Voices after Evelyn seeks not so much to dig up a cold case--the 1953 disappearance of La Crosse, Wisconsin, babysitter Evelyn Hartley-- as reopen its heart. A fugue of voices across time (cracked, offensive, profound) reverberating toward today, when the phantoms of socalled innocence and greatness grow scarier than anything that took Evelyn away. An unsolved crime that jaundiced the way a town saw itself and its relationship to the outside world is rendered into a polyphonic, farcical, yet accurate visitation to the 1950s Midwest, where banality and inspired caprice make for an odd mix of the hilarious and terrifying. "Rick Harsch is America's lost Midwest noir genius, an heir to the more lurid Faulkner, an ex-pat living in Slovenia, a master of dialogue. Voices after Evelyn is a fictional take on true crime, and its bloody heart in the real, still-unsolved 1953 disappearance of teenage Evelyn Hartley in La Crosse, Wisconsin. Through that victimization, Harsch makes us look at other victims, survivors too, and throughout the novel, a Greek-style chorus sings songs of rage and loss and puzzlement. Voices after Evelyn is taut and funny, smart and haunting, enraging and true."--Daniel A. Hoyt, author, Then We Saw the Flames

I Send a Voice is the gripping, first person account of what happens inside a Native American Sweat Lodge. Evelyn Eaton writes of her resolve to become worthy of participating in a Sweat Lodge healing ritual. She undergoes tests and ordeals inside and outside of the Lodge following the spiritual path to learn the shamanic secrets, and eventually daring to ask for a healing Pipe of her own. This classic book remains one of the definitive accounts of the training and work of a Pipe-carrier and provides a unique insight into Native American culture and their sacred and esoteric rites. It will be essential reading for everyone with an interest in Native American culture, shamanic rituals or holistic healing.

From Newbery Medalist Meg Medina comes the bittersweet story of two girls who will always be each other’s número uno, even though one is moving away. A big truck with its mouth wide open is parked at the curb, ready to gobble up Evelyn’s mirror with the stickers around the edge . . . and the sofa that we bounce on to get to the moon. Evelyn Del Rey is Daniela’s best friend. They do everything together and even live in twin apartments across the street from each other: Daniela with her mami and hamster, and Evelyn with her mami, papi, and cat. But not after today—not after Evelyn moves away. Until then, the girls play amid the moving boxes until it’s time to say goodbye, making promises to keep in touch, because they know that their friendship will always be special. The tenderness of Meg Medina’s beautifully written story about friendship and change is balanced by Sonia Sánchez’s colorful and vibrant depictions of the girls’ urban neighborhood.

Schreiber (English, George Washington U.) describes how the two American writers look to those on the margins of society to examine its center. The works of both, she says, reproduce structures according to each author's own experiences in order to resist and alter them, and illustrate how issues of identity are complex cultural constructs. Annotation copyrighted by Book News, Inc., Portland, OR

Two young men are caught in the crosshairs of shady government operations, mafias, and billionaires. A multi-generational family drama unfolds into an observation of violence in American History: from the Oregon Trail, to the nuclear age, the Vietnam War, and a post-9/11 world.

A successful, middle-aged novelist with a case of 'bad nerves,' Gilbert Pinfold embarks on a recuperative trip to Ceylon. Almost as soon as the gangplank lifts, Pinfold hears sounds coming out of the ceiling of his cabin: wild jazz bands, barking dogs, loud revival meetings. He can only infer that somewhere concealed in his room an erratic public-address system is letting him hear everything that goes on aboard ship. And then, instead of just sounds, he hears voices. But they are not just any voices. These voices are talking, in the most frightening intimate way, about him!

A superb saga from Sunday Times bestselling author Evelyn Hood. 'Scotland's Catherine Cookson' Scots Magazine 'Hood is immaculate in her historical detail' Herald 'Evelyn Hood is a fantastic writer, bringing the past to life and drawing you right into the story' ***** Reader Review It is 1865 and Eppie, a young widow with a child to bring up, can't believe her luck when she gets the position of housekeeper to wealthy widower Alexander Geddes. He and his teenage son, Duncan, are a dream to work for, but daughter Lydia is moody, spoiled and temperamental - and convinced that Eppie has designs on Alexander. But Eppie is no gold-digger and Alexander Geddes has intentions that are purely honourable. Intentions that begin to lean in the direction of Lydia's governess - Eppie's sister Marion. Yet although the attraction is mutual, its development is slow. For there are other tensions not only in the household but also in the community. Refusing to train as a physician, Duncan is set on following his heart's desire, to side with his stepmother's kin and pursue his dreams of quarrying the precious local marble. Eppie, now almost a member of the family, feels partly responsible for the rift between father and son. She feels even more responsible when Duncan returns home with a stranger who has a mysterious past . . .