Explores the links between patronage, identity and Franco-Scottish relations in the late medieval and early modern periods This monograph is the first book-length study of Franco-Scottish relations and the visual arts in the late-medieval and early modern periods Offers new interdisciplinary approaches to Franco-Scottish history, that challenge traditional accounts where there has been a failure to investigate visual material Based on extensive archival research and making use of unknown and little-known visual and archival evidence, this work examines material from collections held in Scotland, France, the Netherlands, and Italy Applies innovative interdisciplinary approaches, combining patronage studies and a consideration of artistic agency. It develops new methodologies combining art historical methods with insights drawn from political, military, and architectural histories and manuscript studies Forms a significant contribution to our understanding of the history of Scotland’s place in Europe and the significance of its historic ties to France in particular This monograph provides the first substantial analysis of the visual arts commissioned by Scots in France prior to Mary Queen of Scots. It examines how Scottish identity was represented and promoted through patronage of the visual arts. Tying together previously unpublished archival documents with under-researched visual and material culture, this monograph examines how Scots used patronage to establish their place in French society thus furthering the reputation of the royal house of Scotland, and progressing their own social, political, and diplomatic aims. Incorporating analysis of grand architectural projects, such as the foundation of the Sainte-Chapelle at Vic-le-Comte, and studies of extraordinary manuscripts such as the Monypenny Breviary and the military manuals of Bérault Stuart, this work highlights recurring themes within architectural history, art history, and material culture studies. By addressing broader questions of Scotland's historic relations with Europe, it makes a necessary contribution to modern day concerns.

Explores the links between patronage, identity and Franco-Scottish relations in the late medieval and early modern periods The first substantial analysis of the visual arts commissioned by Scots in France prior to Mary Queen of Scots, this book examines how Scottish identity was represented and promoted through patronage of the visual arts. It ties together previously unpublished archival documents with under-researched visual and material culture, examining how Scots used patronage to establish their place in French society - thus both furthering the reputation of the royal house of Scotland and progressing their own social, political and diplomatic aims. The author incorporates analysis of grand architectural projects - such as the foundation of the Sainte-Chapelle at Vic-le-Comte - and studies of extraordinary manuscripts - such as the Monypenny Breviary and the military manuals of Bérault Stuart - highlighting recurring themes within architectural history, art history and material culture studies. By addressing broader questions of Scotland's historic relations with Europe, Visual Arts and the Auld Alliance makes a necessary contribution to modern-day concerns and to our understanding of Scotland's place therein. Bryony Coombs is Renaissance Teaching Fellow at the University of Edinburgh. Her research has received the Murray Medal for History (SAS) and the Jack Medal (IASSL).

The lifestyle of a Renaissance prince and his court was a work of art in itself: a dazzling spectacle which propagated the power, dignity and fame of the monarch. The domestic routine of the royal household with its palatial surroundings, restless itinerary and occasional public pageants, provided the framework for cultural activity in its widest possible sense. Fine art, architecture, scholarship, literature, music and piety jostled for attention alongside hunting, feasting, jousting, politics, diplomacy and war. Emerging defiantly from a long and turbulent minority, the adult James V managed to create for Scotland an exuberant and cosmopolitan court, which imitated in miniature those of France, England and the Netherlands, and which carried important political messages. His ambitious programme of royal patronage combined humanist scholarship, neo-classical and imperial imagery, the cult of chivalry and medieval traditions in a blend which sought to galvanise Scottish national identity and enhance the status of the House of Stewart. For many years the reputation of James V has been overshadowed by the tragic glamour of his father, James IV, killed at Flodden, and his daughter, Mary, Queen of Scots. Princelie Majestie reveals that he was an energetic and innovative patron, who in a brief fourteen years created a court culture of remarkable quality and diversity. Princelie Majestie was originally published by Tuckwell Press.

It was theology against politics. Ordinary men against changing systems of government and belief, fighting for what they believed was right. " The Bloody Covenant" tells the story of a period in which two rival forms of the same belief jostled to become the dominant theology in Scotland, and of how the Presbyterian covenants drove its followers into a century and a half of discrimination, violence and destruction. Of how the government of Great Britain and Ireland dealt with the northern threat of divided religious thought and the real danger of revolution. Ronald Ireland's account of the bloody history of the era is brought to life by following one ordinary man from one ordinary burgh of Scotland. An authoritative guide to how the big decisions made by some of most important people in the land affected individuals as well as the country as a whole, it is an essential and accessible read for anyone interested in the British civil wars of the seventeenth century.

Exploring Edinburgh is an expansive and stylishly formatted guide to the best of Edinburgh's architecture. Not only does it give a brief history of each architectural site but also includes easy to understand maps and suggested walking routes. It also explores locations outside the centre of Edinburgh for those with more time to explore the rich architectural landscape of Scotland's capital.