In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in this richly textured book, that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession. Nwokocha spent more than a decade observing Vodou ceremonies from Montreal and New York to Miami and Port-au-Prince. She engaged particularly with a Haitian practitioner and former fashion designer, Manbo Maude, who presided over Vodou temples in Mattapan, Massachusetts, and Jacmel, Haiti. With vivid description and nuanced analysis, Nwokocha shows how Manbo Maude's use of dress and her production of ritual garments are key to serving Black gods and illuminate a larger transnational economy of fashion and spiritual exchange. This innovative book centers on fashion and other forms of self-presentation, yet it draws together many strands of thought and practice, showing how religion is a multisensorial experience of engagement with what the gods want and demand from worshippers. Nwokocha's ethnographic work will challenge and enrich readers' understandings not only of Vodou and its place in Black religious experience but also of religion's entanglements with gender and sexuality, race, and the material and spiritual realms.

"In Haitian Vodou, spirits impact Black practitioners' everyday lives, tightly connecting the sacred and the secular. As Eziaku Atuama Nwokocha reveals in this richly textured book, that connection is manifest in the dynamic relationship between public religious ceremonies, material aesthetics, bodily adornment, and spirit possession"--

This ethnographic project explores the embodied sartorial practices of Haitian Vodou that are produced and transformed within transnational communities in the African Diaspora. I study how fashion in the religious and social life of Vodou accentuates the importance of aesthetic trends to communal identity formation in the African Diaspora. My primary sites of research are the temples of a Haitian Vodou practitioner named Manbo Maude in Mattapan, Massachusetts and in Jacmel, Haiti. Manbo Maude creates ritual garments and sells them to her practitioners for adornment during religious ceremonies. The production of these ritual garments offers a critical lens through which to discern the adornment practices that are key to serving the spiritual worlds in Haiti and the Diaspora and that reveal a larger economy of fashion and spiritual exchange. I propose the term spiritual vogue as a multisensorial ritual practice to address the performative use of fashion in Manbo Maude's temples to unify practitioners and connect with the spirits. Through the presence of the spirits, dress, touch, movement, and the process of being seen, spiritual vogue is an interactive, multisensorial practice for the practitioners, the spirits, and the audience alike. This project builds on theorists like Sally Promey, Elizabeth Perez, and Linda B. Arthur, who engage with the performativity of gender, race, the multisensorial experience of religion, and religious and material exchanges between Africa and the African Diaspora. I demonstrate how religious fashion addresses the transnational relationships created through faith labor, spirit possession, tattoos, and other embodied manifestations of Vodou. Mambo Maude's temples are investigated as sites of religious innovation that reflect the dynamic relationship between religious ritual, material aesthetics, and spiritual embodiment within African Diasporic religions.

Is there really a monolithic "Black church"? Distilling the arguments of Anthony B. Pinn's important and provocative work in Terror and Triumph, this brief volume asks the central question: What really is African American religion? Sketching the religious landscape of African American communities today, Pinn makes explicit the tension in traditional conversations about Black religion that privilege either Christianity in particular or organizations (with doctrines and creeds) in general. Discussing the misunderstandings and historical inaccuracies of such views, Pinn offers an alternate theory of Black religion that begins with a basic push for embodied meaning as its core impulse. In this expanded edition, Pinn offers new reflections on the state of the Black church.

Haiti has long been both a source of immense pride--because of the Haitian Revolution--and of profound disappointment--because of the unshakable realities of poverty, political instability, and violence--to the black diasporic imagination. Charting the long history of these multiple meanings is the focus of Millery Polyne's rich and critical transnational history of U.S. African Americans and Haitians. Stretching from the thoughts and words of American intellectuals such as Frederick Douglass, Robert Moton, and Claude Barnett to the Civil Rights era, Polyne's temporal scope is breathtaking. But just as impressive is the thematic range of the work, which carefully examines the political, economic, and cultural relations between U.S. African Americans and Haitians. From Douglass to Duvalier examines the creative and critical ways U.S. African Americans and Haitians engaged the idealized tenets of Pan Americanism--mutual cooperation, egalitarianism, and nonintervention between nation-states--in order to strengthen Haiti's social, economic, and political growth and stability. The depth of Polyne's research allows him to speak confidently about the convoluted ways that these groups have viewed modernization, "uplift," and racial unity, as well as the shifting meanings and importance of the concepts over time.

Haitian Vodou is a vibrant and fascinating indigenous tradition from the island of Haiti. It is an amazing and colorful spiritual tradition comprised of ceremony, music, dances, prayers, magic, and community. Haitian Vodou explores this rich Haitian tradition beginning with a look at Haitian history and how the tradition known as Haitian Vodou evolved. It moves on to cover the basic Principals and Ethics of Haitian Vodou, including a discussion of common confusions and controversies associated with Haitian Vodou as well as a discussion of Haitian Vodou today.

This collection introduces readers to the history and practice of the Vodou religion, and corrects many misconceptions. The book focuses specifically on the role Vodou plays in Haiti, where it has its strongest following, examining its influence on spiritual beliefs, cultural practices, national identity, popular culture, writing and art.