This book is a 3-in-1 compliation to meet children's voice training needs : vocal technique boo, ear-training/sight-singing book and repertoire book all rolled into one!

Can You Sing a HIGH C Without Straining? was the first book in publishing history to explain how high notes are produced and why anyone with a healthy voice can extend their range to sing a high C without straining. Singers and teachers of sining worldwide use Can You Sing a HIGH C Without Straining? as a reference standard for learning how to sing high notes comfortably and safely. If you sing, you should read this book. The latest edition of Can You Sing a HIGH C Without Straining? has been significantly updated with detailed explanations about vocal physiology stemming from research Thomas Appell conducted dealing with the muscles that come into play during the production of high notes. With the help of Dr. Jim Burns (Laryngeal surgeon at Massachusets General Voice center, partner of Dr. Steven Zeitels) Thomas provides a wealth of information that can’t be found anywhere else about how high and low notes are produces, which muscles come into play and how they all work together to help you sing a high C without straining. If you have any question about how to sing high notes or what causes your voice to break, this book will provide the answer. You’ll also learn how to produce vibrato, how to breathe correctly for singing, how to create you own original style, and how to prevent laryngitis, colds and the flu.

Lessons on diction, detail, figurative language, imagery, syntax, and tone help middle and early high school students understand the concept of voice in what they read and develop a strong, personal voice in their own writing. Each voice lesson takes only 10-20 minutes to complete and includes a quotation selected from a wide range of literature, two discussion questions, and an exercise that encourages students to practice what they have learned about the elements of voice. Discovering Voice also offers a collection of quotations students can use to create their own voice lessons. Discussion suggestions for each voice lesson and additional activities for teaching voice further promote critical analysis. Each of the seven packs on the elements of voice--diction, detail, figurative language 1 (metaphors, similes, and personification), figurative language 2 (hyperboles, symbols, and irony), imagery, syntax, and tone--include an introduction, lessons with discussion questions and an exercise, "write-your-own" voice lessons, a list of additional activities for teaching voice, and discussion suggestions.

The FULL VOICE(R) Workbooks have been researched and developed for the young vocal student. Every workbook includes technical exercises, music theory, rhythm reading, ear-training, sight singing, performance assessments and MORE! FULL VOICE WORKBOOKS are a comprehensive, all-in-one musical supplement for your repertoire studies. "My books arrived! Starting my kiddos next week. I am a 35-year veteran teacher and I wish I had written these. Bravo and thank you!" K. Lollar, Odessa, TX "...Since incorporating Full Voice curriculum and suggested repertoire in our school, our retention of vocal students has more than doubled! The students love the lesson plans, weekly worksheets, the warm-ups and sight reading. Full Voice makes voice lessons fun!" Rachael Richter, Director Gulf Breeze School of Music, Florida. FULL VOICE(R) Introductory level was specifically developed for young students ages 6-8 who are new to music lessons. This level is a perfect fit for private voice lessons and Introductory small group vocal classes. This level includes: introduction to tonic sol-fa introduction to reading and writing notes clapping and counting basic rhythms singing steps and skips

Language and the way that people communicate has evolved over time, now you can learn how to effectively use your voice in the most effective way possible in order to get your message across. Every time we open our mouths, we have an effect on ourselves and the way others perceive us. The ability to speak clearly and confidently can make or break a presentation, an important meeting, or even a first date. Now, with the advent of Skype, YouTube, podcasting, Vine, and any number of reality talent competitions, your vocal presence has never been more necessary for success or more central to achieving your dreams. Roger Love has over 30 years of experience as one of the world's leading authorities on voice. Making use of the innovative techniques that have worked wonders with his professional clients, Love distills the best of his teaching in Set Your Voice Free, and shares exercises that will help readers bring emotion, range, and power to the way they speak. This updated edition incorporates what he's learned in the last 15 years as the Internet and talent competitions have completely changed the role your voice plays in your life. These are the new essentials for sounding authentic, persuasive, distinctive, and real in a world that demands nothing less.

"Topics include range extension, mixing the vocal registers, eliminating the 'flip' into head voice, more power with less effort, trills, licks and runs, developing vibrato, eliminating vocal strain, elements of modern style, mastering each musical genre, vocal fry, reaching the whistle register, and much, much more."--Container.

Through experiential exercises and careful reasoning, Uncovering the Voice provides a new, spiritually enlivened interpretation of the processes involved in singing. It develops knowledge of the essential nature of song, and summons us to work for the purity and preservation of true singing. First published in Germany in 1938, Uncovering the Voice disappeared under the weight of political events and the Second World War and was not republished until the 1970s. The new English edition of this classic work includes a biographical account of the author by Jürgen Schriefer, as well as previously unpublished photographs.