Drawing from the fields of music, sociology, theology, philosophy, psychology, and aesthetics, VISUAL PIETY is the first book to bring to specialist and lay reader alike an understanding of religious imagery's place in the social formation and maintenance of everyday American life--from Warner Sallman's 'Head of Christ" to velvet renditions of DaVinci's "Last Supper" to prayer card illustrations, and much more. 69 illustrations.

This book is at the interface between Visual Studies and Biblical Studies, and is the only monograph to date on St Paul's visual piety. Heath argues that biblical scholarship has downplayed this-worldly visuality in Christian culture, and that the exegesis of Paul is both a partial cause and a symptom of this 'disciplinary blind-spot'.

"Sacred gaze" denotes any way of seeing that invests its object—an image, a person, a time, a place—with spiritual significance. Drawing from many different fields, David Morgan investigates key aspects of vision and imagery in a variety of religious traditions. His lively, innovative book explores how viewers absorb and process religious imagery and how their experience contributes to the social, intellectual, and perceptual construction of reality. Ranging widely from thirteenth-century Japan and eighteenth-century Tibet to contemporary America, Thailand, and Africa, The Sacred Gaze discusses the religious functions of images and the tools viewers use to interpret them. Morgan questions how fear and disgust of images relate to one another and explains how scholars study the long and evolving histories of images as they pass from culture to culture. An intriguing strand of the narrative details how images have helped to shape popular conceptions of gender and masculinity. The opening chapter considers definitions of "visual culture" and how these relate to the traditional practice of art history. Amply illustrated with more than seventy images from diverse religious traditions, this masterful interdisciplinary study provides a comprehensive and accessible resource for everyone interested in how religious images and visual practice order space and time, communicate with the transcendent, and embody forms of communion with the divine. The Sacred Gaze is a vital introduction to the study of the visual culture of religions.

The Poor Clares convent of Corpus Domini was the first home of Saint Catherine of Bologna, but after her departure, the convent reinvented itself as a noblewomen's retreat. In doing so, it transformed ideals of poverty, humility and women's education. This book, grounded in archival research and close examination of artworks from the convent, explores the visual culture and social history of an early modern Franciscan women's community. Its careful analysis yields new insights into the changing role of the community in the d'Este political and civic spheres.

New research on Sirach for scholars and students The present volume of English and German essays includes the proceedings of an international conference held in Eichstaett, Germany, in 2017. Themes of creation, emotions, life, death, wisdom, knowledge, the individual and society, family, gender, mercy, justice, and freedom are but a few of the topics that contributors explore in this new collection. Essays explore the rich intertextual connections between Sirach and other biblical texts. Features: Attention to theological distinctions presented in the Hebrew, Greek, Syriac, and Latin versions of the book of Sirach Examination of the reception of Sirach in the New Testament and the early modern era English abstracts for German-language essays and German abstracts for English-language essays

What did Jesus look like? Pop some popcorn and invite friends as America’s beloved faith-and-film writer Edward McNulty leads us through a dozen big-screen stories inspired by Jesus’s life. McNulty provides everything you need to spark spirited discussion from the best film clips to show your group—to dozens of questions you could ask. You’ll explore hits like The Passion of the Christ and Jesus Christ Superstar. And some surprises, too! Can you find Gospel themes in Cool Hand Luke and Broadway Danny Rose?

Mirrors of the Divine brings into focus how four influential authors of the late ancient world--Tertullian of Carthage, Clement of Alexandria, Gregory of Nyssa, and Augustine of Hippo--employ language of vision and of mirrors in their discursive struggles to construct Christian agency, identity, and epistemology. Early Christian authors described the vision of God through the Pauline verse 1 Corinthians 13:12: "For now we see in a mirror, dimly, but then we will see face to face." Yet each author interpreted this verse differently, based on a diverse set of assumptions about how they understood seeing and mirrors to function: does vision occur by something leaving or entering the eye? Is one impacted by seeing or by being seen? Do mirrors offer trustworthy knowledge? Spanning the second through fourth centuries CE in both Eastern and Western Christianity, Mirrors of the Divine analyzes these four authors' theological writings on vision and knowledge of God to explore how contradictory theories of sight shaped their cosmologies, theologies, subjectivities, genders, and discursive worlds. As Emily R. Cain demonstrates, how the authors portray eyes reveals how they envisioned one's relationship to the world, while how they portray mirrors reveals how they imagined the unknown. Both have dramatic impacts on how one interprets what it means to see God through a mirror dimly. She shows that arguments about the phenomenon of visual perception are deeply intertwined with broader debates about identity, agency, and epistemology, and uncovers some of the most self-conscious ways that late ancient Christians thought of themselves, their worlds, and their God.