In this volume, scholars from North America and Europe explore the intersection of medieval identity with ethnicity, religion, power, law, inheritance, texts, and memory. They offer new historiographical interventions into questions of identity, but also of ethnonyms, conflict studies, the feudal revolution, gender and kinship studies, and local history. Employing interdisciplinary approaches and textual hermeneutics, the authors represent an international scholarly community characterized by intellectual restlessness, historiographical experimentation, and defiance of convention.

The North has long attracted attention, not simply as a circumpolar geographical location, but also as an ideological space, a place that is 'made' through the understanding, imagination, and interactions of both insiders and outsiders. The envisioning of the North brings it into being, and it is from this starting point that this volume explores how the North was perceived from ancient times up to the early modern period, questioning who, where, and what was defined as North over the course of two millennia. Covering historical periods as diverse as Ancient Greece to eighteenth-century France, and drawing on a variety of disciplines including cultural history, literary studies, art history, environmental history, and the history of science, the contributions gathered here combine to shed light on one key question: how was the North constructed as a place and a people? Material such as sagas, the ethnographic work of Olaus Magnus, religious writing, maps, medical texts, and illustrations are drawn on throughout the volume, offering important insights into how these key sources continued to be used over time. Selected texts have been compiled into a useful appendix that will be of considerable value to scholars.

Exploring the visions of the end of the Cold War that have been put forth since its inception until its actual ending, this volume brings to the fore the reflections, programmes, and strategies that were intended to call into question the bipolar system and replace it with alternative approaches or concepts. These visions were associated not only with prominent individuals, organized groups and civil societies, but were also connected to specific historical processes or events. They ranged from actual, thoroughly conceived programmes, to more blurred, utopian aspirations -- or simply the belief that the Cold War had already, in effect, come to an end. Such visions reveal much about the contexts in which they were developed and shed light on crucial moments and phases of the Cold War.

This volume is the first to explore the breadth of vision types in late medieval English lay spirituality. Analyzing 1000+ accounts, it proposes that visions buttressed five core dynamics (relating to purgatory, saints, demons, sacramental faith, and the Church's authority).

This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

Poland's first native chronicler and a proud contributor to the twelfth century renaissance placed his people's history on a continuum with the classical world. This work brings to light the importance of Poland in the making of Europe. This volume presents an in-depth analysis of the 'Chronica Polonorum', one of the greatest works of the twelfth-century renaissance which profoundly influenced history writing in Central Europe. The 'Chronica Polonorum' was written by Poland's first native historian Vincentius of Cracow. Educated in Paris and Bologna, he was the first canonically elected bishop of Cracow and a participant of the Fourth Lateran Council. The eyewitness accounts given in the 'Chronica Polonorum' offer insights into the development of twelfth-century Poland, the ambitions of its dynasty, the country's integration into Christendom, and the interaction between the Polish and Western elites. Vincentius's work is considered a masterpiece in literary erudition grounded in classical training. The historical evidence it presents illuminates the socio-cultural interaction between Poland and the West during the period. Vincentius's chronicle demonstrates the strong, enduring influence of the history, law, and traditions of ancient Rome in twelfth-century Europe.

Visions of the City is a dramatic history of utopian urbanism in the twentieth century. It explores radical demands for new spaces and ways of living, and considers their effects on planning, architecture and struggles to shape urban landscapes. The author critically examines influential utopian approaches to urbanism in western Europe associated with such figures as Ebenezer Howard and Le Corbusier, uncovering the political interests, desires and anxieties that lay behind their ideal cities. He also investigates avant-garde perspectives from the time that challenged these conceptions of cities, especially from within surrealism. At the heart of this richly illustrated book is an encounter with the explosive ideas of the situationists. Tracing the subversive practices of this avant-garde group and its associates from their explorations of Paris during the 1950s to their alternative visions based on nomadic life and play, David Pinder convincingly explains the significance of their revolutionary attempts to transform urban spaces and everyday life. He addresses in particular Constant's New Babylon, finding within his proposals a still powerful provocation to imagine cities otherwise. The book not only recovers vital moments from past hopes and dreams of modern urbanism. It also contests current claims about the 'end of utopia', arguing that reconsidering earlier projects can play a critical role in developing utopian perspectives today. Through the study of utopian visions, it aims to rekindle elements of utopianism itself. A superb critical exploration of the underside of utopian thought over the last hundred years and its continuing relevance in the here and now for thinking about possible urban worlds. The treatment of the Situationists and their milieu is a revelation. David Harvey, Distinguished Professor of Anthropology, City University of New York Graduate School