Harold J. Recinos is the son of a Guatemalan father and Puerto Rican mother who at age twelve was abandoned to New York City streets. After living on the streets between the ages of twelve and sixteen, Recinos met a Presbyterian minister who had discovered the God of the oppressed while active in civil rights marches in the 60s. The minister took Recinos into his family, helped him kick a heroin habit, and enrolled him in school. Voices on the Corner documents life at the edges of American society in ways that are both personal and universal in the human experience. The poems provide a fresh insight into the existential experiences of people excluded from mainstream society. In a celebration of dazzling texture, poems here address issues of police brutality, gun violence, immigrants' rights, the blighted urban landscape, death, hunger, religious violence, drug addiction, pluralism, spirituality, family life, hope, and the pulse of everyday life in overlooked places.

Active from the late 1960s until the mid-1990s, the U.S. branch of the Puerto Rican Socialist Party (PSP) worked simultaneously to build support for Puerto Rican independence and to engage in radical social change within the United States. Revolution Around the Corner chronicles this unique social movement, describing various mass campaigns and the inner workings of the organization. The editors and contributors—all former members, leaders, and supporters of the PSP—offer a range of views and interpretations of their experience. Combining historical accounts, personal stories, interviews, and retrospective analysis, Revolution Around the Corner examines specific actions such as the National Day of Solidarity (El Acto Nacional), the Bicentennial without Colonies, the Save Hostos struggle, and the Vieques campaign. Testimonies recount the pros and cons of membership diversity, as well as issues of loyalty and compañerismo. In addition, essays describe the PSP’s participation in coalitions and alliances with Left and progressive movements. The book concludes with the editors’ reflections on the PSP’s achievements, mistakes, and contributions.

Little attention has been paid to the Latino movements of the 1960s and 1970s in the literature of social movements. This volume is the first significant look at the organizations that emerged in the late 1960s to promote Puerto Rican independence and the radical transformation of U.S. society. The Puerto Rican movement was a response to U.S. colonialism on the island and to the poverty and discrimination faced by most Puerto Ricans on the mainland. This anthology looks at the organizations that emerged to combat these two problems in such places as Boston, Chicago, Hartford, New York, and Philadelphia. Almost all the contributors worked with the organizations they describe. Interviews with such key figures as Elizam Escobar, Piri Thomas, and Luis Fuentes, as well as accounts by people active in the gay/lesbian, African American, and white Left movements, create a vivid picture of why and how people became radicalized and how their ideals intersected with their group's own dynamics.

Text for college classrooms, private voice studios and those who are currently in the choral classroom. A concise, yet comprehensive study of vocal technique along with an extensive collection of related vocalises. The vocalises are presented in a manner that is "user-friendly," complete with accompaniments and numerous transpositions. This book contains more than 60 different exercises each designed to address specific vocal concepts. Whether you are a student of choral/vocal pedagogy, a beginning director or a veteran of many years in the classroom in need of new and fresh warm-ups to begin your daily rehearsals, this is the text that you have been waiting for. There is an accompanying student book so that every student can see the exercises, making introduction of new material much easier and more efficient.

Over nearly fifty years, Eleanor Ross Taylor has established herself as one of the foremost southern poets of her generation. Captive Voices gathers selections from Taylor's five previous books along with a generous helping of new poems. Scintillating, unusual, passionate, and profound, the poems range from contemporary pieces about a bag lady on a bus, to historical pieces about settlers held hostage and a wartime nurse caring for British wounded, to intensely personal poems about her dislike for her grandmother and worries about her son. The title poem -- a real tour de force -- explores the notion of captivity on several levels as it speaks to the suffering we all endure, some of which is of our own making. Decidedly regional yet determinedly universal, the poems in this remarkable volume, along with a foreword by Ellen Bryant Voigt, attest to the singular talent of a woman justly described as "a poet of genius."