Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller

Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller
Title Treatise on Vocal Performance and Ornamentation by Johann Adam Hiller PDF eBook
Author Johann Adam Hiller
Publisher Cambridge University Press
Pages 211
Release 2001-04-12
Genre Music
ISBN 1139428985

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Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. Hiller was a masterful educator and was active not only as a teacher but as a critic, composer, conductor and music director. Thus, his observations served not only to raise the standards of singing in Germany, based on the Italian model, but to present complicated material, particularly ornamentation, in a manner that his peers, the middle class, could emulate. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes Hiller's treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth-century.

Vocal Ornamentation in Two Treatises by Johann Adam Hiller

Vocal Ornamentation in Two Treatises by Johann Adam Hiller
Title Vocal Ornamentation in Two Treatises by Johann Adam Hiller PDF eBook
Author Gina Spagnoli
Publisher
Pages 166
Release 1979
Genre Embellishment (Vocal music)
ISBN

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Embodying Voice

Embodying Voice
Title Embodying Voice PDF eBook
Author Margaret Medlyn
Publisher Routledge
Pages 249
Release 2018-11-16
Genre Music
ISBN 0429999224

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Embodying Voice: Singing Verdi, Singing Wagner articulates the process of developing an operatic voice, explaining how and why the training of such a voice is as complex and sophisticated as it is mysterious. This book illustrates how putting together a voice, embodying a sound, and creating a character are vital to an audience’s emotional involvement and enjoyment. Moreover, it addresses an imbalance of power between the opera director and the orchestra conductor – ultimately, it is the communicative power of the singer’s voice that brings life to an opera, a fact well known by Verdi and Wagner. Embodying Voice highlights the singer’s creative agency to be co-creator of the composer’s music. It explores the ways in which vocal performance is constructed and controlled, connecting layers of mind and bodily engagement that allow operatic singers to achieve expression beyond the text itself. Further reading, listening, and performance lists are provided at the end of each chapter, complemented by musical examples throughout.

Venanzio Rauzzini and the Birth of a New Style in English Singing

Venanzio Rauzzini and the Birth of a New Style in English Singing
Title Venanzio Rauzzini and the Birth of a New Style in English Singing PDF eBook
Author Brianna E. Robertson-Kirkland
Publisher Routledge
Pages 271
Release 2022-01-31
Genre History
ISBN 100053684X

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Since the eighteenth century, the one-to-one singing lesson has been the most common method of delivery. The scenario allows the teacher to familiarise and individualise the lesson to suit the needs of their student; however, it can also lead to speculation about what is taught. More troubling is the heightened risk of gossip and rumour with the private space generating speculation about the student–teacher relationship. Venanzio Rauzzini (1746–1810), an Italian castrato living in England who became a highly sought-after singing master, was particularly susceptible since his students tended to be women, whose moral character was under more scrutiny than their male counterparts. Even so in 1792, The Bath Chronicle proclaimed the Italian castrato: 'the father of a new style in English singing'. Branding Rauzzini as a founder of an English style was not an error, but indicative of deep-seated anxieties about the Italian invasion on England’s musical culture. This book places teaching at the centre of the socio-historical narrative and provides unique insight into musical culture. Using a microhistory approach, this study is the first to focus in on the impact of teaching and casts new light on issues of celebrity culture, gender and nationalism in Georgian England.

Cultures in Motion

Cultures in Motion
Title Cultures in Motion PDF eBook
Author Daniel T. Rodgers
Publisher Princeton University Press
Pages 381
Release 2017-05-09
Genre History
ISBN 0691176175

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In the wide-ranging and innovative essays of Cultures in Motion, a dozen distinguished historians offer new conceptual vocabularies for understanding how cultures have trespassed across geography and social space. From the transformations of the meanings and practices of charity during late antiquity and the transit of medical knowledge between early modern China and Europe, to the fusion of Irish and African dance forms in early nineteenth-century New York, these essays follow a wide array of cultural practices through the lens of motion, translation, itinerancy, and exchange, extending the insights of transnational and translocal history. Cultures in Motion challenges the premise of fixed, stable cultural systems by showing that cultural practices have always been moving, crossing borders and locations with often surprising effect. The essays offer striking examples from early to modern times of intrusion, translation, resistance, and adaptation. These are histories where nothing--dance rhythms, alchemical formulas, musical practices, feminist aspirations, sewing machines, streamlined metals, or labor networks--remains stationary. In addition to the editors, the contributors are Celia Applegate, Peter Brown, Harold Cook, April Masten, Mae Ngai, Jocelyn Olcott, Mimi Sheller, Pamela Smith, and Nira Wickramasinghe.

First Nights at the Opera

First Nights at the Opera
Title First Nights at the Opera PDF eBook
Author Thomas Forrest Kelly
Publisher Yale University Press
Pages 474
Release 2006-05-01
Genre Music
ISBN 9780300115260

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A renowned music scholar narrates the social history of European opera during its golden age in the 18th and 19th centuries by taking readers behind the scenes at the premiere performances of five extraordinary and influential operas. 88 illustrations.

The Cambridge History of Musical Performance

The Cambridge History of Musical Performance
Title The Cambridge History of Musical Performance PDF eBook
Author Colin Lawson
Publisher Cambridge University Press
Pages 1066
Release 2012-02-16
Genre Music
ISBN 1316184420

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The intricacies and challenges of musical performance have recently attracted the attention of writers and scholars to a greater extent than ever before. Research into the performer's experience has begun to explore such areas as practice techniques, performance anxiety and memorisation, as well as many other professional issues. Historical performance practice has been the subject of lively debate way beyond academic circles, mirroring its high profile in the recording studio and the concert hall. Reflecting the strong ongoing interest in the role of performers and performance, this History brings together research from leading scholars and historians and, importantly, features contributions from accomplished performers, whose practical experiences give the volume a unique vitality. Moving the focus away from the composers and onto the musicians responsible for bringing the music to life, this History presents a fresh, integrated and innovative perspective on performance history and practice, from the earliest times to today.