjust and oppressive orders. Yet these very same traditions are regularly decried as antecedents to the violent and authoritarian ideologies of modernity. Informed in equal parts by theology and historical theory, this book offers a provocative exploration of this double-edged legacy. Author Jayne Svenungsson rigorously pursues a middle path between utopian arrogance and an enervated postmodernism, assessing the impact of Jewish and Christian theologies of history on subsequent thinkers, and in the process identifying a web of spiritual and intellectual motifs extending from ancient Jewish prophets to contemporary radicals such as Giorgio Agamben and Slavoj Zizek.