Music and fashion: the deep connection between these two expressive worlds is firmly entrenched. Yet little attention has been paid to the association of sound and style in the early twentieth century—a period of remarkable and often parallel developments in both high fashion and the arts, including music. This beautifully written book, lavishly illustrated with fashion plates and photographs, explores the relationship between music and fashion, elegantly charting the importance of these arts to the rise of transatlantic modernism. Focusing on the emergence of the movement known as Neoclassicism, Mary E. Davis demonstrates that new aesthetic approaches were related to fashion in a manner that was perfectly attuned to the tastes of jazz-age sophisticates. Looking in particular at three couturiers—Paul Poiret, Germaine Bongard, and Coco Chanel—and three breakthrough fashion magazines—La Gazette du Bon Ton, Vanity Fair, and Vogue—Davis illuminates for the first time the ways in which fashion's imperatives of originality and constant change influenced composers such as Erik Satie, Igor Stravinsky, and Les Six. She also considers the role played by the Ballets Russes, and explores the contributions of artists including costume and set designer Léon Bakst, writer and director Jean Cocteau, Amédée Ozenfant, and Pablo Picasso. The first study to situate music in this rich context, Classic Chic demonstrates the profound importance of the linked endeavors of composition and couture to modernist thought. In addition to its innovative approach to this important moment in history, Davis's focus on the social aspects of the story makes the book a tremendously engaging read.

A very beautiful large format book covering French coachbuilding and styling in pre-WWII years including Bugatti, Voisin, Hispano, De Dion, Tatra, Peugeot, Bucialli, Citro�n, Panhard and more. The ultimate photographic study of the French cars in the Mullin Automotive Museum in Oxnard California.

KNOW THY ENEMY For Captain Honor Harrington, it's sometimes hard to know who the enemy really is. Despite political foes, professional jealousies, and the scandal which drove her into exile, she's been offered a chance to reclaim her career as an officer of the Royal Manticoran Navy. But there's a catch. She must assume command of a "squadron" of jury-rigged armed merchantmen with crew drawn from the dregs of her service and somehow stop the pirates who have taken advantage of the Havenite War to plunder the Star Kingdom's commerce. That would be hard enough, but some of the "pirates" aren't exactly what they seem . . . and neither are some of her "friends," For Honor has been carefully chosen for her mission¾by two implacable and powerful enemies. The way they see it, either she stops the raiders or the raiders kill her . . . and either way, they win. At the publisher's request, this title is sold without DRM (Digital Rights Management).

Over the last forty years Professor Hall has been a major contributor to the ’new view’ of Newton now generally accepted. Essentially this has derived from the bringing to light and examination of Newton’s vast, but long neglected legacy of manuscripts, and the first studies in this volume illustrate the wealth of information these provide on the earliest phases of his great discoveries in mathematics and science. In particular, they confirm the intensity and originality of Newton’s investigations before and through the ’anni mirabiles’ of 1665-66. Further papers then deal with his relations with contemporaries such as Hooke, Leibniz and Huyghens, again making extensive use of unpublished manuscript material, and with the developing influence of his work. Durant les quarante dernières années, le professeur Hall a été l’un des plus importants contributeurs à la nouvelle appréciation de l’oeuvre de Newton, qui est de nos jours la plus généralement acceptée. Ceci provient essentiellement de l’examen du vaste héritage de manuscrits laissés par Newton et très longtemps négligé; les premières études de ce volume illustrent la richesse d’informations contenues dans ceux-ci quant aux toutes premières phases de ses grandes découvertes dans le domaine des mathématiques et de le science. Ils confirment en particulier l’intensité et l’originalité des recherches de Newton avant et pendant les anni mirabiles de 1665-66. S’ajoutent à ceci plusieurs études, où il est à nouveau fait grand usage de manuscrits inédits, traitant des rapports qu’il entretenait avec ses contemporains tels, Hooke, Leibniz et Huyghens, ainsi que de l’influence progressive de ses travaux.