"A memoir from an influential Columbus Zoo gorilla keeper and conservationist"--

Within these pages are the memories of Palestinians - housewives, pastors, physicians, prisoners, professors, refugees, researchers, students, teachers, and university administrators living either in Palestine, refugee camps, or exile - who have suffered loss and yet have kept their identity as Palestinians and through perseverance have kept their culture vibrant and alive. It is hoped that in meeting these people, the reader will understand the suffering and loss of Palestinians; see their longing for freedom and peace; and join in supporting their struggle for justice.The continuing dispossession of the Palestinians and the violation of their human rights, and the right to political self-determination, is a blight on the collective international community. A major obstacle to restitution of justice for the Palestinian people is the ongoing and unconditional support of Israel by Western nations, especially the United States, which allow Israel to act with impunity.In the words of Dr. Hanan Ashrawi, founder and chairman of the Palestinian Initiative for the Promotion of Global Dialogue and Democracy, "The very intimacy of these revelations (the narratives), their searing honesty, and their unassuming humanity compel the reader to engage in the challenge of awareness through identification, and to acquire that uncomfortable, yet essential, knowledge that has hitherto been denied or excluded or distorted. The simple truth, often the most complex reality to convey, is laid bare in Palestine is Our Home for all those who want to shed the complacency of ignorance in favor of the responsibility of knowledge." Palestine Is Our Home presents brief contemporary history of Palestine, short essays, first hand testimonies, and chapters on the liberation art of Palestine and on the origins of the traditional Palestinian costume. Four tables and sixty-one gray scale images - maps, photographs including those of works of art, traditional costumes, and embroidery - serve to illustrate the narratives and chapters of the book. Finally, a leader's guide is provided, which when used in conjunction with the questions for reflection found at the end of each section of the book, serves to facilitate the use of the book by discussion groups.

California has always been America's promised landÑfor American Indians as much as anyone. In the 1950s, Native people from all over the United States moved to the San Francisco Bay Area as part of the Bureau of Indian Affairs Relocation Program. Oakland was a major destination of this program, and once there, Indian people arriving from rural and reservation areas had to adjust to urban living. They did it by creating a cooperative, multi-tribal communityÑnot a geographic community, but rather a network of people linked by shared experiences and understandings. The Intertribal Friendship House in Oakland became a sanctuary during times of upheaval in people's lives and the heart of a vibrant American Indian community. As one long-time resident observes, "The Wednesday Night Dinner at the Friendship House was a must if you wanted to know what was happening among Native people." One of the oldest urban Indian organizations in the country, it continues to serve as a gathering place for newcomers as well as for the descendants of families who arrived half a century ago. This album of essays, photographs, stories, and art chronicles some of the people and events that have playedÑand continue to playÑa role in the lives of Native families in the Bay Area Indian community over the past seventy years. Based on years of work by more than ninety individuals who have participated in the Bay Area Indian community and assembled by the Community History Project at the Intertribal Friendship House, it traces the community's changes from before and during the relocation period through the building of community institutions. It then offers insight into American Indian activism of the 1960s and '70sÑincluding the occupation of AlcatrazÑand shows how the Indian community continues to be created and re-created for future generations. Together, these perspectives weave a richly textured portrait that offers an extraordinary inside view of American Indian urban life. Through oral histories, written pieces prepared especially for this book, graphic images, and even news clippings, Urban Voices collects a bundle of memories that hold deep and rich meaning for those who are a part of the Bay Area Indian communityÑaccounts that will be familiar to Indian people living in cities throughout the United States. And through this collection, non-Indians can gain a better understanding of Indian people in America today. "If anything this book is expressive of, it is the insistence that Native people will be who they are as Indians living in urban communities, Natives thriving as cultural people strong in Indian ethnicity, and Natives helping each other socially, spiritually, economically, and politically no matter what. I lived in the Bay Area in 1975-79 and 1986-87, and I was always struck by the Native (many people do say 'American Indian' emphatically!) community and its cultural identity that has always insisted on being second to none. Yes, indeed this book is a dynamic, living document and tribute to the Oakland Indian community as well as to the Bay Area Indian community as a whole." ÑSimon J. Ortiz "When my family arrived in San Francisco in 1957, the people at the original San Francisco Indian Center helped us adjust to urban living. Many years later, I moved to Oakland and the Intertribal Friendship House became my sanctuary during a tumultuous time in my life. The Intertribal Friendship House was more than an organization. It was the heart of a vibrant tribal community. When we returned to our Oklahoma homelands twenty years later, we took incredible memories of the many people in the Bay Area who helped shape our values and beliefs, some of whom are included in this book." ÑWilma Mankiller, former Principal Chief, Cherokee Nation

An oral history of the themes of war provides letters, photographs, and sketches from from U.S. veterans' who fought in World War I and II, Korea, Vietnam, and the Persian Gulf.

Historic house museums--one of the most prevalent types of history museums in the country--have long depicted the owners of the house and their families, but representing the servants has introduced a unique set of challenges. While museum professionals have increasingly incorporated women, immigrants, African Americans, and other minorities into portrayals of the past, these portrayals often show an idealistic world without class antagonisms or ethnic conflict. Exploring the domestic conflicts that may have existed between mistress and servant often creates a more vivid and believable experience for guests. Through her examination of the pitfalls of interpretation, Pustz offers advice for museum professionals on programming accurate and compelling depictions of those who lived their lives in the back stairs and kitchen rather than in the parlor. Based on extensive surveys of historians at historic house museums, this informative study presents examples of successful interpretation programs, including those that have made the kitchen and servants' quarters the most popular stops on the tour. Pustz encourages museum curators to look beyond the archives of their own institution and explore other era-appropriate sources, including advertising and housekeeping guides, when trying to create a complete picture of the house's servants, who often left behind few records.

"Introduction by Mark Damazer"--Page 1 of cover.